Voice Disorder Notes Part 1 Flashcards

1
Q

A voice disorder exists when

A

1 A person quality pitch and loudness differ from those of similar age gender cultural background and geographic location The voice is not representative of the speaker 2 When the perceptual properties of voice are so deviant that they draw attention to the speaker 3 When the structure and or function of the laryngeal mechanism no longer meet the voice requirements of the speaker our voices should be able to handle what we ask of it in a day The voice should be able to meet those demands without physical effort or tension in the larynx

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3
Q

Three goals in the assessment and management of voice disorders

A

1 Evaluation of laryngeal function using auditory and visual perceptual tasks looking and listening acoustic analysis and aerodynamic measures done instrumentally 2 Identification and modification or elimination of functional causes that lead to the development of the voice disorder causing or maintaining the voice disorder get rid of it or minimize 3 Develop a plan that will remediate the voice disorder and return the voice to improved function given the nature of the larynx if its too damage it may not be able to return to normal

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4
Q

In order to meet these goals the SLP must

A

1 understand the anatomy and physiology of voice production 2 be familiar with common vocal fold pathologies 3 understand etiologic factors 4 know appropriate diagnostic techniques and 5 develop a tool box of clinical management strategies

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5
Q

Early foundations of voice rehab evolved in several general voice management orientations

A

1 Hygienic voice therapy Vocal Hygiene concentrate on trying to identify behavioral causes of the voice disorder and then trying to modify or eliminate them 2 Symptomatic voice therapy Modify the deviant vocal symptoms So you listen to the voice and try and decide what is deviant about it Too high Too much of a glottal stop Too loud 3 Psychogenic voice therapy Addressing the emotions and psycho social status of the patient and anything related to that that leads to or maintains a voice disorder 4 Physiologic voice therapy Techniques that rely on direct modification of respiration phonation or resonation to improve the balance of laryngeal muscle effort the correct the focus of their tone Systemic approach Work on getting the muscles and they systems back in balance 5 Eclectic approach A mixture of all of the above What we do in real life

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6
Q

Larynx

A

a cartilaginous tube connects pulmonary power supply the laryngeal valve where sound is produced and the supraglottic above the vocal folds Normal voice production relies on all three working together You have to look at all three in assessment respiration phonation and resonation

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7
Q

Three Levels of Folds

A

1 Areyepiglottic folds 2 Ventricular folds 3 True Vocal folds

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8
Q

Areyepiglottic folds

A

1 Connect the epiglottis to the arytenoids and form the upper rim of the larynx structure 2 When the epiglottis retroverts comes down these help to seal off the vestibule for airway protection

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9
Q

Ventricular folds

A

False vocal folds 1 just superior to the true folds above the ventricles 2 They compress tightly during coughing sneezing and physical activities requiring a build up of subglottic pressure thoracic fixation Should not compress when a healthy voice is being used 3 They assist with airway protection during swallowing 4 They may close during hyperfunctional phonation The more they compress the more hyperfunctional the patient is To hard and they will have ventricular phonation and if it accompanies true fold phonation they will have diplophonia

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10
Q

True Vocal folds

A

1 Open for breathing closed for airway protection and vibrate to produce sound 2 Close tightly for vegetative acts such as cough throat clear swallow or activities requiring thoracic fixation Should not be closing tightly during phonation for speech

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11
Q

5 Restoring Forces

A

1 Torque of the ribs 2 Gravity 3 Relaxation of the muscles of the chest 4 Natural elasticity of the lung tissue 5 Visceral abdominal organs pressure on the diaphragm

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12
Q

Inspiration Muscles

A

1 Diaphragm 2 Costal Elevators 3 External intercostals 4 Scalene Muscles 5 Sternocleidomastoid 6 Pectoralis Major and Minor

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13
Q

Expiration Muscles

A

1 Internal and External Obliques 2 Rectus Abdominus 3 Posterior Abdominal 4 Transverse Abdominus 5 Transverse Thorascis 6 Internal intercostals

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14
Q

Resonation

A

Sound waves are generated by the vocal folds and travel through the vestibule pharynx oral and nasal cavities and across artic structures such as the velum tongue palate teeth etc

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15
Q

Laryngeal Structures

A

1 Hyoid bone 2 Epiglottis 3 Thyroid cartilage 4 Cricoid cartilage 5 Arytenoids cartilage 6 Cuneiform cartilages 7 Corniculate cartilages

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16
Q

Laryngeal Joints

A

1 Cricoarytenoid joint 2 Cricothyroid joint

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17
Q

Laryngeal Muscles

A

1 Extrinsic Muscles 2 Intrinsic Muscles

18
Q

Suprahyoid muscles

A

Generally pull the larynx up elevators 1 stylohyoid 2 digastic M 3 Geniohyoid M. 4 Mylohyoid M

19
Q

Infrahyoid muscles

A

Generally pull the larynx down depressors 1 Omohyoid 2 Sternohoid 3 Sternothyroid 4 Thyrohyoid

20
Q

Extrinsic Muscles

A

Suprahyoid and Infrahyoid

21
Q

Intrinsic Muscles

A

1 Cricothyroid 2 Thyroarytenoid 3 Lateral Cricoarytenoid 4 Interarytenoids 5 Posterior Cricoarytenoid

22
Q

Hyoid bone

A

Only bone that is not connect to another bone

23
Q

Epiglottis

A

Large leaf shaped structure It retroverts to help close airway It attaches to the thyroid by a ligament thyroepiglottic ligament

24
Q

Thyroid Cartilage

A

Two flat plates are called the thyroid lamina Cut out area is called the thryoid notch and the area that bulges out is called the thyroid prominence Superior and inferior corneu of the thyroid

25
Q

Cricoid Cartilage

A

sits at the top of the trachea A modified tracheal ring Looks like a class ring The flat part is called the cricoid lamina

26
Q

Arytenoid Cartilages

A

Look like pyramids they sit on top of the cricoid lamina They are in the posterior They have two processes Vocal process Inner where the vocal folds attach and the muscular process outer where the muscles attach

27
Q

Cuneiform cartilages

A

holds fold open likes the edge of the ear it helps give shape to the aryepiglottic fold AKA Cuneiform tubercle

28
Q

Corniculate cartilages

A

they do not do anything except sit on top of the arytenoids

29
Q

Cricoarytenoid Joint

A

Cricoid and Arytenoid The joint is so the arytenoids can move around on top They make a rocking like elevator door and rotating movement on top Job abduct and adduct the vocal folds

30
Q

Cricothyroid joint

A

Cricoid and Thyroid Back and forth motion stretches the folds which cause the pitch to go up Job pitch adjustment

31
Q

Cricothyroid Muscle

A

Attach to the Cricoid Cartilage and the thyroid cartilage When it contracts it is going to pull the thyroid cartilage forward The action that it creates is stretching and tensing the vocal folds Adductor Only one innervated by superior laryngeal nerve and not a recurrent laryngeal nerve

32
Q

Thyroarytenoid Muscle

A

Attaches to Thyroid and Arytenoid VOCAL FOLDS Two components the vocalis inner edge and the thryromuscularus gets heavier and thicker as it goes

33
Q

Lateral Cricoarytenoid

A

goes opposite direction of the posterior Cricoarytneoid Adductor Pulls the arytenoids back around and closes them

34
Q

Interarytenoids

A

Oblique Arytenoids and Transverse Arytenoids Because they go form one arytenoid to the other Oblique means criss cross in anatomy Adductor Squeezes them together Transverse goes across

35
Q

Posterior Cricoarytenoid

A

Posterior contracts and rotates teh arytenoids out so they ABduct and open