The Returned Flashcards
(The Returned) What channel was it first broadcast on in the UK?
Channel 4
(The Returned) When was it first broadcast?
9pm June 2013
(The Returned) Genre
French supernatural thriller
(The Returned) Creator
Fabrice Gobert
(The Returned) Producer
Haut et Court
(The Returned) Where and when was it originally broadcast?
Canal+ in November 2012
(The Returned) Inspired by…
The French film ‘Les Revenants’ (2004)
(The Returned) How long is the show?
Two series, 8 episodes in each
(The Returned) Main distributor
Zodiak Rights - one of the leading distributors in the international market.
(The Returned) How many countries was it shown in?
Over 70
(The Returned) Importance of genre
The supernatural thriller genre has a well established cultural history and recognisable elements which is important for a global product
These conventions have developed over time to reflect social and cultural change (e.g. migrants in France) and the needs and expectations of audiences
(The Returned) conforming to supernatural thriller conventions
Narrative focusing on the appearance of undead within a community and their attempt to deal with it:
- non linear time and space is manipulated (flashbacks to the crash at the beginning)
- narrative disruptions e.g. revelations ( when we find out about the connection between the twins or the reason for the bus crash)
- privileged spectator vision (we know it was victor who caused the crash)
- binary oppositions (living vs dead)
- unexplained events, creepy child, slow opening of doors, flickering of lights
(The Returned) Iconography
Mirrors and windows feature often in this episode (butterfly at the beginning) as ways of replicating the world and fabricating reality. (Claire and Jerome watch Camille through a window in disbelief of what they see)
(The Returned) Settings
Within the individual homes there is a sense of claustrophobia reinforced by the darkness and the framing
(The Returned) Todorov’s Narratology theory
Equilibrium - the bereaved community who are trying to adjust to the deaths of their loved ones
Disruption - return of the dead
Realisation - the tragic consequences (e.g. death of M Costa)
Resolution - since it is an episodic drama, there would not be a resolution at the end of the first episode, instead there is a cliff hanger. Therefore it subverts Todorov’s theory.
(The Returned) Genre hybridity
The Returned is harder to categorise as due to the hybridity of genres (conventions of supernatural thriller, zombie genre, fantasy, sci-fi and drama)
Drama - the producers don’t want it to be another ‘zombies vs humans’ they want to show the undead as real people which is why it is in a small rural area and showing complex relationships
(The Returned) Science fiction?
Yes - extraordinary events outside of the realms of reality but have some scientific appeals as it could happen
No - based on events that defy reality and explanation (people coming back from the dead)
(The Returned) Neale’s genre theory
Supernatural thriller genre has repeated conventions but to appeal to audiences, new programmes need to display something different to set them apart from others
Difference in The Returned:
- focuses less on gore and horror of zombie films and more on physiological impact on community after their children come back
- the children are not classic zombies as they look normal and are attempting to return to the life they left
(The Returned) economic context of genre
The recognisable codes and conventions of the supernatural thriller makes it easy to market to audiences
However, subverting these conventions could also ensure commercial success.
(The Returned) visual codes - dress codes
Clothing is a rapid way of communicating messages to an audience.
The normal clothing of the dead challenges typical conventions of the genre.
(The Returned) visual codes - gesture and expression
Claire’s shocked expression compared with Camille’s apparent normality when they first meet again. The audience will then be confused and empathise with Claire as they do not know what has happened to Camille.
Julie taking Victor’s hans and taking him into her home has references to the vampire genre as vampires always have to have permission to enter a person’s home and that was Julie giving him permission.
(The Returned) visual codes - iconography and setting
The opening scene when the butterfly escapes from the picture creates enigmatic unease foreshadowing the narrative.
The fact that Camille’s room is kept almost as a shrine shows how no one has been able to move on and allows her to assume everything is the same.
(The Returned) technical codes - angles and shots
Establishing shots - the shot of the town creates a sense of cultural verisimilitude, establishing a real place in which the characters function, reinforcing their believability.
Long shots - conventional of the supernatural thriller genre (the lonely road, Lucy alone in the subway, victor standing outside of Julie’s apartment)
(The Returned) audio codes - music
Estbalishes characters and genre
Sinister mood music - beginning, quickly establishes the enigmatic atmosphere of the episode and that everything is not going to be what it seems
Disconcerting music - when Camille returns home
Discordant music - when Claire tries to hide the shrine that is Camille’s room which contrasts with the very normal acts of Camille