Waves: H-Delay

Question 1

From___a echo, ___b delay, and ____c sync with ____d , to____e,
_____f ,______g, and more, H-Delay delivers real old school effects, controlled by a
super intuitive interface.

Answer 1

slap back , pingpong, tempo, filtering, flanging, phasing

Question 2

Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s _____. This produced a pitch change, as the already
recorded part was now played at a different speed. The pitch returns to normal when the
recorded piece in the new speed reached the playback head. We have emulated this
behavior in the Delay time control.

Answer 2

motor speed

Question 3

Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s motor speed. This produced a _____, as the already
recorded part was now played at a different speed.

Answer 3

pitch change

Question 4

Tape Delay Effect –
The pitch returns to normal when the
recorded piece in the new speed reached ……. We have emulated this
behavior in the Delay time control.

Answer 4

the playback head

Question 5

_______ – Using a Low Frequency Oscillator (LFO) and triangle waveform to
control the delay time,_________ produces effects ranging from flanging and
chorus to frequency modulation.

Answer 5

Delay Modulation

Question 6

Delay Modulation –. Oscillation time can be set using either an ____ value or a
________,

Answer 6

Hz or BPM multiple

Question 7

Delay Modulation –. _______can be set using either an Hz value or a
BPM multiple, a note value, e.g. 1/4 note, 1/8 note, 1/16 note, etc.

Answer 7

Oscillation time

Question 8

_____ – A stereo effect that sounds like the input signal is bouncing between
the left and right output channels,

Answer 8

Ping Pong Delay

Question 9

Ping Pong Delay is achieved by using two delay lines

that feed_______, rather than feeding _______ as in normal__________

Answer 9

one another, rather than feeding themselves as in normal stereo delay mode.

Question 10

Ping Pong Delay :

This effect requires a Feedback value greater than ____

Answer 10

1

Question 11

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range.

Answer 11

LoFi

Question 12

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range. In LoFi
mode, H-Delay emulates this behavior, while the ____ remains the same.

Answer 12

delay time range

Question 13

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
_______ using ___________, causing ________.

Answer 13

greater delay values using the same memory chip, causing reduced frequency range.

Question 14

______ – Choose between 4 _______ Modes which correspond to sound qualities which
are usually associated with and perceived as ______ sound.

Answer 14

Analog

Question 15

Analog – Choose between 4 Analog Modes which correspond to ________ which
are usually associated with and perceived as analog sound.

Answer 15

sound qualities

Question 16

______ – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable______ of H-Delay, assign a MIDI track to the node. All H-Delay
controls (excluding Output Meter) support standard MIDI Learn procedures.

Answer 16

MIDI Control

Question 17

MIDI Control – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable MIDI control of H-Delay, assign a _______ to the node.

Answer 17

MIDI track to the node

Question 18

All H-Delay

controls (excluding Output Meter) support standard MIDI ______ .

Answer 18

Learn procedures

Question 19

1.4 Components:
WaveShell technology enables us to split Waves processors into smaller plug-ins: which
we call components:

Answer 19

smaller plug-ins: which

we call components

Question 20

1.4 Components:
Having a choice of components for a particular processor gives
you the flexibility to choose ….

Answer 20

a configuration suitable for your material.

Question 21

1.4 Components::

H- Delay is available in ___ channel configurations:

Answer 21

3

Question 22

1.4 Components::
H- Delay is available in 3 channel configurations: 
a)
b)
c)

Answer 22

• H-Delay Mono
• H-Delay Stereo
• H-Delay M>S

Question 23

• H-Delay Mono is (___-to-______)

Answer 23

(mono-to-mono)

Question 24

• H-Delay Stereo is (______-to-______

Answer 24

(stereo-to-stereo)

Question 25

• H-Delay M>S is (______-to-______)

Answer 25

(mono-to-stereo)

Question 26

Chapter 2 – Quickstart Guide ƒ When H-Delay is placed on an auxiliary track and fed using track sends, set the Mix control to______, and balance your _______ using the host mixer.

Answer 26

set the | Mix control to 100, and balance your wet/dry mix using the host mixer.

Question 27

Chapter 2 – Quickstart Guide When H-Delay is used as an insert effect, use H-Delay’s ______ to set the wet/dry mix.

Answer 27

Mix control

Question 28

Chapter 2 – Quickstart Guide ƒ First roughly set the_______ wanted, using the big Delay knob, time display, or the Tap Pad.

Answer 28

ƒ First roughly set the delay time wanted, using the big Delay knob, time display, or the Tap Pad. In MS Sync mode, Delay Time is set manually (in milliseconds); in Host and BPM modes, Delay Time corresponds to BPM note values.

Question 29

Chapter 2 – Quickstart Guide In MS Sync mode, Delay Time is set _____ (in _________); in Host and BPM modes, Delay Time corresponds to____ values.

Answer 29

In MS Sync mode, Delay Time is set manually (in milliseconds); in Host and BPM modes, Delay Time corresponds to BPM note values.

Question 30

Chapter 2 – Quickstart Guide ƒ When using the Tap Pad, Delay Time is set as the interval between the ______ clicks on the pad. In Host and BPM Sync modes, the Delay Time will be quantized to the ------- value.

Answer 30

last two | nearest note

Question 31

Chapter 2 – Quickstart Guide In_____mode, H-Delay displays your host application’s current BPM. To manually change the tempo, switch to ____ mode.

Answer 31

Host | BPM

Question 32

Chapter 2 – Quickstart Guide | For a “bouncing” stereo effect, press the_____ button.

Answer 32

Ping Pong

Question 33

Chapter 2 – Quickstart Guide | At settings of 1 to 100, Feedback controls the amount of _______

Answer 33

delay repetition decay;

Question 34

Chapter 2 – Quickstart Guide | At settings of__ to ____, Feedback controls the amount of delay repetition decay;

Answer 34

1 to 100

Question 35

Chapter 2 – Quickstart Guide At settings of 1 to 100, Feedback controls the amount of delay repetition decay; at settings of 100 to 200, it controls the _______. Depending on the _____ it can get very loud, very quickly.

Answer 35

delay repetition build-up | delay setting,

Question 36

Chapter 2 – Quickstart Guide At settings of 1 to 100, Feedback controls the amount of delay repetition decay; at settings of ___to___ it controls the delay repetition build-up. Depending on the delay setting, it can get very loud, very quickly.

Answer 36

100 to 200,

Question 37

Chapter 2 – Quickstart Guide | For more of a vintage, low fidelity sound, press the ___ button.

Answer 37

LoFi

Question 38

Chapter 2 – Quickstart Guide Set the HP and LP Filters as needed. Use the ______ to move both filters simultaneously, like a _____

Answer 38

link control | band-pass filter.

Question 39

ƒChapter 2 – Quickstart Guide Experiment with different modulation speed and depth settings until you achieve the desired effect. For example, a_____ delay setting with _____modulation can create a great flanging effect.

Answer 39

For example, a short delay setting with slow modulation can | create a great flanging effect.

Question 40

ƒChapter 2 – Quickstart Guide: Experiment with different modulation speed and depth settings until you achieve the desired effect. For example, a short delay setting with slow modulation can create a great______ effect.

Answer 40

flanging

Question 41

ƒChapter 2 – Quickstart Guide: | Use the Analog control to alter the _____ of the H-Delay effect.

Answer 41

sonic character

Question 42

ƒChapter 2 – Quickstart Guide: | Use the Output and Mix controls to set _____

Answer 42

proper output levels.

Question 43

ƒChapter 2 – Quickstart Guide: | Use the ___and____controls to set proper output levels.

Answer 43

Output and Mix

Question 44

Chapter 3 – Interface and Controls 3.2 H-Delay Controls : In addition to support of all Digidesign control surfaces, H-Delay includes a ________ which opens upon instantiation of the plug-in. To enable MIDI control of H-Delay, assign a ______ to the node. All H-Delay controls (excluding Output Meter) support standard ____ procedures. (Apple Logic has its own MIDI functionality which is supported by H-Delay.)

Answer 44

MIDI node MIDI track MIDI Learn

Question 45

3.2 H-Delay Controls : | Delay: it......

Answer 45

controls the delay time.

Question 46

3.2 H-Delay Controls : | ______: controls the delay time.

Answer 46

Delay

Question 47

3.2 H-Delay Controls :Delay: | Range: ___ to ____ms or__________

Answer 47

1 to 3500 ms or BPM multiple

Question 48

3.2 H-Delay Controls :Delay: | Default: _____ note (Host sync)

Answer 48

1/8D

Question 49

3.2 H-Delay Controls:Time and BPM Display: shows the delay time value, in ____ mode, displayed in milliseconds; in Host and BPM Sync modes, displayed in note units.

Answer 49

MS Sync

Question 50

3.2 H-Delay Controls:Time and BPM Display: | Values are set using the mouse as well as the __control.

Answer 50

Delay control

Question 51

``` 3.2 H-Delay Controls:Time and BPM Display: When switching from MS mode to BPM mode (or vice versa), the display will show the ```

Answer 51

nearest approximate value.

Question 52

3.2 H-Delay Controls:Time and BPM Display: | shows the delay time value, in MS Sync mode, displayed in milliseconds; in ____and___ modes, displayed in note units.

Answer 52

Host and BPM Sync

Question 53

3.2 H-Delay Controls:Time and BPM Display: | Range: ______ to ___ ms or _____

Answer 53

1 to 3500 or BPM multiple

Question 54

3.2 H-Delay Controls: | _____:determines whether delay time is set according to host tempo or manually.

Answer 54

Sync

Question 55

3.2 H-Delay Controls: Sync: _ (syncs to the host application BPM setting) ___ (syncs to a manual user setting) __ (allows manual setting, in milliseconds) Default: ___

Answer 55

ƒ Host ƒ BPM ƒ MS Host

Question 56

______controls the amount of delay modulation applied. Range___to___ Default: ___

Answer 56

Depth Range: 0 to 100 | Default: 0

Question 57

_____ sets the modulation LFO cycle rate. In BPM or Host Sync mode, the rate value is set according to a ____; in MS Sync mode, the rate value is expressed in____ Range: ___to_____ Hz or _______ (note values) Default: _____

Answer 57

Rate multiplier of the BPM Hz. Range: 0.1 to 6000 Hz or BPM multiples (note values) Default: 0.1

Question 58

ping pong delay: Range: ___ Default: ___

Answer 58

On/Off | Off

Question 59

Ping Pong Delay : Please note: Using_____ on one channel in Ping Pong mode may cause some audio cancellation when using mono input sources

Answer 59

Phase Reverse

Question 60

Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause some _____ when using mono input sources

Answer 60

audio cancellation

Question 61

Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause some audio cancellation when using ______sources

Answer 61

mono input

Question 62

Ping Pong activates/de-activates the ping pong delay effect ____, ___-to ___ components only).

Answer 62

Stereo | Mono to stereo

Question 63

_____ controls the amount of delay feedback.

Answer 63

Feedback

Question 64

Feedback: At settings of ___to____, Feedback controls the amount of delay repetition decay; at settings of 100 to 200, it controls the delay repetition build-up (which can be used as an “endless” loop.) Depending on the delay setting, it can get very loud, very quickly.

Answer 64

1 to 100

Question 65

Feedback: At settings of 1 to 100, Feedback controls the amount of ______at settings of 100 to 200, it controls the delay repetition build-up (which can be used as an “endless” loop.) Depending on the delay setting, it can get very loud, very quickly.

Answer 65

delay repetition decay;

Question 66

Feedback: ; at settings of_____to_____, it controls the delay repetition build-up (which can be used as an “endless” loop.) Depending on the delay setting, it can get very loud, very quickly.

Answer 66

100 to 200

Question 67

Feedback: ;at settings of 100 to 200, it controls the ________ (which can be used as an “endless” loop.) Depending on the delay setting, it can get very loud, very quickly.

Answer 67

delay repetition build-up

Question 68

Feedback: | delay repetition build-up (can be used as an _____)

Answer 68

“endless” loop.

Question 69

Feedback: Range: ___to____% Default:____%

Answer 69

Range: 0 to 200% Default: 60%

Question 70

______sets the phase of each delay line. (________components only).

Answer 70

Phase Reverse L/R | Stereo, Mono-to-Stereo

Question 71

Phase Reverse L/R: Range: Default:

Answer 71

On/Off | Off

Question 72

Phase Reverse L/R sets the phase of each delay line. | Please note: Phase Reverse controls are linked in ______mode.

Answer 72

Mono-to-Stereo

Question 73

____ controls the frequency range of the low pass filter. Range: ______to____,____ Default: _____

Answer 73

LP Filter 20 Hz to 20 kHz, Off Off

Question 74

______controls the frequency range of the high pass filter. Range: ___, ___to_____ Default: ___

Answer 74

HP Filter Off,20 Hz to 20 kHz Off

Question 75

______moves both HP and LP Filters by the same value, causing them to act as Band Pass Filter. Range:___to____ Please note: _____

Answer 75

Filter Link 20 Hz to 20 kHz Automation for Link movement requires Write Automation-enabling both the HP and LP filters.

Question 76

Filter Link :moves both HP and LP Filters by the same value, causing them to act as ____

Answer 76

Band Pass Filter.

Question 77

______controls the amount of dry (unprocessed) vs. wet (processed) signal. Range: ____ Default: _____

Answer 77

Dry/Wet Mix 0 to 100 100

Question 78

Analog toggles between _______modes Range: __ Default: ___

Answer 78

analog character modes. Off, Modes 1 to 4 Mode 2

Question 79

LoFi activates/de-activates the LoFi effect. Range: ___ Default: __

Answer 79

On/Off | Off

Question 80

______ controls the output level. Range: ____ Default:____

Answer 80

Output +/-18 dB 0

Question 81

___ displays the output level. | Range:

Answer 81

Output Meter | 0 to -48 dBFS

Question 82

_____controls the delay time by clicking.

Answer 82

Tap Pad

Question 83

Tap Pad Delay Time is set as the interval between the ______ . In Host and BPM Sync modes, the Delay Time will be quantized to the nearest note value.

Answer 83

last two clicks on the pad.

Question 84

Tap Pad : In Host and BPM Sync modes, the Delay Time will be

Answer 84

quantized to the nearest note value.