Blanche - the anti-heroine
Blanche - key characteristics
Manipulative and pathological liar
- deceive Mitch into desiring her
Insecure and sensitive
- ageing
- spends time fixing appearance and fishes for compliments
Lonely
- even relationship with Mitch is built on mutual loneliness
Flirtatious and seductive
- bathing, images of nudity
- half dressed through gap of curtains, changes in light so silhouette of body visible to Mitch
- tries to relive youth, stuck in loop
Delusional in her flight from reality
- stuck in traumatic past
- states she doesn’t want realism but wants magic
She can switch into her fantasy world with ease
Her delusions and illusions mirror her desires to help escape her past
Stella
Left laurel as seduced by the new American life in New Orleans
Her aristocratic descent is apparent in her disposition and manners
Stella - key characteristics
Gentle, impressionable and Passive homemaker
Stanley
Stanley key characteristics
Working-class man and of immigrant descent
Violent and crude
- uses brute force to convey his emotions
- treats objects around him with underlying violence
- objectification of women
- stark contrast to wife and sister in law who are well read
- stage directions of S in scene 1 emphasise ANIMAL SEXUALITY and MASCULINITY
- His QUINTESSENTIAL DISRESPECT and MISOGYNY to women seen how he shouts at S and B during poker
Primitive
- parallels between S behaviour and primitive man
Mitch
B’s main romantic interest
Stanley’s colleague and friend
Mitch Key characteristics
Working class man
Gentle and sensitive
- well mannered
- made fun of for sensitivity of mother
- aware friends are “being a pretty rough bunch”, juxtaposed to what B is used to
Not dominating male
- antithesis of Stanley