Define ANTAGONIST
A character or force AGAINST which another character struggles
Define APRON
The part of a PROSCENIUM STAGE that sticks out into the audience in front of the proscenium arch
Define ASIDE
Words spoken by an actor DIRECTLY to the audience, but NOT heard by the other characters on stage
Define BLOCKING
Movement patterns of actors on the stage.
- Planned by the director to create meaningful stage pictures
Define BOX SET
Define CATHARSIS
The PURGING of the feelings of pity & fear.
- According to Aristotle the audience should experience catharsis at the END of a tragedy
Define CHARACTER
Define CHORUS
Define CLIMAX
The volta of the ACTION in the plot of a play and the point of GREATEST TENSION in the work
Define COMIC RELIEF
Does NOT relate to the genre of comedy.
- Serves a specific purpose: it gives the spectator a moment of “relief” with a LIGHT HEARTED SCENE, after a succession of intensely tragic moments
- typically these scenes PARALLEL the tragic action that they interrupt
Define CONFLICT
-there’s no drama without conflict
- the conflict between OPPOSING FORCES in a play can be:
1) INTERNAL (within a character)
2) EXTERNAL (between characters)
- is usually resolved by the end of the play
Define COMPLICATION
An INTENSIFICATION of the conflict in a play
Define CONVENTION
Literary conventions are defining features OR common agreement upon strategies and/or attributes of a particular literary genre
- The use of a chorus was a CONVENTION in Greek tragedy
Define DENOUEMENT/ RESOLUTION
Define DIALOGUE
a style of speaking
- in drama diction can:
1) Reveal character
2) Imply attitudes
3) Convey Action
4) Identify themes
5) Suggest values
We speak of the diction PARTICULAR to a character
Define DRAMATIC IRONY
A device in which a character holds a position or has an expectation REVERSED or FULFILLED in a way that the character did NOT expect but that the audience or readers have ANTICIPATED because their knowledge of events or individuals is MORE COMPLETE than the characters
Define DYNAMIC CHARACTER
undergoes an important change in the course of the play- NOT changes in circumstance, but changes in some sense WITHIN the character in Q- changes in insight or understanding OR changes in commitment, or values.
EX: KING LEAR
The OPPOSITE is a STATIC CHARACTER who remains essentially the same.
Define EXODUS
Define EXPOSITION
Define FALLING ACTION
Define FLAT CHARACTERS
are often, but not always, relatively simple minor characters
- they tend to be presented through particular and limited traits; hence they become STEREOTYPES
- these characters do NOT change in the course of a play
Define FOIL
a SECONDARY character whose situation often PARALLELS that of the main character while his behaviour or response or character CONTRASTS with that of the main character, throwing light on that particular character’s specific TEMPERAMENT
Define FORESHADOWING
Chekhov: “One must not put a loaded rifle on stage if no one is thinking of firing it”
- CHEKHOV’s GUN (aka foreshadowing) is a literary technique that introduces an apparently irrelevant element early in the story; its SIGNIFICANCE becomes clear later in the play
Define FOURTH WALL