Week 6

Question 1

what are phrases made up of?

Answer 1

motives (motifs)

Question 2

what are motives (motifs)?

Answer 2

short rhythmic and/or melodic ideas

Question 3

what are variations on motifs called?

Answer 3

motivic transformation

Question 4

What is fragmentation?

Answer 4

sections or alterations to the melody

Question 5

What is literal repetition?

Answer 5

Repeating the exact melody or melodic segment

Question 6

What is sequential repetition?

Answer 6

Same melodic segment transposed lower or higher

Question 7

Where do sequential repetitions usually move?

Answer 7

up

Question 8

What is Rhythmic Diminution?

Answer 8

Shortening the note value of the rhythm (e.i. quarter notes to eight notes)

Question 9

What is Rhythmic Augmentation?

Answer 9

Lengthening the note value of the rhythm (quarter notes to half notes)

Question 10

when do melodic sequences occur?

Answer 10

When a melodic segment is immediately followed by one or more transpositions of the segment

Question 11

Do melodic and harmonic sequences move by the same interval or different intervals?

Answer 11

Same

Question 12

When do harmonic sequences occur?

Answer 12

A segment of chords immediately followed by one or more transpositions of the same segment

Question 13

What is tonicization?

Answer 13

scale degrees of chords other than the tonic that are made to sound as if they are temporary tonics

Question 14

What is the most common way to tonicize?

Answer 14

Secondary dominants

Question 15

What is the most common secondary dominant?

Answer 15

v/v

Question 16

What are the two other common secondary dominants (other than v/v) and their resolution?

Answer 16

V/ii resolving to ii and V/IV resolving to IV

Question 17

True or False: All doubling and voice-leading rules must be followed when using secondary dominants or secondary leading tones

Answer 17

True

Question 18

Can a secondary leading-tone or secondary diminished seventh also be used to tonicize a major or minor triad in a given key?

Answer 18

Yes

Question 19

What inversion must the leading-tone triad appear in?

Answer 19

first

Question 20

Can secondary leading tone chords that are seventh chords appear in any inversion?

Answer 20

yes

Question 21

Can secondary leading tone chords that are triads appear in any inversion?

Answer 21

No, they must appear in first inversion