Rhetorical Devices Flashcards

1
Q

An expansion of detail to clarify a point: “We few, we happy few, we band of brothers.”

A

Amplification

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2
Q

A sudden break in a sentence’s grammatical structure: “So, then I pulled up to her house — are you still with me here?”

A

Anacoluthon

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3
Q

Repetition of words, especially located at the end of one phrase or clause and the beginning of the next: “I was at a loss for words, words that perhaps would have gotten me into even more trouble.”

A

Anadiplosis

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4
Q

Repetition of one or more words at the head of consecutive phrases, clauses, or sentences: “I came, I saw, I conquered.”

A

Anaphora

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5
Q

Inversion of word order to mark emphasis: “Enter the forest primeval.”

A

Anastrophe

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6
Q

Repetition of a word in a sentence in which a different meaning is applied each time: “If you aren’t fired with enthusiasm, you will be fired, with enthusiasm.”

A

Antanaclasis

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7
Q

The contradiction of a negative comment with a positive one, as in “The car wouldn’t start this time, but it least it didn’t catch on fire.”

A

Antanagoge

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8
Q

Reversal of repeated words or phrases for effect: “Ask not what your country can do for you, but what you can do for your country.

A

Antimetabole

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9
Q

Ironic use of a single word: “It was a cool 100 degrees in the shade.”

A

Antiphrasis

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10
Q

Repetition of a word or phrase at the close of successive clauses: “You said he was late — true enough. You said he was not prepared — true enough. You said he did not defend his statements — true enough.”

A

Antistrophe

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11
Q

Contrast within parallel phrases (not to be confused with the ordinary use of the word to mean “extreme opposite”): “Many are called, but few are chosen.” The term can also refer to literary characters who, though not necessarily antagonists, represent opposite personal characteristics or moral views.

A

Antithesis

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12
Q

Calling attention to something by dismissing it: “No one would suggest that those who are homeless elected to live on the streets willingly.”

A

Apophasis

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13
Q

A statement of hesitation, also known as dubitatio, in which characters express to themselves an actual or feigned doubt or dilemma: “Should I strike now, or bide my time?”

A

Aporia

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14
Q

Abrupt discontinuation of a statement: “If you say that one more time, I’m gonna –”

A

Aposiopesis

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15
Q

Interruption of thought to directly address a person or a personification: “So, I ask you, dear reader, what would you have me do?”

A

Apostrophe

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16
Q

Absence of conjunctions: “We cannot dedicate, we cannot consecrate, we cannot hallow this ground.”

A

Asyndeton

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17
Q

Exaggeration, often with sequential enhancement: “You found my purse? You are a hero, a prince, a god!”

A

Auxesis

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18
Q

A rant of abusive language: “Calling you an idiot would be an insult to stupid people. Are you always this stupid, or are you just making a special effort today?”

A

Bdelygmia

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19
Q

Excessive braggadocio: “I am the very model of a modern major-general. I’ve information vegetable, animal, and mineral.” Also known as verborum bombus.

A

Bomphiologia

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20
Q

An abbreviated expression or telegrammatic statement: “‘Morning,’ he mumbled as he stumbled out of bed”; “I have three words for you, buddy: pot, kettle, black.”

A

Brachyology

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21
Q

Deliberate use of harsh letter sounds: “The clash and clang of steel jarred him awake.”

A

Cacophony

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22
Q

A hyperbolic metaphor, as in “Each word was a lightning bolt to his heart.”

A

Catachresis

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23
Q

This is the reversal of grammatical order from one phrase to the next, exemplified in these two well-known quotes about evaluation: “Judge not, lest ye be judged” and “A heart is not judged by how much you love, but by how much you are loved by others.”

A

Chiasmus

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24
Q

Repetition of a point with different wording: “He’s passed on! This parrot is no more! He has ceased to be! He’s expired and gone to meet his maker!” (etc., ad absurdum)

A

Commoratio

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25
Q

Imperative advice about how not to act: “Do not look a gift horse in the mouth.”

A

Dehortatio

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26
Q

Repetition of one or more words after the interval of one or more other words: “People who like this sort of thing will find this the sort of thing they like.”

A

Diacope

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27
Q

Advice: “Do unto others as you would have others do unto you.”

A

Diatyposis

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28
Q

A definition or clarification of a term: “What we will be seeking . . . will be large, stable communities of like-minded people, which is to say relatives.”

A

Distinctio

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29
Q

Starting and ending a phrase, clause, or a sentence, or a passage, with the same word or phrase: “Nothing is worse than doing nothing.”

A

Epanelepsis

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30
Q

The repetition of a word at the end of each phrase or clause: “I swear to tell the truth, the whole truth, and nothing but the truth.”

A

Epistrophe

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31
Q

Epizeuxis, epizeuxis, epizeuxis! My favorite new word, also called palilogia, refers to nothing more than the repetition of words: “To my fifteen-year-old daughter, everything is ‘boring, boring, boring!’”

A

Epizeuxis

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32
Q

A conjunctive rather than a coordinate phrase: “I made it nice and hot, just the way you like it.”

A

Hendiadys

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33
Q

Excursion from natural word order in various ways: “Theirs was a glory unsurpassed”; “It is a sad story but true.”

A

Hyperbaton

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34
Q

A reversal of logical order of elements in a phrase: “Sudden thunder and lightning drove them to shelter.”

A

Hysteron-proteron

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35
Q

This is the strategy of understatement often employed to provide subtle emphasis, frequently for ironic effect or to underline a passionate opinion: “The assassin was not unacquainted with danger.”

A

Litotes

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36
Q

A dismissive epithet, such as treehugger, or a humorously dismissive understatement (also known as tapinosis), such as the Monty Python and the Holy Grail gem “It’s just a flesh wound!”

A

Meiosis

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37
Q

The qualification of a statement to either diminish or strengthen its tone, as in “She was disturbed — make that appalled — by the spectacle.” Traditionally, nay is often a keyword that sets up the shift, but no replaces it in modern usage except in facetious or whimsical writing: “You are the fairest flower in the garden — nay, in the entire meadow.”

A

Metanoia

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38
Q

Punning wordplay, including any of many types, including homophonic or homographic puns, both of which are included in this example: “You can tune a guitar, but you can’t tuna fish. Unless of course, you play bass.”

A

Paronomasia

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39
Q

Redundancy for emphasis: “We heard it with our own ears.”

A

Pleonasm

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40
Q

Repetition of two or more forms of a word; also known as paregmenon: “You try to forget, and in the forgetting, you are yourself forgotten.”

A

Polyptoton

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41
Q

Insertion of conjunctions before each word in a list: “My fellow students read and studied and wrote and passed. I laughed and played and talked and failed.”

A

Polysyndeton

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42
Q

Repetition of an idea using synonymous words or phrases: “We succeeded, won, and walked away victorious.”

A

Scesis Onomaton

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43
Q

The punctuation of a point with an aphorism such as “Don’t judge a book by its cover.”

A

Sententia

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44
Q

These single words or brief phrases emphasize the thought they precede, interrupt, or — rarely — follow. Examples include however, naturally, no doubt, and of course — and, in informal writing, phrases such as “you see.”

A

Sentential Adverbs

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45
Q

Divergent use of a word in two phrases: “We must all hang together or assuredly we will all hang separately.”

A

Syllepsis

46
Q

A combination of anaphora and epistrophe: “To think clearly and rationally should be a major goal for man; but to think clearly and rationally is always the greatest difficulty faced by man.”

A

Symploce

47
Q

A series of adjectives, also known as accumulatio, compiled often in the service of criticism: “You’re the most arrogant, selfish, self-absorbed, insufferable narcissist I’ve ever met!”

A

Synathroesmus

48
Q

Substitution of a part or a substance for a whole, one thing for another, or a specific name used for a generic: “A hundred head of cattle were scattered throughout the field”; “A regiment of horse paraded by”; “The swordsmen unsheathed their steel”; “Do you have a Kleenex?”

A

Synecdoche

49
Q

Invective: “Get out of my way, you mouth-breathing cretin.”

A

Tapinosis

50
Q

A series of three parallel words, phrases, clauses, or statements: “Tell me and I forget. Teach me and I remember. Involve me and I learn.”

A

Tricolon

51
Q

Example or model, especially illustrative or moral.

A

Exemplum

52
Q

Premise to be proven.

A

Thesis

53
Q

Sense impression relating to one sense by the stimulation of another.

A

Synesthesia

54
Q

Symbols represent qualities or ideas.

A

Symbolism

55
Q

Reaction to events in continuous flow.

A

Stream of consciousness

56
Q

Asked for a dramatic effect, not an answer.

A

Rhetorical question

57
Q

Humor, irony, exaggeration to criticize.

A

Satire

58
Q

Irony to mock.

A

Sarcasm

59
Q

Effective or persuasive writing.

A

Rhetoric

60
Q

Play on words.

A

Pun

61
Q

Specific way of considering something.

A

Point of view

62
Q

Attribution of a personal nature to something nonhuman.

A

Personification

63
Q

Not intended meaning of a word.

A

Trope

64
Q

Introduction.

A

Preamble

65
Q

Run on sentence at the beginning.

A

Periodic sentence

66
Q

Imitation of another work with deliberate exaggeration for comical effect.

A

Parody

67
Q

More than one part similar with similar form to create balance through repetition.

A

Parallelism

68
Q

Simple story to illustrate a moral or spiritual lesson.

A

Parable

69
Q

Contradictory terms in conjunction.

A

Oxymoron

70
Q

Sound associated with a name.

A

Onomatopeia

71
Q

Recurring element that has symbolic significance.

A

Motif

72
Q

Replaces the name of one thing with something else closely related.

A

Metonymy

73
Q

Conclusion based on evidence and reasoning.

A

Inference

74
Q

Meaning not deducible from individual words.

A

Idiom

75
Q

Word order, syntax, letters rather than meaning.

A

Schemes

76
Q

Comparison with something of a different kind.

A

Simile

77
Q

Phrase applied to an object not literally applicable.

A

Metaphor

78
Q

Verb implies two meanings.

A

Zeugma (syllepsis)

79
Q

Subject or topic.

A

Theme

80
Q

Opinion or attitude.

A

Voice

81
Q

Attitude.

A

Tone

82
Q

Polite and indirect expression to replace one that is vulgar.

A

Euphemism

83
Q

Phrase, quotation, or poem at the beginning of a document or component.

A

Epigraph

84
Q

Pithy saying or remark, clever and amusing.

A

Epigram

85
Q

Arrangement of words.

A

Syntax

86
Q

Word choice.

A

Diction

87
Q

Contrasting effect.

A

Juxtaposition

88
Q

Self contradictory statement.

A

Paradox

89
Q

Exaggeration.

A

Hyperbole

90
Q

Ask a question then answer it.

A

Hypophora

91
Q

Category.

A

Genre

92
Q

Consonant sound repeated.

A

Consonance

93
Q

Metaphor in a clever way.

A

Conceit

94
Q

Subject and predicate.

A

Clause

95
Q

Slang or informal language.

A

Colloquialism

96
Q

Meaning signifies the opposite.

A

Irony

97
Q

Visually descriptive.

A

Imagery

98
Q

The literal meaning is different than the feeling.

A

Denotion

99
Q

Feeling invoked.

A

Connotation

100
Q

Pithy observation

A

Aphorism

101
Q

Conjunctions repeated.

A

Polysyndecton

102
Q

Commas repeated.

A

Asyndeton

103
Q

Singled out phrase.

A

Appositive

104
Q

Something that precedes another.

A

Antecedent

105
Q

The definition is up for interpretation.

A

Ambiguity

106
Q

Repetition of the first sound.

A

Alliteration

107
Q

Ethos, pathos, and logos.

A

Aristotlelian appeals

108
Q

Comparison.

A

Analogy

109
Q

Hidden meaning with symbolism.

A

Allegory

110
Q

Call to mind a reference.

A

Allusion

111
Q

Sensory experience.

A

Imperism