Indonesian Gamelan & Middle Eastern Percussion Traditions Flashcards

1
Q

The darbuka originates from…

A

potentially Anatolia, Central Asia, or North Africa.

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2
Q

The darbuka is used in…

A

theatric/classical/popular music of Middle Eastern countries; Considered folk instrument in Turkish history; Some Western classical pieces.

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3
Q

It is hard to draw a cultural map of the darbuka because…

A

of its historical/cross-cultural use and the wide range of the time period.

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4
Q

Performances styles on the darbuka range…

A

from musician to musician; perceived differences in attitudes as stylistic richness instead of producing strict patterns of understanding.

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5
Q

Etymology of the word “darbuka” comes from…

A

“darb” - to hit
“darba” - repeated blows

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6
Q

Three main categories of clay darbuka include…

A

(1) solo (smallest)
(2) sumbati (mid-range)
(3) dehollo (largest)

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7
Q

Ahmet learns/teaches music by using…

A

existing musical discourse transferred orally; Learns by committing music to memory and teaches the same.

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8
Q

Two basic strokes on the darbuka include…

A

(1) “dum” (bass sound) (first strike sound)
(2) “tek” (sharp sound) (second strike sound)

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9
Q

Listeners should keep in mind while being concentrated on rhythmic structures the…

A

(1) Evaluation about the interpretation/style differences like musical richness
(2) Definitions of cultural richness through music (vehicle to express thoughts/emotions)
(3) Differences in attitude as stylistic richness instead of strict patterns of understanding
(4) Consistent patterns of individual performer to figure out what they’re trying to portray

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10
Q

Darbuka repertoire primarily carried through…

A

memory (always verbal-never written).

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11
Q

Purpose of written notation in study of darbuka was…

A

(1) To help determine boundaries of performance besides area of freedom brought by musical practice

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