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Flashcards in music 151-200 Deck (50)
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1
Q

how is the smoother voice leading created

A

by inverting chords so that each layer of the chord progression is conjunct

2
Q

what scale degrees make up a dominant seventh chord

A

5,7,2,4

3
Q

why does the dominant seventh chord have such a strong to pull to resolve

A

it contains a tritone

4
Q

what is the strongest ending for a bass line

A

5 to 1

5
Q

what are the most embellishments of a triad

A

adding a sixth seventh or ninth above the root

6
Q

what distinguishes complex harmony from simple harmony

A

complex harmony uses more chromatic pitches

7
Q

what does it mean for a piece of music to modulate

A

change keys

8
Q

what is the name of schoenbergs system of pitch relationships

A

the twelve tone method

9
Q

polytonality

A

using two keys simultaneously

10
Q

texture

A

the number of things going on in a piece of music

11
Q

what are the four types of texture in music

A

monophony, heterophony, homophony, and polyphony

12
Q

monophony

A

music consisting of a single unaccompanied melodic line

13
Q

what are the components of homophonic music

A

melody and harmony

14
Q

polyphony

A

two or more melodies unfolding at the same time

15
Q

what is the name of the technique used by western composers to produce polyphony

A

counterpoint

16
Q

melodies in the counterpoint

A

melodies with the same beat and harmonic progression

17
Q

instrumentation

A

the instrument or combination of instruments used in a piece

18
Q

why is it difficult to determine the pitch of a church bell

A

bells produce very strong overtones

19
Q

why does a clarinet produce a clear note with little ambiguity in pitch

A

only strong overtones reproduce the pitch being overplayed

20
Q

instrument attributes determining its timbre

A

the material form which it is made and the amount of resonance

21
Q

dynamics

A

the loudness and softness of a sound

22
Q

pianissisimo

A

as softly as possible

23
Q

fortississimo

A

as loudly as possible

24
Q

crescendo

A

a gradual increase in dynamics

25
Q

decrescendo or diminuendo

A

a gradual decrease in dynamics

26
Q

mp

A

mezzopiano

27
Q

ff

A

fortissimo

28
Q

articulation

A

the mechanics of starting and ending a sound

29
Q

staccato

A

short detached notes

30
Q

what part of the mouth does a woodwind player use to create a staccato effect

A

his tongue

31
Q

legato

A

notes that are played in a smooth connected manner

32
Q

bouncing the bow or plucking the string(pizzicato)

A

violin techniques used to produce staccato

33
Q

what is the difference between staccato and an accent

A

an accent has a more sudden beginning and does not require separation before the next note

34
Q

ornamentation

A

localized embellishments, often unwritten

35
Q

symbol for staccato

A

a dot placed under or over the note head

36
Q

symbol for legato

A

a curved line connecting multiple note heads

37
Q

tenuto

A

notes that are stressed without force

38
Q

symbol for tenuto

A

a horizontal line under or over the note head

39
Q

form

A

the organization of a piece of music on a larger scale

40
Q

what two visual representations are used to express musical form

A

scores and diagrams

41
Q

tension and release

A

complementary elements shape to a chord progression or melody

42
Q

what method is the primary way to create tension in music

A

harmonic dissonance

43
Q

motive

A

smalleest identifiable recurring musical idea

44
Q

phrase

A

cohesive musical thought

45
Q

antecedent and consequence phrases

A

the two members of a related pair of phrases

46
Q

cadence

A

a resting point in a piece of music

47
Q

a melody that moves primarily in intervals larger than a minor second

A

disjunct melody

48
Q

the high, middle , and low parts of an instruments’ range

A

register

49
Q

what is the distinguishing feature of a melody with a high tessitura?

A

it calls for many notes in the high register of an instrument’s range

50
Q

the way music is organized in time

A

rhythm