Editing and Films Flashcards

1
Q

A shot in a sequence that is taken from the reverse angle of the shot previous to it.

A

Reverse Shot

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2
Q

A shot transition that emphasizes the visual similarities between two consecutive shots.

A

Graphic Match

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3
Q

Average length in seconds of a series of shots.

A

Average Shot Length

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4
Q

The use of editing techniques to indicate the end of one scene and the beginning of another.

A

Shot Transitions

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5
Q

A shot transition that involves the gradual disappearance of the image at the same time that a new image gradually comes into view.

A

Dissolve

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6
Q

A scene transition in which the first frame of the incoming scene appears to push the last frame of the previous scene off the screen horizontally.

A

Wipe

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7
Q

A form of shot transition, generally concluding a scene, where a circular mask constricts around the image until the entire frame is black.

A

Iris In

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8
Q

An iris expands outward until the next shot takes up the entire screen.

A

Iris Out

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9
Q

The arrangement of images to depict a unified storyline.

A

Narrative Sequencing

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10
Q

A series of related scenes joined through elliptical editing that indicates the passage of time.

A

Montage Sequencing

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11
Q

A technique of cutting back and forth between actions occurring in two different locations.

A

Parallel Editing

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12
Q

Long shot in which the film frame resembles the proscenium arch of the stage.

A

Tableau Shot

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13
Q

A standard shot pattern that dictates that a shot of one character will be followed by a shot of another character, taken from the reverse angle of the first shot.

A

Shot/Reverse Shot

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14
Q

A continuity editing technique that preserves spatial continuity by using a character’s line of vision as motivation for a cut.

A

Eyeline Match

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15
Q

A shot that focuses on the audience on precise details that may or may not be the focus of characters.

A

Cutaways

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16
Q

A system devised to minimize the audience’s awareness of shot transitions.

A

Continuity Editing

17
Q

A sequence of shots designed to maintain spatial continuity.

A

Standard Shot Pattern

18
Q

In a standard shot sequence, the first shot.

A

Establishing Shot

19
Q

A shot that appears during or near the end of a scene and reorients viewers to the setting.

A

Re-establishing Shot

20
Q

A continuity editing rules for positioning the camera in order to maintain consistent screen direction.

A

180-degree Rule

21
Q

An abrupt, inexplicable shift in time and place of an action not signaled by an appropriate shot transition.

A

Jump Cut

22
Q

A crew member whose job is to maintain consistency in visual details from one shot to the next.

A

Continuity Editor

23
Q

A rule in continuity editing, which dictates that if a cut occurs while a character is in the midst of an action, the sequence shot must begin so that the audience sees the completion of that action.

A

Match on Action

24
Q

An alternative to continuity editing designed to exploit the differences between shots to generate intellectual and emotional responses in the audience.

A

Soviet Montage

25
Q

Any noticeable but unintended discrepancy from one shot to the next in costume, props, hairstyles, posture, etc.

A

Continuity Error

26
Q

Who directed “Saving Private Ryan”?

A

Steven Spielberg

27
Q

Who played Captain Miller in “Saving Private Ryan”?

A

Tom Hanks

28
Q

Who played Private Ryan in “Saving Private Ryan”?

A

Matt Damon

29
Q

Who directed “Inglorious Basterds”?

A

Quentin Tarantino

30
Q

Who played Lt. Aldo Raine in “Inglorious Basterds”?

A

Brad Pitt

31
Q

Who played Hans Landa in “Inglorious Basterds”?

A

Christoph Waltz