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Flashcards in Future Bass Deck (124)
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1

Saksham - how to make modern future bass - 
-Starting playing around on piano sounds to get something cool.
--Adding echoboy to a piano loop he made.
---Finding a cool guitar loop to put with it.
----Bass Guitar Simple 1/8 note root bass. Distort, eq, compress.
-----Mixing Pop music in? Rip pop vocals?
-Break: Vocal shots with lots of reverb and panning.
--Sub Bass
---DROP: Big big wobble drop saw chords with layers WITH Wobble white noise. 1/16 notes, could be different.
----Pitch automated synth: 
-----"Dank" Drop wobble bass at 1/16 notes
-Glide bass...Pitch glide 808 LOL
--Sidechain the kick to bass, and peak controller on the kick mixer channel, Link to EQ2 on bass to duck bass.
---Vocal Chops - Loop and shots in the drop to keep it interesting.
----Ear candy white noise and FX and drum hits and synth hits etc etc.
-BUILD - Panned Toms with reverb, multiple stacked risers and drum loops, etc.

Saksham - how to make modern future bass - 
-Starting playing around on piano sounds to get something cool.
--Adding echoboy to a piano loop he made.
---Finding a cool guitar loop to put with it.
----Bass Guitar Simple 1/8 note root bass. Distort, eq, compress.
-----Mixing Pop music in? Rip pop vocals?
-Break: Vocal shots with lots of reverb and panning.
--Sub Bass
---DROP: Big big wobble drop saw chords with layers WITH Wobble white noise. 1/16 notes, could be different.
----Pitch automated synth: 
-----"Dank" Drop wobble bass at 1/16 notes
-Glide bass...Pitch glide 808 LOL
--Sidechain the kick to bass, and peak controller on the kick mixer channel, Link to EQ2 on bass to duck bass.
---Vocal Chops - Loop and shots in the drop to keep it interesting.
----Ear candy white noise and FX and drum hits and synth hits etc etc.
-BUILD - Panned Toms with reverb, multiple stacked risers and drum loops, etc.

2

Saksham - How To Make INSANE VOCAL CHOPS 
-Get Acapella
--Drag vocals into slicex
---Find good chops and drag the midi on.
----Render and process the loop.

Saksham - How To Make INSANE VOCAL CHOPS 
-Get Acapella
--Drag vocals into slicex
---Find good chops and drag the midi on.
----Render and process the loop.

3

Saksham - How to make future pop - 
-you basically can do anything you want.
--Deep emotional piano starting.
---Noised piano, reverb, telephone EQ,
----Vibrato Lofi Piano, sadness.
-----808 bassline, Add sub, automate distortion, etc.
-Wobble Chords, 
--Intro: Introduce part of the vocal with lots of reverb/delays
---Break Down Drums: kick kick snare pattern, with bass sidechained to kick, normalish hat pattern and some extra percussion.
----Modern Build: Lots of layered risers, pitching up, drums, etc, endless smile.
-----Drop Chords: Some wobble, some not, BUT has silent space between chords AND shite noise pumping.
-CALL AND RESPOSNE BETWEEN CHORD LAYERS
--Chords are mostly super wide, atleast has wide layers.
---Drop Bass : Saw bass and sub bass, crispy bass layer, and Response Bass Layer. WITH atleast 1 stereo layer.
----Vocal Ambience - wiggling around
-Vocal Chops - Processed part of the acapella
 

Saksham - How to make future pop - 
-you basically can do anything you want.
--Deep emotional piano starting.
---Noised piano, reverb, telephone EQ,
----Vibrato Lofi Piano, sadness.
-----808 bassline, Add sub, automate distortion, etc.
-Wobble Chords, 
--Intro: Introduce part of the vocal with lots of reverb/delays
---Break Down Drums: kick kick snare pattern, with bass sidechained to kick, normalish hat pattern and some extra percussion.
----Modern Build: Lots of layered risers, pitching up, drums, etc, endless smile.
-----Drop Chords: Some wobble, some not, BUT has silent space between chords AND shite noise pumping.
-CALL AND RESPOSNE BETWEEN CHORD LAYERS
--Chords are mostly super wide, atleast has wide layers.
---Drop Bass : Saw bass and sub bass, crispy bass layer, and Response Bass Layer. WITH atleast 1 stereo layer.
----Vocal Ambience - wiggling around
-Vocal Chops - Processed part of the acapella
 

4

Saksham - How to make Epic KAWAII Future BASS - 
-Start with come chill melody
--Chords: With cutoff automation for movement
---Marshmello Bass: constant 1/8 note octave moving bass.
----Kawaii Vocal Lead Sounds - 
-----Old School Funky Drum Beat - 
-Layered Riser Buildup with drums and shit - 
--Drop Chords: 1/8 beat LFO chords,  pick your shape, glitch FX, 
---Drop Bass - Subs and basses layered and powerful.
----Glitch 1.3 - Just a tape stop FX sometimes.
-----Drop Leads - Sounds arabic, main lead mono??? ok.. Stereo leads for support. 
-Automated LFO speed.

Saksham - How to make Epic KAWAII Future BASS - 
-Start with come chill melody
--Chords: With cutoff automation for movement
---Marshmello Bass: constant 1/8 note octave moving bass.
----Kawaii Vocal Lead Sounds - 
-----Old School Funky Drum Beat - 
-Layered Riser Buildup with drums and shit - 
--Drop Chords: 1/8 beat LFO chords,  pick your shape, glitch FX, 
---Drop Bass - Subs and basses layered and powerful.
----Glitch 1.3 - Just a tape stop FX sometimes.
-----Drop Leads - Sounds arabic, main lead mono??? ok.. Stereo leads for support. 
-Automated LFO speed.

5

Saksham - HOW TO MAKE AGGRESSIVE MAINSTREAM FUTURE BASS
-165 bpm???
--Acapella, mainstream chords
---Chord Pitch Automation
----Pumping Pads
-----Bass: Very simple root bass 1 bar each with some glide.
-Arp, filling spaces with arp.
--Drop Chords: Some lead sounds, super saw chords, 
---Basses: Gritty and satured and distorted layers. 
----Lead: Generic mainstream sound, plucky and cute? lol, tape stop effect.
-----Drop Drum Beat: stuff,

Saksham - HOW TO MAKE AGGRESSIVE MAINSTREAM FUTURE BASS
-165 bpm???
--Acapella, mainstream chords
---Chord Pitch Automation
----Pumping Pads
-----Bass: Very simple root bass 1 bar each with some glide.
-Arp, filling spaces with arp.
--Drop Chords: Some lead sounds, super saw chords, 
---Basses: Gritty and satured and distorted layers. 
----Lead: Generic mainstream sound, plucky and cute? lol, tape stop effect.
-----Drop Drum Beat: stuff,

6

Saksham - super future bass music like marshmello
-140 bpm
--Chords with variation and spaces
---1/8 note chord layers 
----Vocal chop melody - Simple meoody, 1/16 notes mostly.
-----Lots of lead layers, lots of chord layers
-Change chord length to make it groovy.
--Mello Bass - Seems to ahve a click and white noise in it. 
--Layered hi hat pattern.
---Pads, short pad layers with attack.
----Plucky white noise chords.
-----Sub Bass - Simple pattern.
-Reesy Bass - gaps it its pattern.
--Square lead riff in spots
---Drop chords bigger than other chords?
----Drop Bass: Plucky bass, mello bass, sub bass.
-----Drop Lead: Vox, supporting leads, 
--Random drum fills
---Childish voice in places.
----Build: Lots of drums and risers stacked up.
-Drop Drum Beat - kick kick..kick+clap, kick kick. Layered. With lots of crashes and noise to move the drums forward and variations in the kick pattern. 

Saksham - super future bass music like marshmello
-140 bpm
--Chords with variation and spaces
---1/8 note chord layers 
----Vocal chop melody - Simple meoody, 1/16 notes mostly.
-----Lots of lead layers, lots of chord layers
-Change chord length to make it groovy.
--Mello Bass - Seems to ahve a click and white noise in it. 
--Layered hi hat pattern.
---Pads, short pad layers with attack.
----Plucky white noise chords.
-----Sub Bass - Simple pattern.
-Reesy Bass - gaps it its pattern.
--Square lead riff in spots
---Drop chords bigger than other chords?
----Drop Bass: Plucky bass, mello bass, sub bass.
-----Drop Lead: Vox, supporting leads, 
--Random drum fills
---Childish voice in places.
----Build: Lots of drums and risers stacked up.
-Drop Drum Beat - kick kick..kick+clap, kick kick. Layered. With lots of crashes and noise to move the drums forward and variations in the kick pattern. 

7

Ultrasonic - How to make future bass - 
150 BPM,
Drums - Basic future bass beat. 
Kick - 1, 3 of each bar, and on the 2 only of each bar alternating.
Snare - On 2 of each bar.
hi hats/ cymbals/crash - pattern
Parc loops - 
Drum Fill -

Melody - 
Chords - 
Layering Lead - Guitar, piano, vocal sample, synth.
Layering Chords - One of the layers is just white onise, and a growl shape LFO on them.

Bass - 
Mid bass growls
Sub Bass - 808, dubstep growls? lol.

Ultrasonic - How to make future bass - 
150 BPM,
Drums - Basic future bass beat. 
Kick - 1, 3 of each bar, and on the 2 only of each bar alternating.
Snare - On 2 of each bar.
hi hats/ cymbals/crash - pattern
Parc loops - 
Drum Fill -

Melody - 
Chords - 
Layering Lead - Guitar, piano, vocal sample, synth.
Layering Chords - One of the layers is just white onise, and a growl shape LFO on them.

Bass - 
Mid bass growls
Sub Bass - 808, dubstep growls? lol.

8

Ultrasonic - How to make KAWAII future bass - 

Bass- Writes Bassline, simple 4 chord, 1 bar each prog, but octaving.
Chords - Writes chords, lots of piano, 
Melody - Writes melody, "sweet and catchy", portamento, 
NOTE: Adding variation by setting snap to 1/3 step.
Sub - Fat and distorted?
Kawaii Drum Beat - kicks, snares, percs, jungle bells, rides/crashes, cute vocal chant, drum loops,

Breakdown - 
Can be same chords but different sound.
Breakdown melody - kawaii plucks

Build up - 
Drop melody, drums, fx.

Ultrasonic - How to make KAWAII future bass - 

Bass- Writes Bassline, simple 4 chord, 1 bar each prog, but octaving.
Chords - Writes chords, lots of piano, 
Melody - Writes melody, "sweet and catchy", portamento, 
NOTE: Adding variation by setting snap to 1/3 step.
Sub - Fat and distorted?
Kawaii Drum Beat - kicks, snares, percs, jungle bells, rides/crashes, cute vocal chant, drum loops,

Breakdown - 
Can be same chords but different sound.
Breakdown melody - kawaii plucks

Build up - 
Drop melody, drums, fx.

9

Inspir Aspir - How to make FUTURE BASS
Bit more focused on the chords and on sound design? ok.
-CHORDS - layer them, and often use lead sounds too. OTT.
--Drums - Kick snare pattern, crashes, shakers, shakers, stuff.
Misc Foley Percussion
White Noise

Inspir Aspir - How to make FUTURE BASS
Bit more focused on the chords and on sound design? ok.
-CHORDS - layer them, and often use lead sounds too. OTT.
--Drums - Kick snare pattern, crashes, shakers, shakers, stuff.
Misc Foley Percussion
White Noise

10

Di Young - How to make future bass

Non classic future bass arrangement
Intro - 
Intro chords - sparse and chill, semi arp
Intro melody - sparse, plucky, nice, with a trill at the end.
Vinyl Noise
Vocal shots
Brass
pads - 
Cinematic impacts, drums, 
Piano chords, guitar lead - 
Call and response between layers and vocal shots.

Build up - Lots of stacked downfilters, uprisers, crashes, etc. clap, snare build,

Drop Chords - More going on.
Drop Meolody - 
Drop Bass - sub and mid More distorted

Di Young - How to make future bass

Non classic future bass arrangement
Intro - 
Intro chords - sparse and chill, semi arp
Intro melody - sparse, plucky, nice, with a trill at the end.
Vinyl Noise
Vocal shots
Brass
pads - 
Cinematic impacts, drums, 
Piano chords, guitar lead - 
Call and response between layers and vocal shots.

Build up - Lots of stacked downfilters, uprisers, crashes, etc. clap, snare build,

Drop Chords - More going on.
Drop Meolody - 
Drop Bass - sub and mid More distorted

11

Di Young - Emotional Future Bass Drop
Drums - Constant hats and rides, odd kick pattern and snare.
Bass - normal
Brass - Drabs on chord changes
Chords - Standard
Leads - Call and response bar to bar. A and B melodic sections and layers.

Di Young - Emotional Future Bass Drop
Drums - Constant hats and rides, odd kick pattern and snare.
Bass - normal
Brass - Drabs on chord changes
Chords - Standard
Leads - Call and response bar to bar. A and B melodic sections and layers.

12


Di Young - Romantic Progressive House - 
Kick and Clap 4/4 constant
Chords - Future basss
Noise - Chord noise layers
Pad 0 Chord pad, all hard sidechained.
Bass - basic
FX - Crashes
Lead - AB call and response plucky and wiggly.


Di Young - Romantic Progressive House - 
Kick and Clap 4/4 constant
Chords - Future basss
Noise - Chord noise layers
Pad 0 Chord pad, all hard sidechained.
Bass - basic
FX - Crashes
Lead - AB call and response plucky and wiggly.

13

Di Young - How to make future bass nightcore - 
Kick Snare - Future Bass Couplet, 
Kick - 1, 2 and 
Snare - 3, 4 and
Background Pluck - Melodic hits
Major Chords - Plucky ish, 
Vocal Chops - melodic.
Leead guitar and synth - 
Bass/Crass - 4 bar 1 bar each
Sub -  4 bar 1 bar each
Noise FX

Drop - 
Kick Snare - 4/4 both
Bass - 1/8 notes constant
Pads - distorted
Layer lead - 
Crash, impact.
 

Di Young - How to make future bass nightcore - 
Kick Snare - Future Bass Couplet, 
Kick - 1, 2 and 
Snare - 3, 4 and
Background Pluck - Melodic hits
Major Chords - Plucky ish, 
Vocal Chops - melodic.
Leead guitar and synth - 
Bass/Crass - 4 bar 1 bar each
Sub -  4 bar 1 bar each
Noise FX

Drop - 
Kick Snare - 4/4 both
Bass - 1/8 notes constant
Pads - distorted
Layer lead - 
Crash, impact.
 

14

Di Young - Noob vs pro Future Bass - 
-Pro
--Layer lead 3x+
Layer chords 8x+
Layer Bass - sub, low bass, low mid bss, mid bass, mid high bass,
Vocal chop

Di Young - Noob vs pro Future Bass - 
-Pro
--Layer lead 3x+
Layer chords 8x+
Layer Bass - sub, low bass, low mid bss, mid bass, mid high bass,
Vocal chop

15

Di Young - Alan Walker Style
-Sub Bass, Low Mid Bass, Mid Bass, Mid High Bass
--Chords - STACK THE LAYERS!!!!
---Pad
-Brass-
Drums - kick ride on 1 and 3, clap on 3 of each bar.
Crash and Impact - 
lead Melody - Lots of repeating notes between each movement.
Sidechain - DEEP on Bass, chords, pads, and 60% of that on the leads.
 

Di Young - Alan Walker Style
-Sub Bass, Low Mid Bass, Mid Bass, Mid High Bass
--Chords - STACK THE LAYERS!!!!
---Pad
-Brass-
Drums - kick ride on 1 and 3, clap on 3 of each bar.
Crash and Impact - 
lead Melody - Lots of repeating notes between each movement.
Sidechain - DEEP on Bass, chords, pads, and 60% of that on the leads.
 

16

Di Young - Noob vs Pro Kawaii - 

Pro - 
Couplet Vocal Chop - Different for verse vs chorus
Background Synth - Different for verse vs Chorus
Leads - Call and response during drop, 
Bass - Octaver bass, 1/4 bar changes, Drop bass more 1 bar sustained?
Noise/Impact - 
Drop Bass Shots - 
Drop Chords - 
Drums - 

Di Young - Noob vs Pro Kawaii - 

Pro - 
Couplet Vocal Chop - Different for verse vs chorus
Background Synth - Different for verse vs Chorus
Leads - Call and response during drop, 
Bass - Octaver bass, 1/4 bar changes, Drop bass more 1 bar sustained?
Noise/Impact - 
Drop Bass Shots - 
Drop Chords - 
Drums - 

17

Di Young - Road to NCS Future Bass - 
-Intro 150 BPM
Piano Chords
Cute Lead
Vocal Chop
Cute PLuck
Sweeps up,
Noise
Fill

Di Young - Road to NCS Future Bass - 
-Intro 150 BPM
Piano Chords
Cute Lead
Vocal Chop
Cute PLuck
Sweeps up,
Noise
Fill

18

Skifonix - how to produce a dua lipa style track
Tropical house mixed with future pop.

Main sound, marimba, organ, perc layer, 
Snaps on 1 and 3, no real hard hitting drums.
Lots of aux percussion.
Hard brass stabs and flutey/vocal noises

Drums - 
Found a drum loop that fit the vibe he wanted, HPF cut the kick, then layered his own sounds on top of it.
NOTE: Slicex the kick out would probably be better.
Hats - Stereo and panning around.
Clunky Perc - 
Snare - snap and snare 
Kick - Made of 3 layers, thump, click, hat, 

Sub - 808, adding some harmonics to make it cut through, saturation, distortion, fm, 
Vox - 
Flutey - Portamental small notes like glide notes, 
Brass - 

Skifonix - how to produce a dua lipa style track
Tropical house mixed with future pop.

Main sound, marimba, organ, perc layer, 
Snaps on 1 and 3, no real hard hitting drums.
Lots of aux percussion.
Hard brass stabs and flutey/vocal noises

Drums - 
Found a drum loop that fit the vibe he wanted, HPF cut the kick, then layered his own sounds on top of it.
NOTE: Slicex the kick out would probably be better.
Hats - Stereo and panning around.
Clunky Perc - 
Snare - snap and snare 
Kick - Made of 3 layers, thump, click, hat, 

Sub - 808, adding some harmonics to make it cut through, saturation, distortion, fm, 
Vox - 
Flutey - Portamental small notes like glide notes, 
Brass - 

19

Skifonix - Guitar influenced marshmello pop - 
Guitar Layers - 4-5 layers
lead guitar with distorted guitar below

In serum, drags in a guitar sample G2 and then FM from another OSC.

Using notes a half step apart to add intermodulation distortion.

Guitar layers are sent to reverb buss and the reverb is compressor sidechained to the dry.

Skifonix - Guitar influenced marshmello pop - 
Guitar Layers - 4-5 layers
lead guitar with distorted guitar below

In serum, drags in a guitar sample G2 and then FM from another OSC.

Using notes a half step apart to add intermodulation distortion.

Guitar layers are sent to reverb buss and the reverb is compressor sidechained to the dry.

20

EDM Remakes - how to sound like illenium - 
Intro - 
Simple guitar riff with reverb wet amount filtering out.
Saw bass distorted
ambient violins
Reverb plucks

Verse - 
Piano chords, vocal melody with piano,
Click ticks for rhythm, earcandy

Buildup - 
Chord chops and bass chops raising in velocity.
Fade and filter in drop saws.
Cinematic Drum loop with snare riser.
Layered Risers and White noise
whoosh noises

Drop - 
Heavy kick and stomp kick with claps and snares on the offbeats. with highats

More supersaw layers, sidechained hard,
Reese and saw bass only mids, distorted?, sidechain hard too

Sub - distorted and filtered

Lead - Screaming lead with white noise and reverb.

Tom fills, bass shots, lots of reverses

EDM Remakes - how to sound like illenium - 
Intro - 
Simple guitar riff with reverb wet amount filtering out.
Saw bass distorted
ambient violins
Reverb plucks

Verse - 
Piano chords, vocal melody with piano,
Click ticks for rhythm, earcandy

Buildup - 
Chord chops and bass chops raising in velocity.
Fade and filter in drop saws.
Cinematic Drum loop with snare riser.
Layered Risers and White noise
whoosh noises

Drop - 
Heavy kick and stomp kick with claps and snares on the offbeats. with highats

More supersaw layers, sidechained hard,
Reese and saw bass only mids, distorted?, sidechain hard too

Sub - distorted and filtered

Lead - Screaming lead with white noise and reverb.

Tom fills, bass shots, lots of reverses

21

EDM Remakes -HOW TO MAKE A FUTURE BASS HIT IN UNDER 5 MINUTES
-150 BPM
--Punchy kick with low end EQd out.
---Thumpy bass kick layered with it.
Snare
Trap crash
Ride
-Sidechain ride and crash to the kick.
--Add various crash and sweep FX.
---Transition FX
-hihat in second half of drop
Delayed crash, shaker loop
Vinyl FX.
-Serum MASSIVE SUPERSAWS, REESE BASS, MID BASS, SUB BASS
--Intro Arp with lots of reverb.
Heavy Pads
--More sweeps downlifters, transition FX.
---Vocal CHOPS - 
Filter in your elements during the build.
Tons of risers and sweeps,
Everything sidechained to the kick.

EDM Remakes -HOW TO MAKE A FUTURE BASS HIT IN UNDER 5 MINUTES
-150 BPM
--Punchy kick with low end EQd out.
---Thumpy bass kick layered with it.
Snare
Trap crash
Ride
-Sidechain ride and crash to the kick.
--Add various crash and sweep FX.
---Transition FX
-hihat in second half of drop
Delayed crash, shaker loop
Vinyl FX.
-Serum MASSIVE SUPERSAWS, REESE BASS, MID BASS, SUB BASS
--Intro Arp with lots of reverb.
Heavy Pads
--More sweeps downlifters, transition FX.
---Vocal CHOPS - 
Filter in your elements during the build.
Tons of risers and sweeps,
Everything sidechained to the kick.

22

EDM Remakes - Future bass track without hearing it - 
-Top kick and thump kick
--snares, clap, percs, etc,
---drum beat, random fills, automating reverb and sidechain.
Tons of rides, hats in second half of drop.
-EVERYTHING sidechained to the kick to make it punch hard.

EDM Remakes - Future bass track without hearing it - 
-Top kick and thump kick
--snares, clap, percs, etc,
---drum beat, random fills, automating reverb and sidechain.
Tons of rides, hats in second half of drop.
-EVERYTHING sidechained to the kick to make it punch hard.

23

OSOS - HOW TO MAKE FUTURE BASS - 
-120? lol
--He has long chords, chopped chords, super chopped chords
---Piano melody, guitar melody
 

OSOS - HOW TO MAKE FUTURE BASS - 
-120? lol
--He has long chords, chopped chords, super chopped chords
---Piano melody, guitar melody
 

24

EDM Remakes - HOW TO FUTURE BASS

Intro:
-Combines drums from trap and hip hop, with supersaws from progressive house.
-Acapella - 
--Guitar sample in the same key
---Pads in the background
----One shots with lots of reverb.

Verse:
Jazz guitar with distortion
Distorted Bass Guitar
Whoosh sounds

Build:
LPF in drop melody/bass during build.
Risers
Snare roll
Whoosh
Sub Drop, Sub Rise

Drop:
Drum beat with layered snares
Tom
Distorted Vocal Chops
Sub
Layer Reese bases and distorted super saws
Super saw lead, and super saw chords?
Noise down sweeps
Pluck reverbs

EDM Remakes - HOW TO FUTURE BASS

Intro:
-Combines drums from trap and hip hop, with supersaws from progressive house.
-Acapella - 
--Guitar sample in the same key
---Pads in the background
----One shots with lots of reverb.

Verse:
Jazz guitar with distortion
Distorted Bass Guitar
Whoosh sounds

Build:
LPF in drop melody/bass during build.
Risers
Snare roll
Whoosh
Sub Drop, Sub Rise

Drop:
Drum beat with layered snares
Tom
Distorted Vocal Chops
Sub
Layer Reese bases and distorted super saws
Super saw lead, and super saw chords?
Noise down sweeps
Pluck reverbs

25

EDM Remakes - HOW TO VOCAL CHOPS - 
-Relatively tight and repetitive vocal chop melodic riff. Easily hum able.
--HPF and distort, and Transpose up, monophonic, guitar/amp pedal it.
Drop Drums:
Kick+Snare Rhythm
Layer Crashes
1/16th note hats
Tom Fills
Ride
More rides
More FX

EDM Remakes - HOW TO VOCAL CHOPS - 
-Relatively tight and repetitive vocal chop melodic riff. Easily hum able.
--HPF and distort, and Transpose up, monophonic, guitar/amp pedal it.
Drop Drums:
Kick+Snare Rhythm
Layer Crashes
1/16th note hats
Tom Fills
Ride
More rides
More FX

26

Kyrix - Mixing Reggae with Future Bass
-Choppy triad chords
--Organ layers
---Guitar melody, brass, super saw chords
----NOTE: Vocal chops he made with SliceX
-----Rainforest Atmosphere

Kyrix - Mixing Reggae with Future Bass
-Choppy triad chords
--Organ layers
---Guitar melody, brass, super saw chords
----NOTE: Vocal chops he made with SliceX
-----Rainforest Atmosphere

27

Oversampled - How to make ambient Pads - 
-Making an Arpeggio, with tones of reverb and recording it.

Oversampled - How to make ambient Pads - 
-Making an Arpeggio, with tones of reverb and recording it.

28

Miruku - How i make Kawaii future bass
-140-160
--Sidechaining with fruity balance automation clip
---Drums: Kick, snare, pots, pans, foley, cute stuff.
----Chords - Many of them falling of strong beats, and extending past bars, but still quantized. A B call response chords
Drop Chords - more stuff?
-Melody - Serum mono legato, drop melody vs non drop melody, 
--Filler Melody - Response melody
--Cute Vox sounds.
-White noise layers
--Layering
---Vox and vox chops and vox shots
-Editing Vox with newtone. 
--Kawaii pluck

Miruku - How i make Kawaii future bass
-140-160
--Sidechaining with fruity balance automation clip
---Drums: Kick, snare, pots, pans, foley, cute stuff.
----Chords - Many of them falling of strong beats, and extending past bars, but still quantized. A B call response chords
Drop Chords - more stuff?
-Melody - Serum mono legato, drop melody vs non drop melody, 
--Filler Melody - Response melody
--Cute Vox sounds.
-White noise layers
--Layering
---Vox and vox chops and vox shots
-Editing Vox with newtone. 
--Kawaii pluck

29

Cymatics - How to make Future Bass Drop- - 
-Find a nice kick, then layers two snares. 
--Records snare with reverb into edison, takes the part he wants and drags it into the playlist as a reverse for the other snares.
---Perc Loop on fad in stacked with the reverse reverb snare.
----Rides, cymbals, etc. 
NOTE: on the loop, he switches it to stretch, stretches it to a bar length, then swaps to resample.
NOTE: Sidehcain automation for both kick and for snare also. So could route the kick and snare together to a channel and use them together as a sidehcain trigger, but muted? Or put in Midi trigger where they fall.
-Adds a crash at the start 
--Vocal Loops - Finds a vocal chop loop he likes, stretch to bar, then turn off and put on generic. OTT, Reverb, compressor, HPF.
---Chords: Saw with unison, OTT, soft waveshaper, 
----Arp: Adding ARP LAYER(s) to the chords with the arpeggiate tool in piano roll. Super fast arp with square wave, unison, reverb, interesting.
-----Mid bass - serum, White noise, saws with unison, Tube Distorition, ott, waveshaper, 
-Sub: OTT on sub? OK! 
--Pitcher on vocal chops. If it doesnt work, put it in newtone and fix it.
 

Cymatics - How to make Future Bass Drop- - 
-Find a nice kick, then layers two snares. 
--Records snare with reverb into edison, takes the part he wants and drags it into the playlist as a reverse for the other snares.
---Perc Loop on fad in stacked with the reverse reverb snare.
----Rides, cymbals, etc. 
NOTE: on the loop, he switches it to stretch, stretches it to a bar length, then swaps to resample.
NOTE: Sidehcain automation for both kick and for snare also. So could route the kick and snare together to a channel and use them together as a sidehcain trigger, but muted? Or put in Midi trigger where they fall.
-Adds a crash at the start 
--Vocal Loops - Finds a vocal chop loop he likes, stretch to bar, then turn off and put on generic. OTT, Reverb, compressor, HPF.
---Chords: Saw with unison, OTT, soft waveshaper, 
----Arp: Adding ARP LAYER(s) to the chords with the arpeggiate tool in piano roll. Super fast arp with square wave, unison, reverb, interesting.
-----Mid bass - serum, White noise, saws with unison, Tube Distorition, ott, waveshaper, 
-Sub: OTT on sub? OK! 
--Pitcher on vocal chops. If it doesnt work, put it in newtone and fix it.
 

30

Miruku - how to makte future house with future bass style like don diablo - 
-128 BPM, SWing 50%
--Chords piano
---Drums with snaps, lots of white noise, hat loop
----Futre bass chords
NOTE: He uses peak controller linked to a fruity balance for future bass wobbles
-Chord Stabs
--Layers
-Sub
--BOuncy Bass
---FX, and audio hits.

Miruku - how to makte future house with future bass style like don diablo - 
-128 BPM, SWing 50%
--Chords piano
---Drums with snaps, lots of white noise, hat loop
----Futre bass chords
NOTE: He uses peak controller linked to a fruity balance for future bass wobbles
-Chord Stabs
--Layers
-Sub
--BOuncy Bass
---FX, and audio hits.

31

Miruku - How To Make EPIC Future Bass x Arabian Lead
-150bpm
--I-II-II-IV chord progresssion, with anticipations, suspensions, and chromatic tones.
---Chords and melody thats whatever it is.
----arabian lead, wobble saw chords, standard.
-WOBBLE PAD/ GATED PAD
--EPIC Cinematic Drums and crashes.
---EPIC BRASS
-VOX Fromttexttospeech.com

Miruku - How To Make EPIC Future Bass x Arabian Lead
-150bpm
--I-II-II-IV chord progresssion, with anticipations, suspensions, and chromatic tones.
---Chords and melody thats whatever it is.
----arabian lead, wobble saw chords, standard.
-WOBBLE PAD/ GATED PAD
--EPIC Cinematic Drums and crashes.
---EPIC BRASS
-VOX Fromttexttospeech.com

32

Miruku - How ot make yoru own Bass Sound (reese and 808)
-Saw, unison, distorted, LPF, OTT.

Miruku - How ot make yoru own Bass Sound (reese and 808)
-Saw, unison, distorted, LPF, OTT.

33

Miruku - how ot copy hyper potions, syntion, MYLK - 
-Chill chords, lofi like 
--Wobble chord stabs
---Bass: Layer 808 and sub and distort it.
----Melody: Layer VOX and Perc/cute noise
-Marimba chord stabs
--Detuned saw wobble chords
---Mono legato lead
-White noises, risers, falls, hits.

Miruku - how ot copy hyper potions, syntion, MYLK - 
-Chill chords, lofi like 
--Wobble chord stabs
---Bass: Layer 808 and sub and distort it.
----Melody: Layer VOX and Perc/cute noise
-Marimba chord stabs
--Detuned saw wobble chords
---Mono legato lead
-White noises, risers, falls, hits.

34

Ultrasonic - illenium future bass - 
-Thump kick, top kick
--Snare stack, lots.
---Make kick snare pattern you like
----Drum fills, noise FX, white noises, crashes, sidechained white noise, 
-----VOX - Rip an acapella and process it.
-VOX Chops - SliceX, drag vocal in, auto slice, find good chops, make pattern. Add tons of processing until it sounds amazing.
--Bassline: distorted and gritty lots of layers of different types. 
---Drop Chords: 10 layers, with white noise.
----Sidehcain: Lots of it! 
-Break Chords: Switch to softer sounds, like piano and rhodes, chill sounds, this creates more contrast between sections and increases emotional impact.
--Break Bass: Fat 808, 
---Aux Perc: Vinyl, hat loop, shaker, whatever.
----Brass and other bass noises, shots, etc.
-Layered Buildup - 

Ultrasonic - illenium future bass - 
-Thump kick, top kick
--Snare stack, lots.
---Make kick snare pattern you like
----Drum fills, noise FX, white noises, crashes, sidechained white noise, 
-----VOX - Rip an acapella and process it.
-VOX Chops - SliceX, drag vocal in, auto slice, find good chops, make pattern. Add tons of processing until it sounds amazing.
--Bassline: distorted and gritty lots of layers of different types. 
---Drop Chords: 10 layers, with white noise.
----Sidehcain: Lots of it! 
-Break Chords: Switch to softer sounds, like piano and rhodes, chill sounds, this creates more contrast between sections and increases emotional impact.
--Break Bass: Fat 808, 
---Aux Perc: Vinyl, hat loop, shaker, whatever.
----Brass and other bass noises, shots, etc.
-Layered Buildup - 

35

Di Young - How to make insane future bass - 
-160BPM
--kick, reverse kick.
---Snares - Layers and process together.
----Chords: Layers, piano, saws, white noise, saw, 
-----Sidechain fruity balance: Small automation clip with fruity balance, and make shape, send your sidechained stuff to that channel.
-Bass: Sub bass, bass, mid bass, layers layers,
--Lead: Vox layers, 

Di Young - How to make insane future bass - 
-160BPM
--kick, reverse kick.
---Snares - Layers and process together.
----Chords: Layers, piano, saws, white noise, saw, 
-----Sidechain fruity balance: Small automation clip with fruity balance, and make shape, send your sidechained stuff to that channel.
-Bass: Sub bass, bass, mid bass, layers layers,
--Lead: Vox layers, 

36

Miruku - Making a melodic future bass from scratch - 
-Chords ,and a chord switch up in rhythm or sound near the end of the loop.
--Trills rather than arp.

Miruku - Making a melodic future bass from scratch - 
-Chords ,and a chord switch up in rhythm or sound near the end of the loop.
--Trills rather than arp.

37

Miruku - How to make epic future bass with stock plugins
-Kicks: Layer
--Snare: Layer
---Hats: Layer
----Harmless/harmor presets
-----Lotsof white noise with 3x OSC
-Bass: Thick and layered
--Lead: Thick and layered
---Arp: Plucky and repetitive
-VOX: Background vocal
--Speech plugin - Type in speech, match tempo, save and drag it in. MIDI channel route to pitcher.

Miruku - How to make epic future bass with stock plugins
-Kicks: Layer
--Snare: Layer
---Hats: Layer
----Harmless/harmor presets
-----Lotsof white noise with 3x OSC
-Bass: Thick and layered
--Lead: Thick and layered
---Arp: Plucky and repetitive
-VOX: Background vocal
--Speech plugin - Type in speech, match tempo, save and drag it in. MIDI channel route to pitcher.

38

Di Young - How to make emotional future bass drop - 
-Kick: Transient master, glue compressor, saturator,
--with reverse kick
---Snares: layers, reverses,
----Brass: 
-Pads - 
--Bass: 808 bass, drop sub bass, brass bass, mid bass, 
---VOX Chop - 
----Lead: layers and on different octaves, 
NOTE: Always call and resposne between vocal layers/vox chops and the synth stacks.

Di Young - How to make emotional future bass drop - 
-Kick: Transient master, glue compressor, saturator,
--with reverse kick
---Snares: layers, reverses,
----Brass: 
-Pads - 
--Bass: 808 bass, drop sub bass, brass bass, mid bass, 
---VOX Chop - 
----Lead: layers and on different octaves, 
NOTE: Always call and resposne between vocal layers/vox chops and the synth stacks.

39

LHB Music - how ot make melodic future bass
-90 BPM,  generic 4 chord progression.
--Intro guitar pick melody
---Bell Chords: On intro
----Midbass:
-Plucky thing during buildup
--Pluck chords during buildup
---Chords: Standard saw chords, 
-Sub: 
--Drop Melody: Glidey and interesting
---Break Drums: Kick, snare, hats
----Drop Drums: Kick Snare that are huger
-----Drum FIll Transition
-Vocal Chops Fill
--Snare and claps for build,
---Transiton VS and sidechain

LHB Music - how ot make melodic future bass
-90 BPM,  generic 4 chord progression.
--Intro guitar pick melody
---Bell Chords: On intro
----Midbass:
-Plucky thing during buildup
--Pluck chords during buildup
---Chords: Standard saw chords, 
-Sub: 
--Drop Melody: Glidey and interesting
---Break Drums: Kick, snare, hats
----Drop Drums: Kick Snare that are huger
-----Drum FIll Transition
-Vocal Chops Fill
--Snare and claps for build,
---Transiton VS and sidechain

40

EDM Remakes - Martin Garrix EDM/Future bass tutorial - 
-150BPM, 
--Acapella
---Write bassline and fill out chords above it.
----Intro Chords: Same but with softer sounds, like piano.
NOTE: Reverb Mix automation during transitions.
-----Sidechained vocal repeating same note.
-Muted guitar teasing drop melody.
--Melody: Build melody over piano chords that builds tension?
---Automated Cutoff on chords
----Vox Chops
-----Nexus Muted Guitar pluck thing.
-Rhythm element, like clock ticks, perc hits.
Verse/Break
-Acoustic Kick, KSHmr clap loop, tambourines, shakers
--Orchestral chords, like violins, cellos, etc.
---Triple chord stabs: 1, 2 and, 4. Of each bar. and for bass guitar,and piano.
----Bell sound chords?
-Whoosh and crazy sounds.
Buildup:
-Impact
--Snaps on offbeat
---Acoustic and electric guitar strum layered.
----white noise swells, filtered in snares, orchestral hits, offbeat melody?
Drop:
-Prophet supersaw, squaresaw, midsaw chord layers, pluck layer, lead layer, pitchbends and automation.
Bass: Deep supersaw bass, heavily distorted saw bass, distorted sub, 
-Crashes with kick pattern, white noise sweeps, impact, open hats, 
--layer claps with snares.
---3 layer kick.
----Lead melody reverses.

EDM Remakes - Martin Garrix EDM/Future bass tutorial - 
-150BPM, 
--Acapella
---Write bassline and fill out chords above it.
----Intro Chords: Same but with softer sounds, like piano.
NOTE: Reverb Mix automation during transitions.
-----Sidechained vocal repeating same note.
-Muted guitar teasing drop melody.
--Melody: Build melody over piano chords that builds tension?
---Automated Cutoff on chords
----Vox Chops
-----Nexus Muted Guitar pluck thing.
-Rhythm element, like clock ticks, perc hits.
Verse/Break
-Acoustic Kick, KSHmr clap loop, tambourines, shakers
--Orchestral chords, like violins, cellos, etc.
---Triple chord stabs: 1, 2 and, 4. Of each bar. and for bass guitar,and piano.
----Bell sound chords?
-Whoosh and crazy sounds.
Buildup:
-Impact
--Snaps on offbeat
---Acoustic and electric guitar strum layered.
----white noise swells, filtered in snares, orchestral hits, offbeat melody?
Drop:
-Prophet supersaw, squaresaw, midsaw chord layers, pluck layer, lead layer, pitchbends and automation.
Bass: Deep supersaw bass, heavily distorted saw bass, distorted sub, 
-Crashes with kick pattern, white noise sweeps, impact, open hats, 
--layer claps with snares.
---3 layer kick.
----Lead melody reverses.

41

FLP Nation - How to make future bass remix - 
-Get Acapella
-Ambient Tones and Drone Loops
---Guitar Loop

FLP Nation - How to make future bass remix - 
-Get Acapella
-Ambient Tones and Drone Loops
---Guitar Loop

42

Extended Official - How ot make professional future bass
-8 bar chord progressing with passing chords
--Keeping same drum beat for drop, but replacing with more powerful drums.
 

Extended Official - How ot make professional future bass
-8 bar chord progressing with passing chords
--Keeping same drum beat for drop, but replacing with more powerful drums.
 

43

MayFlwr - How to future bass like a god - 
-Tryna Catch a Vibe from the start.
--Considering using a riser and tension Fx in the background in intro or break/verse and jsut going right into drop.

MayFlwr - How to future bass like a god - 
-Tryna Catch a Vibe from the start.
--Considering using a riser and tension Fx in the background in intro or break/verse and jsut going right into drop.

44

Oversampled - Perfect Future Bass Chord Stacks - 
- Bass wobble with the chords
--Layering a Crash with the chord
---Layer 1, double 16 unison saws with one more detuned than the other and pitched up and then OTT on 30% and HPF with high boost.
----Layer 2, also double saw OSC in serum, but less detuned and has chorus and distortion and crap. But mainly Hyper dimension... ok.
-----Layer 3, more mid focused
-Group LFOTool on the layers to make them pump in the same envelope.
--Group OTT to make them compressed together.
---NOTE: Has a and reverb swell automation between chords.
 

Oversampled - Perfect Future Bass Chord Stacks - 
- Bass wobble with the chords
--Layering a Crash with the chord
---Layer 1, double 16 unison saws with one more detuned than the other and pitched up and then OTT on 30% and HPF with high boost.
----Layer 2, also double saw OSC in serum, but less detuned and has chorus and distortion and crap. But mainly Hyper dimension... ok.
-----Layer 3, more mid focused
-Group LFOTool on the layers to make them pump in the same envelope.
--Group OTT to make them compressed together.
---NOTE: Has a and reverb swell automation between chords.
 

45

Verplex - How I make future bass - 
-kick snare and the mouth cluck noise

Verplex - How I make future bass - 
-kick snare and the mouth cluck noise

46

Ghosthack - How to make future bass chords in serum - 
-7th chords are used a lot
--Making wobble with the filter. Lowpass, and on filter LEVEL by clicking it.
---Assigning macro to the LFO rate, to automate the wobble speed.
 

Ghosthack - How to make future bass chords in serum - 
-7th chords are used a lot
--Making wobble with the filter. Lowpass, and on filter LEVEL by clicking it.
---Assigning macro to the LFO rate, to automate the wobble speed.
 

47

Echo Sound Works - 3 ways to make future bass chords more interesting - 
-Changing wobble rate depending on the chord
--NOTE: You cant modualte shape in Evage, but there are other parameters like PWM, smoothing, which you can all attach to one automation clip and modulate.
---Automating LFO Shape in Serum: idk what hes doing, but you can just assign TWO lfos to the same thing, and then modulate the amount of each of them to xfade between them to change envelope shape.
----NOTE: To modulate the wobble shape, you can simply record into edison while manually changing the shape in real time. AND you can use the scrub feature to make it cooler!! WOW.

Echo Sound Works - 3 ways to make future bass chords more interesting - 
-Changing wobble rate depending on the chord
--NOTE: You cant modualte shape in Evage, but there are other parameters like PWM, smoothing, which you can all attach to one automation clip and modulate.
---Automating LFO Shape in Serum: idk what hes doing, but you can just assign TWO lfos to the same thing, and then modulate the amount of each of them to xfade between them to change envelope shape.
----NOTE: To modulate the wobble shape, you can simply record into edison while manually changing the shape in real time. AND you can use the scrub feature to make it cooler!! WOW.

48

Echo Sound Works - 3 creative auto filter techniques for future bass - 
-Using an auto filter to get layers to stick together instead of sticking out from eachother.
--Auto Filter on Percussion Loop: Automating LFO amount and rate..ok. Adds movement to the loop. Movement is good man.
---Modulating the wobble chords filter cutoff on different chords.
 

Echo Sound Works - 3 creative auto filter techniques for future bass - 
-Using an auto filter to get layers to stick together instead of sticking out from eachother.
--Auto Filter on Percussion Loop: Automating LFO amount and rate..ok. Adds movement to the loop. Movement is good man.
---Modulating the wobble chords filter cutoff on different chords.
 

49

Miruku - heavy melodic future bass
-Vocal chop riser instead of snare riser.

Miruku - heavy melodic future bass
-Vocal chop riser instead of snare riser.

50

TIKTOK NOTE - 
RECORD THE WHOLE TRACKVIEW WHILE AUTOSCROLLING
AND UPLOAD IN 1 MINUTE SEGMENTS WITH THE GIFS AND SHIT.
THAT CONTENT DOES REALLY WELL.

TIKTOK NOTE - 
RECORD THE WHOLE TRACKVIEW WHILE AUTOSCROLLING
AND UPLOAD IN 1 MINUTE SEGMENTS WITH THE GIFS AND SHIT.
THAT CONTENT DOES REALLY WELL.

51

Simon Servida - making future bass
-An easy way to make the second half of the drop more energetic is to add some higher frequencies.
--Can just layer Rides to give it more high freuqencies.
---Consider unexpected drops, delay drops, or anticipation drops.

Simon Servida - making future bass
-An easy way to make the second half of the drop more energetic is to add some higher frequencies.
--Can just layer Rides to give it more high freuqencies.
---Consider unexpected drops, delay drops, or anticipation drops.

52

Vorise - how to make future bass/future chill like chainsmokers
-105BPM
--Verse: Atmosphere with guitar and tons of reverb, Then add piano and pad sound.
---Typical Trap drum beat.
----Buildup: Just drag and drop samples until it sounds fucking amazing.
-----Chord Harmonic Wobble Rhythm
------Vocal Chop Melody
-Layer Layer Layer Layer Layer
--Add acapella and or vocal hits

Vorise - how to make future bass/future chill like chainsmokers
-105BPM
--Verse: Atmosphere with guitar and tons of reverb, Then add piano and pad sound.
---Typical Trap drum beat.
----Buildup: Just drag and drop samples until it sounds fucking amazing.
-----Chord Harmonic Wobble Rhythm
------Vocal Chop Melody
-Layer Layer Layer Layer Layer
--Add acapella and or vocal hits

53

NOTE: Call and response between CLOSE and FAR chords based on reverb and delay and placement. Including some gain and EQ changes.
 

NOTE: Call and response between CLOSE and FAR chords based on reverb and delay and placement. Including some gain and EQ changes.
 

54

NOTE: LISTENING SPECIFICALLY FOR COOL CREATIVE MUSICAL IDEAS!!

NOTE: LISTENING SPECIFICALLY FOR COOL CREATIVE MUSICAL IDEAS!!

55

Cool piano progression/melody
Guitar loop
Bass/Bass guitar simple progression
Mix Modern Pop in
Break - Has vocal shots and lots of reverb and panning
Adding Vocals
Adding Sub Bass
FX
Drop - Big Drop Chords with white noise chord stacks?, with LFOTOOL 1/16th beat ryhthm, 
Pitch automated syntrh - 
Drop Bass - 
Mid Bass - with slide notes
808 bass layer - 
Peak Controller Sidechain - Sidechain kick to the bass track, pack controller on the kick mixer track,  EQ on the bass track, move the EQ point, Link to controller, Peak ctrl peak, invert signal, peak controller base lvel to 50%, 
Ear candy
Extra Percussions
Build - panning toms, riser, lits of stacked risers, 

Cool piano progression/melody
Guitar loop
Bass/Bass guitar simple progression
Mix Modern Pop in
Break - Has vocal shots and lots of reverb and panning
Adding Vocals
Adding Sub Bass
FX
Drop - Big Drop Chords with white noise chord stacks?, with LFOTOOL 1/16th beat ryhthm, 
Pitch automated syntrh - 
Drop Bass - 
Mid Bass - with slide notes
808 bass layer - 
Peak Controller Sidechain - Sidechain kick to the bass track, pack controller on the kick mixer track,  EQ on the bass track, move the EQ point, Link to controller, Peak ctrl peak, invert signal, peak controller base lvel to 50%, 
Ear candy
Extra Percussions
Build - panning toms, riser, lits of stacked risers, 

56

How to make Future Bass Marshmello 1,2,3
-Bassline - Downramp LFO 1/8 on the levels of the OSCs.
--Kick - Add a kick in a way that matches the bassline pattern you made.
---Snare - Wherever
----Hats - snappy and short with variation
-----Crash/OHat - 
-White Noises/Long Crash - 
--Drop Lead - 
---Snare Roll - Drop snare pattern? idk

How to make Future Bass Marshmello 1,2,3
-Bassline - Downramp LFO 1/8 on the levels of the OSCs.
--Kick - Add a kick in a way that matches the bassline pattern you made.
---Snare - Wherever
----Hats - snappy and short with variation
-----Crash/OHat - 
-White Noises/Long Crash - 
--Drop Lead - 
---Snare Roll - Drop snare pattern? idk

57

Ultrasonic - future bass with vocal chops in 5 mins

NOTE: Open sliceX and drag a FULL ACAPELLA and auto slice, and you can make vocal chops from hundreds of slices.
LOTS OF RIDES ALL OVER THE PLACE

Ultrasonic - future bass with vocal chops in 5 mins

NOTE: Open sliceX and drag a FULL ACAPELLA and auto slice, and you can make vocal chops from hundreds of slices.
LOTS OF RIDES ALL OVER THE PLACE

58

Ramzoid - How to make Future Bass
-Reese bass - Two detuned saws lowpassed.
--Kick snare hats.
---Buildup - Claps or snare rises.
----Drop - Big thick saw chords and a big thick bass with white noise.
-hard Sidechaining
--Thumpy kick and snare. and tom

Ramzoid - How to make Future Bass
-Reese bass - Two detuned saws lowpassed.
--Kick snare hats.
---Buildup - Claps or snare rises.
----Drop - Big thick saw chords and a big thick bass with white noise.
-hard Sidechaining
--Thumpy kick and snare. and tom

59

Japenese person kawaii future bass thing - 
Kick and snare on the 1 and 3 of each bar.

Japenese person kawaii future bass thing - 
Kick and snare on the 1 and 3 of each bar.

60

Jake Harrison - How ot make future bass
NOTE: often between chord hits there are toms, clunks, plucks, vocals, etc.

Jake Harrison - How ot make future bass
NOTE: often between chord hits there are toms, clunks, plucks, vocals, etc.

61

lfKash - How to make amazing future bass fills
-FPC, Load in a bunch of tom hits
--In piano roll put them ALL in midi
---Arpeggiator in the wrapper.

lfKash - How to make amazing future bass fills
-FPC, Load in a bunch of tom hits
--In piano roll put them ALL in midi
---Arpeggiator in the wrapper.

62

Sakura Hz music - How to make great future bass chords - 
-Has call and resposne between two different layered versions of chords.
--Bend +/- on both OSC with ENV1 modulation on top of the regular double Saw sounds.
---Set pitch wheel in serum to -12 PITCH BEND AUTOMATION ON THE CHORDS BOTH BEGINNING AND END.
----ADD Filter cutoff automation during chord hit.
-----Reverb Swell automation between chords.
-LFO Your LFO or Automation Clip your LFO

Sakura Hz music - How to make great future bass chords - 
-Has call and resposne between two different layered versions of chords.
--Bend +/- on both OSC with ENV1 modulation on top of the regular double Saw sounds.
---Set pitch wheel in serum to -12 PITCH BEND AUTOMATION ON THE CHORDS BOTH BEGINNING AND END.
----ADD Filter cutoff automation during chord hit.
-----Reverb Swell automation between chords.
-LFO Your LFO or Automation Clip your LFO

63

Sakura Hz - How to improve with every track you make
-Try something new everytime.
--New Synth, New Technique, New scale, etc.
---Invest in the Long Term

Sakura Hz - How to improve with every track you make
-Try something new everytime.
--New Synth, New Technique, New scale, etc.
---Invest in the Long Term

64

Copy artist Link
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Once verified, go to profile, and set pictures, about page bio, LINKS etc.
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Copy artist Link
Artists.spotify.com
Claim your profile
Search the name or paste the link
Login
Select role

Once verified, go to profile, and set pictures, about page bio, LINKS etc.
Add artist Picks

65

Sakura Hz - The Mid Drop Riser - 
-Creating Progression, Ambience, Tension, Possible Melodic Element
 

Sakura Hz - The Mid Drop Riser - 
-Creating Progression, Ambience, Tension, Possible Melodic Element
 

66

Tachibana Miruku - How to make Kawaii Future Bass
-Kawaii Chords
--Kawaii Arp
---Kawaii Lead
----Fat Bass
-----Drums, Claps, FX.
------CHORD STABS!!
-Happy Wobble Chords
--Anime Sample
---MORE STAB CHORDS

Tachibana Miruku - How to make Kawaii Future Bass
-Kawaii Chords
--Kawaii Arp
---Kawaii Lead
----Fat Bass
-----Drums, Claps, FX.
------CHORD STABS!!
-Happy Wobble Chords
--Anime Sample
---MORE STAB CHORDS

67

Dylan Tallchief - How to cute kawaii
-Lots of retro and cute sounds.
--Descening Run Chord Progressions.

Dylan Tallchief - How to cute kawaii
-Lots of retro and cute sounds.
--Descening Run Chord Progressions.

68

EDM Remakes - How to make EPIC future baass
128 BPM
Intro:
-Fade in a pluck with reverb and whoosh.
--Bell Pad chords
---Distorted low passed saw bass with glide
----Guitar Riff in a lower octave, and in a higher one.
-----Bug Stomp sound
------LPF Vocal chops
Verse:
-Vocals
--Distorted bass guitar.
---High octave guitar riff
----Fade in the pluck
Buildup:
-Ascending Bass
--Ascending Chords
---Drum Buildup, risers, fill
----Whooch, impact
-----Facing in vocal chops
Drop:
Kick pattern:
Bar1: 1, 2and, 4 - 
Bar2: 2
Snare pattern: 3 of each bar, but pre shifted sometimes.
Rides: 1,2,3,4 Rides
Crash: Tiny crash post kick.
Sweep: Long sweep
Hats - 1/16 note constant closed hats.
Basss- distorted Bass guitar, distorted saw bass, distorted pluck bass, sub
Supersaw - 
Lead - white noise
Vocal - Add vocal chops

EDM Remakes - How to make EPIC future baass
128 BPM
Intro:
-Fade in a pluck with reverb and whoosh.
--Bell Pad chords
---Distorted low passed saw bass with glide
----Guitar Riff in a lower octave, and in a higher one.
-----Bug Stomp sound
------LPF Vocal chops
Verse:
-Vocals
--Distorted bass guitar.
---High octave guitar riff
----Fade in the pluck
Buildup:
-Ascending Bass
--Ascending Chords
---Drum Buildup, risers, fill
----Whooch, impact
-----Facing in vocal chops
Drop:
Kick pattern:
Bar1: 1, 2and, 4 - 
Bar2: 2
Snare pattern: 3 of each bar, but pre shifted sometimes.
Rides: 1,2,3,4 Rides
Crash: Tiny crash post kick.
Sweep: Long sweep
Hats - 1/16 note constant closed hats.
Basss- distorted Bass guitar, distorted saw bass, distorted pluck bass, sub
Supersaw - 
Lead - white noise
Vocal - Add vocal chops

69

Top music arts - future bass from scratch -
-Starting with chords and making a good progressing with the proper rhythm.
--Adding Kick second, then adding perc loops
---Multiple stacked loops, adding those snaps with long reverb, 
----Bass and Sub: Basic 1 bar.
-----Vox: Vocal chop melody/riff. Rhythm is the most important. Not the melody. With octave sequencing.
------LOTS of FX, sweeps, downlifters, uplifters, white nose, vinyl crackle, breaths/vocal FX, snaps, More vocal Shots,
-------Arp - For intro and breakdown
-Automations.
NOTE: PRE CHORDS, an extension of a Pre-Melody

Top music arts - future bass from scratch -
-Starting with chords and making a good progressing with the proper rhythm.
--Adding Kick second, then adding perc loops
---Multiple stacked loops, adding those snaps with long reverb, 
----Bass and Sub: Basic 1 bar.
-----Vox: Vocal chop melody/riff. Rhythm is the most important. Not the melody. With octave sequencing.
------LOTS of FX, sweeps, downlifters, uplifters, white nose, vinyl crackle, breaths/vocal FX, snaps, More vocal Shots,
-------Arp - For intro and breakdown
-Automations.
NOTE: PRE CHORDS, an extension of a Pre-Melody

70

GRGE - Future Bass
-Chords, kick snare pattern, bass, hats, bells, lead, crashes, noise, sound FX FX FX FX FX.
-Creative Filter Cutoff Automation on your chord hits. Lots of Possibilities here.
--Adding Bell Melody, 
---For Build? NOTE: he has kicks, snares, bass, chord stabs, hats ALLLL STACKED when they hit.

GRGE - Future Bass
-Chords, kick snare pattern, bass, hats, bells, lead, crashes, noise, sound FX FX FX FX FX.
-Creative Filter Cutoff Automation on your chord hits. Lots of Possibilities here.
--Adding Bell Melody, 
---For Build? NOTE: he has kicks, snares, bass, chord stabs, hats ALLLL STACKED when they hit.

71

Oversampled - Future bass from scratch 1
-Supersaws, drums, default project, sidechain
--Kick, Clap, Hit hat, almost housey.

Oversampled - Future bass from scratch 1
-Supersaws, drums, default project, sidechain
--Kick, Clap, Hit hat, almost housey.

72

PML - How ot make future bass like a pro Illenium san holo - 
-The think that took him the longest time was making the right supersaw sound.
--Global Serum tab STACK +12 to pitch some of the unison voices up an octave.
---OTT and Clipping it with glue compressor on the saw chords.
----OTT on basically everything...interesting.

PML - How ot make future bass like a pro Illenium san holo - 
-The think that took him the longest time was making the right supersaw sound.
--Global Serum tab STACK +12 to pitch some of the unison voices up an octave.
---OTT and Clipping it with glue compressor on the saw chords.
----OTT on basically everything...interesting.

73

Borax - Future bass fl studio mobile
-Call and resposne between chord hits and melodic line between.
 

Borax - Future bass fl studio mobile
-Call and resposne between chord hits and melodic line between.
 

74

In the Daw Nurko Breathe Without - 
-RC20
--Guitars and AMBIENT Layers
---Arp with MASS reverb sounds like ambience.
----Drone Layers - Made from synth layers that are just 80% wet and abbey road EQd.

In the Daw Nurko Breathe Without - 
-RC20
--Guitars and AMBIENT Layers
---Arp with MASS reverb sounds like ambience.
----Drone Layers - Made from synth layers that are just 80% wet and abbey road EQd.

75

Gross beat trance gate for wobble chords.
 

Gross beat trance gate for wobble chords.
 

76

How to learn music production fast?
REMAKES REMAKES REMAKES!!!
Can save the remade song as a template.

How to learn music production fast?
REMAKES REMAKES REMAKES!!!
Can save the remade song as a template.

77

Future bass  -
Adding a pluck chord layer as it builds up
Bells for cuteness.

Future bass  -
Adding a pluck chord layer as it builds up
Bells for cuteness.

78

How to make Future Core(Future Bass hardcore)
Srav3R - Hereafter
PSYQUI - Your Voice
Mitomoro - arcadia bae
-160-200 BPM
--Future bass drum kick snare pattern. High pitch drum fills.
---Lots lots lots of drum fills.
----Future bass saw wobble chords.
NOTE: When using trance gate for wobble, automating none and full values to swap betwen sustained chords and wobble.
-Pitchbend automation on the chords. USING SERUM PITCHBEND WHEEL.
--Vox Chops, maybe melody, vox hits, vox samples.
 

How to make Future Core(Future Bass hardcore)
Srav3R - Hereafter
PSYQUI - Your Voice
Mitomoro - arcadia bae
-160-200 BPM
--Future bass drum kick snare pattern. High pitch drum fills.
---Lots lots lots of drum fills.
----Future bass saw wobble chords.
NOTE: When using trance gate for wobble, automating none and full values to swap betwen sustained chords and wobble.
-Pitchbend automation on the chords. USING SERUM PITCHBEND WHEEL.
--Vox Chops, maybe melody, vox hits, vox samples.
 

79

Flowmotion - kawaii future bass 101 - 
-SNAIL'S HOUSE, HYPER POTIONS, AIOBAHN, KAMPAI!, SADSUSHII, MYLK, SLYLEAF,  KRIZIN, TRIFECT, AIKA, STEREO MAN, AND MORE!
--Trap drum groove with kick snare, cymbal, hi hat with rolls and pitching.
---Cute synthy sounds and FX.
----Falling motion in the chord progression at the end of the loop.
-----Square wave arp for cuteness.

Flowmotion - kawaii future bass 101 - 
-SNAIL'S HOUSE, HYPER POTIONS, AIOBAHN, KAMPAI!, SADSUSHII, MYLK, SLYLEAF,  KRIZIN, TRIFECT, AIKA, STEREO MAN, AND MORE!
--Trap drum groove with kick snare, cymbal, hi hat with rolls and pitching.
---Cute synthy sounds and FX.
----Falling motion in the chord progression at the end of the loop.
-----Square wave arp for cuteness.

80

NOTE: Call and response and binary phrasing can be made with ANYTHING ANYTHING ANYTHING! 
Vox, drums, chords with arps, FX, anything.

NOTE: Call and response and binary phrasing can be made with ANYTHING ANYTHING ANYTHING! 
Vox, drums, chords with arps, FX, anything.

81

Pyramind - Creating Future Bass Chords with Auto Pan
 

Pyramind - Creating Future Bass Chords with Auto Pan
 

82

Pryamind - future bass chords - 
-Automations - LPF Cutoff, automating on/off Gating the filtering???, AND instead of just LPFing up stabs,  LPF down stabs too, 
 

Pryamind - future bass chords - 
-Automations - LPF Cutoff, automating on/off Gating the filtering???, AND instead of just LPFing up stabs,  LPF down stabs too, 
 

83

How to make EDM like martin garrix future bass - 
-Chords and layer
--Sub, bass
---Vox melody, g lides, and bends.
----Trap hats, kick following rhythm of the chords, 
-----Trap snares, and claps. Layered with the clap coming BEFORE the snare transient.
------Top loop, white noises, ambience, etc.
 

How to make EDM like martin garrix future bass - 
-Chords and layer
--Sub, bass
---Vox melody, g lides, and bends.
----Trap hats, kick following rhythm of the chords, 
-----Trap snares, and claps. Layered with the clap coming BEFORE the snare transient.
------Top loop, white noises, ambience, etc.
 

84

Waves Audio - How to Create Future Bass Synth w/ LFO Wobble
-Layering Claps and vox shots on chord attacks, instead of kick.
NOTE: Modulate an LFO with an envelope or an ENvelope with an LFO in serum. AND AUTOMATE THE RISE AND SMOOTHING.

Waves Audio - How to Create Future Bass Synth w/ LFO Wobble
-Layering Claps and vox shots on chord attacks, instead of kick.
NOTE: Modulate an LFO with an envelope or an ENvelope with an LFO in serum. AND AUTOMATE THE RISE AND SMOOTHING.

85

wine - how to make future bass in 7 mins 
-Kick snare, percs, hats,
NOTE: Hats sidechained to kick to add variation ok.
--White noise layer chords
---LD in the chord stack for the high end.
----Intro same chords, but softer sounds and non wobble, ok. and snaps.
 

wine - how to make future bass in 7 mins 
-Kick snare, percs, hats,
NOTE: Hats sidechained to kick to add variation ok.
--White noise layer chords
---LD in the chord stack for the high end.
----Intro same chords, but softer sounds and non wobble, ok. and snaps.
 

86

delifb - make yoru future bass drops hit hard with builds
-Get creative with the builds. The builds are EQUALLY important as the drop. Equal contrasting pair of sections.
--The build should have just as many cool creative things as the drop.
---To quickly get toms to cut self, right click the toms in channel rack and click cut itself.
----Current Project>Patterns>Initialized Controls

delifb - make yoru future bass drops hit hard with builds
-Get creative with the builds. The builds are EQUALLY important as the drop. Equal contrasting pair of sections.
--The build should have just as many cool creative things as the drop.
---To quickly get toms to cut self, right click the toms in channel rack and click cut itself.
----Current Project>Patterns>Initialized Controls

87

Oversampled - chordstacks heavy drums vocal chops 
-Two saws, one less detuned unison and +1, brightwhite noise, standard stuff.
NOTE: Having an Arp LAYER to your chords and having it filtered in the back and coming in and going out.
--Layering vox with some of the chord hits.

Oversampled - chordstacks heavy drums vocal chops 
-Two saws, one less detuned unison and +1, brightwhite noise, standard stuff.
NOTE: Having an Arp LAYER to your chords and having it filtered in the back and coming in and going out.
--Layering vox with some of the chord hits.

88

Alex Rome - how to make future bass wobbles
-Two saws, one less detuned unison and +1, brightwhite noise, standard stuff.

Alex Rome - how to make future bass wobbles
-Two saws, one less detuned unison and +1, brightwhite noise, standard stuff.

89

ADSR - Making Future Bass Beats
-Vocoded Tom Fill
--Adding a large click to the kick. ok.

ADSR - Making Future Bass Beats
-Vocoded Tom Fill
--Adding a large click to the kick. ok.

90

Resonance - future bass chords
-Pitchbending on each wobble

Resonance - future bass chords
-Pitchbending on each wobble

91

Glitching and spindown FX on the chords.
Endless Options.

Glitching and spindown FX on the chords.
Endless Options.

92

How to make chill future bass - 
-BPM 100
--Drums - Simple kick snare with reverb on the snare. And some hats with lots of velocity changes.
---Chords - Chill slow chords, 
----808 sub
-----Vox chops - ACAPELLA IN SLICEX DO IT DO IT

How to make chill future bass - 
-BPM 100
--Drums - Simple kick snare with reverb on the snare. And some hats with lots of velocity changes.
---Chords - Chill slow chords, 
----808 sub
-----Vox chops - ACAPELLA IN SLICEX DO IT DO IT

93

NOTE: Group compression and reverb shaping can change the timbre to make things fit together better.
 

NOTE: Group compression and reverb shaping can change the timbre to make things fit together better.
 

94

Resonance - how ot make kawaii future bass
-160bpm
--Nostalgic and cute stuff.
---8 bit/square sounding lead and stuff to make it cute.
 

Resonance - how ot make kawaii future bass
-160bpm
--Nostalgic and cute stuff.
---8 bit/square sounding lead and stuff to make it cute.
 

95

Composerily -How EVERY future bass song is made
-Plucky synth in the buildup.
--Add bass guitar layer to the plucky bassline.
 

Composerily -How EVERY future bass song is made
-Plucky synth in the buildup.
--Add bass guitar layer to the plucky bassline.
 

96

Composerily - going over how every future bass song is made - 
-7th chords and suspensions for the chords
--Layering woodblock sound with the snare
---Overtall drum beat is like a hiphop/trap beat.

Composerily - going over how every future bass song is made - 
-7th chords and suspensions for the chords
--Layering woodblock sound with the snare
---Overtall drum beat is like a hiphop/trap beat.

97

Multiplier - Said The Sky In The DAW | Over Getting Over You | Future Bass In Ableton Live
-Super Reverbed and blended vocal chops to sound like a flute
 

Multiplier - Said The Sky In The DAW | Over Getting Over You | Future Bass In Ableton Live
-Super Reverbed and blended vocal chops to sound like a flute
 

98

Multiplier - how to make future bass natural ambience - 
-He says 'You're not supposed to hear it" It's supposed to be subconscious and give you a feeling
--Water, lake, wind, rain, river, thunder, leaves, etc etc etc.
---Consider sidechain compressing the ambience.
 

Multiplier - how to make future bass natural ambience - 
-He says 'You're not supposed to hear it" It's supposed to be subconscious and give you a feeling
--Water, lake, wind, rain, river, thunder, leaves, etc etc etc.
---Consider sidechain compressing the ambience.
 

99

Oversampled - Powerful Supersaws
-OSCA, Square -1, with LFO1 on Level to make that wobble
--OSCB, SAW -1, with LFO1 on Level to make that wobble
---FX dimension low size, high mix. Hyper off
----Chorus
-----OTT
-Distortion - LFO on drive.
--Matrix - LFO1 modualte global AMP.

Oversampled - Powerful Supersaws
-OSCA, Square -1, with LFO1 on Level to make that wobble
--OSCB, SAW -1, with LFO1 on Level to make that wobble
---FX dimension low size, high mix. Hyper off
----Chorus
-----OTT
-Distortion - LFO on drive.
--Matrix - LFO1 modualte global AMP.

100

Oversampled - Arped Supersaws
-By LFO modulating the Volume fully and having it on trigger mode, you can just stagger your chord for it to "arp wobble".
 

Oversampled - Arped Supersaws
-By LFO modulating the Volume fully and having it on trigger mode, you can just stagger your chord for it to "arp wobble".
 

101

Oversampled - how to make flume reese bass - 
-Most basic one is just supersaw with lowpass. with default detune
--Add another OSC +1 for more highs or -1 for more lows, etc.
---Consider distortion and consider stereo vs mono unison, and consider chorus.

Oversampled - how to make flume reese bass - 
-Most basic one is just supersaw with lowpass. with default detune
--Add another OSC +1 for more highs or -1 for more lows, etc.
---Consider distortion and consider stereo vs mono unison, and consider chorus.

102

Oversampled - creative ways to use OTT
-It really pushes things to the front..

Oversampled - creative ways to use OTT
-It really pushes things to the front..

103

Oversampled - How to make your supersaws FLOW
-Automating the x and y of the LFO

Oversampled - How to make your supersaws FLOW
-Automating the x and y of the LFO

104

Oversampled - Designing glitches with fracture
 

Oversampled - Designing glitches with fracture
 

105

NOTE: Structure the song like how you would write a story. Introducing the characters. Introducing the problem that must be overcome. The rising action, the fighting, the break, the rising asking, the climax, the resolution.

This is equivalent to intro, verse, rise, chorus, break, rise, chorus, outro.

NOTE: Structure the song like how you would write a story. Introducing the characters. Introducing the problem that must be overcome. The rising action, the fighting, the break, the rising asking, the climax, the resolution.

This is equivalent to intro, verse, rise, chorus, break, rise, chorus, outro.

106

Sonic Academy - How to make Future Bass 1-21
1. Playthrough and Intro - 
-Light chords, some background percussion and vocals during intro.
He sketches out the musical ideas, and then arranges and does NO MIXING until after that.
-Sound sleecting and designing separately.
--MIXING after all this is done.
NOTE: This is simlar to my current approach. Getting cool musical ideas and sounds arranged before you ever try to beef it up. You want it to sound fucking good when it's totally unprocessed and shit.

Sonic Academy - How to make Future Bass 1-21
1. Playthrough and Intro - 
-Light chords, some background percussion and vocals during intro.
He sketches out the musical ideas, and then arranges and does NO MIXING until after that.
-Sound sleecting and designing separately.
--MIXING after all this is done.
NOTE: This is simlar to my current approach. Getting cool musical ideas and sounds arranged before you ever try to beef it up. You want it to sound fucking good when it's totally unprocessed and shit.

107

Sonic Academy - How to make Future Bass 1-21
2. DNA of Future Bass - 
-Future Bass as "Happy Trap"
--Tons of variety in the genre as far as the sound and tempo.
---Wobble chords, lead not as important, not 4 on the floor, more trappy drum grooves.
----Listen to the genre to learn it. Watch Interviews. Watch Live Sets. Learn how it is.

Sonic Academy - How to make Future Bass 1-21
2. DNA of Future Bass - 
-Future Bass as "Happy Trap"
--Tons of variety in the genre as far as the sound and tempo.
---Wobble chords, lead not as important, not 4 on the floor, more trappy drum grooves.
----Listen to the genre to learn it. Watch Interviews. Watch Live Sets. Learn how it is.

108

Sonic Academy - How to make Future Bass 1-21
3. Chord Theory - 
-Adding 7ths, 9ths, 11ths, 13ths, 2nds, 4ths, etc

Sonic Academy - How to make Future Bass 1-21
3. Chord Theory - 
-Adding 7ths, 9ths, 11ths, 13ths, 2nds, 4ths, etc

109

Sonic Academy - How to make Future Bass 1-21
4. Chord Inversions - 
-Echo Sound Works is the guy
--NOTE: Experiment with different open voicings that sound cool.

Sonic Academy - How to make Future Bass 1-21
4. Chord Inversions - 
-Echo Sound Works is the guy
--NOTE: Experiment with different open voicings that sound cool.

110

Sonic Academy - How to make Future Bass 1-21
5. Starting the Track - 
-Iphone voice memo, chord progression, and singing, INTERESTING !!!!! LOL!!

Sonic Academy - How to make Future Bass 1-21
5. Starting the Track - 
-Iphone voice memo, chord progression, and singing, INTERESTING !!!!! LOL!!

111

Sonic Academy - How to make Future Bass 1-21
6. Scratch Track Chords - 
-Putting together a scratch track of chords and drums to send to the vocalist to write/sing to.
--Commonly, the chords are NOT playing with the Snare. The snare is left open to cut through.
---Sometimes staggering notes to have them flubbed a bit for a more humanised and jazzy feel.

Sonic Academy - How to make Future Bass 1-21
6. Scratch Track Chords - 
-Putting together a scratch track of chords and drums to send to the vocalist to write/sing to.
--Commonly, the chords are NOT playing with the Snare. The snare is left open to cut through.
---Sometimes staggering notes to have them flubbed a bit for a more humanised and jazzy feel.

112

Sonic Academy - How to make Future Bass 1-21
7. Scratch Track Drums - 
-Kick and snare pattern that works with the chords
--THEN adding some aucilliary percussion. Like shaker, claps, foley, hits, etc.
---Adding some cool trap hats with rolls and such.

Sonic Academy - How to make Future Bass 1-21
7. Scratch Track Drums - 
-Kick and snare pattern that works with the chords
--THEN adding some aucilliary percussion. Like shaker, claps, foley, hits, etc.
---Adding some cool trap hats with rolls and such.

113

Sonic Academy - How to make Future Bass 1-21
8. Scratch Vocals Arrangement - 
-Sent out that basic track to a vocalist.
--Get back a vocal and drag it in.
---Has a basic vocal chain to start with. Slate digital, Pro DS, HPF, RVOX compressor, CLA Vocals.
----Changing arrangement to get the vocal to fit right and making structure markers.

Sonic Academy - How to make Future Bass 1-21
8. Scratch Vocals Arrangement - 
-Sent out that basic track to a vocalist.
--Get back a vocal and drag it in.
---Has a basic vocal chain to start with. Slate digital, Pro DS, HPF, RVOX compressor, CLA Vocals.
----Changing arrangement to get the vocal to fit right and making structure markers.

114

Sonic Academy - How to make Future Bass 1-21
9. Building The Drum Arrangement - 
-To make things less monotonous, use different drums for the verse than the chorus. And or layer the verse drums with the chorus drums.
--Adding foley that fits unmixed.
---Adding in radom shots and hits to fill up the space.
----Considering taking out elements when you hat hits/responses to make them more focused if you want them to be up front.
-----Layering the snare more with 4 layers of foley. But only during drop.
------Adding heys and hi hat rolls during drop ok..
-------Using acoustic drums in the breakdown/build to make the drop sound bigger.

Sonic Academy - How to make Future Bass 1-21
9. Building The Drum Arrangement - 
-To make things less monotonous, use different drums for the verse than the chorus. And or layer the verse drums with the chorus drums.
--Adding foley that fits unmixed.
---Adding in radom shots and hits to fill up the space.
----Considering taking out elements when you hat hits/responses to make them more focused if you want them to be up front.
-----Layering the snare more with 4 layers of foley. But only during drop.
------Adding heys and hi hat rolls during drop ok..
-------Using acoustic drums in the breakdown/build to make the drop sound bigger.

115

Sonic Academy - How to make Future Bass 1-21
10. Chord Progression - 
-Changing chord progression between sections to increase contrast and create a more appropriate feel.
--Wants to make the drop a bit more uplifting and make some of the chords more major??? ok.
---Variation in the bassline. Staccato vs Legato bassline A and B parts.
----Finding new sounds to write new chords for the drop? Or break?

Sonic Academy - How to make Future Bass 1-21
10. Chord Progression - 
-Changing chord progression between sections to increase contrast and create a more appropriate feel.
--Wants to make the drop a bit more uplifting and make some of the chords more major??? ok.
---Variation in the bassline. Staccato vs Legato bassline A and B parts.
----Finding new sounds to write new chords for the drop? Or break?

116

Sonic Academy - How to make Future Bass 1-21
14. Vocal Tracking - 
-Lowering latency for recording Vocals.
--Asking what the vocalist wants as far as volume, metronome, drums, tuning, reverb, compression, etc.
 

Sonic Academy - How to make Future Bass 1-21
14. Vocal Tracking - 
-Lowering latency for recording Vocals.
--Asking what the vocalist wants as far as volume, metronome, drums, tuning, reverb, compression, etc.
 

117

Sonic Academy - How to make Future Bass 1-21
15. Vocal Editing 1 - 
-Getting 10-20 takes of each section. And then comping it.
--Perhaps talking to vocalist about what takes she likes the best.,
---Crossfading each comp, and then melodying the notes.
 

Sonic Academy - How to make Future Bass 1-21
15. Vocal Editing 1 - 
-Getting 10-20 takes of each section. And then comping it.
--Perhaps talking to vocalist about what takes she likes the best.,
---Crossfading each comp, and then melodying the notes.
 

118

Sonic Academy - How to make Future Bass 1-21
16. Vocal Editing 2 - 
-Virtual Channel Emulation, adds analog charcter.
--ProQ2, HPF
---De Esser, 
----Chris Lord Alge CLA Vocals
-----RVOX
------Valhalla Plate Reverb
-------Izotope Nectar - 

Sonic Academy - How to make Future Bass 1-21
16. Vocal Editing 2 - 
-Virtual Channel Emulation, adds analog charcter.
--ProQ2, HPF
---De Esser, 
----Chris Lord Alge CLA Vocals
-----RVOX
------Valhalla Plate Reverb
-------Izotope Nectar - 

119

Sonic Academy - How to make Future Bass 1-21
17. Layering Synth Chords - 
-Get a well rounded frequency spectrum with a wide variety of sounds/synths.
--Choose to give different layers different voicings..ok.?

Sonic Academy - How to make Future Bass 1-21
17. Layering Synth Chords - 
-Get a well rounded frequency spectrum with a wide variety of sounds/synths.
--Choose to give different layers different voicings..ok.?

120

Sonic Academy - How to make Future Bass 1-21
18. Adding Sub Bass - 
-Cutting out sub frequencies in the bass and adding a dedicated sub.
--have two general sub progression options, Can either follow the bassline/chord progression OR have it follow the kick pattern.......ok...BUt clightly offsetting it back by a 96th note..ok.
 

Sonic Academy - How to make Future Bass 1-21
18. Adding Sub Bass - 
-Cutting out sub frequencies in the bass and adding a dedicated sub.
--have two general sub progression options, Can either follow the bassline/chord progression OR have it follow the kick pattern.......ok...BUt clightly offsetting it back by a 96th note..ok.
 

121

Sonic Academy - How to make Future Bass 1-21
19. Filling In The Drop -
-Laying a more sounds to make it sound more interesting.
--BLIP ARP SHOTS as a call and resposne foreground OR a background ambience element. COOL.
 

Sonic Academy - How to make Future Bass 1-21
19. Filling In The Drop -
-Laying a more sounds to make it sound more interesting.
--BLIP ARP SHOTS as a call and resposne foreground OR a background ambience element. COOL.
 

122

Sonic Academy - How to make Future Bass 1-21
20. Mixing - 
-Starting with A static Mix. Starting with only Gain levels and panning locations before anything.
--Expanding the stereo width of the track as a whole over time to make things progress. interesting.

Sonic Academy - How to make Future Bass 1-21
20. Mixing - 
-Starting with A static Mix. Starting with only Gain levels and panning locations before anything.
--Expanding the stereo width of the track as a whole over time to make things progress. interesting.

123

Sonic Academy - How to make Future Bass 1-21
21. Finishing The Track - 
-EQ Filtering the Kick for different sections and automating it, INTERESTING!!
--NOTE: Actually bell filtering some lows on the left and right instead of HPF...hmmm odd.
---HPF up on the SUB pre drop, ok.

Sonic Academy - How to make Future Bass 1-21
21. Finishing The Track - 
-EQ Filtering the Kick for different sections and automating it, INTERESTING!!
--NOTE: Actually bell filtering some lows on the left and right instead of HPF...hmmm odd.
---HPF up on the SUB pre drop, ok.

124