Week 11 Flashcards

1
Q

Language instinct

A

Pinker. Only humans have true language, specific result of natural selection. Separate from intelligence, processed laterally aquired more quickly than learning. Grammar is innate

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2
Q

Speech stimulus

A

Comes from openings and closings of vocal fold in laranyx. Sculpting by vocal cavity, tongue, and lips adds resonance

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3
Q

Consonants

A

Produced by stopping/constricting the flow of air through the vocal tract. Stop consonants: p,t,k. Fricatives:s, z,f. Nasals:m,n. Labials:v

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4
Q

Vowels

A

Vibrate vocal folds as air moves out of lungs through open mouth

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5
Q

Source filter theory of speech production

A

Air comes from lungs. Source of sound waves is the laranyx. Filter determined by resonant properties of the vocal tract. Output is vowels/consonants that form phonemes, which are building blocks of words

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6
Q

Form ants

A

Resource patterns in speech in which same sound wave frequencies are enhanced

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7
Q

Sound spectrogram

A

Converts sounds into set of frequencies, shows amplitude over time

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8
Q

Preceptors

A

Ears, auditory pathways/processing centers, and specialized cognitive processing modules around Sylvian fissure

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9
Q

Speech

A

A uniquely human behavior; a facility with speaking/language may be main defining feature of being human

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10
Q

Sone scale

A

Defined using magnitude estimation procedure in which standard loudness=loudness of 1000Hz, 40 FB tone=1 sone

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11
Q

Mel scale

A

Magnitude estimation used in which the pitch of a 1000Hz, 40 db tone is defined as 1000 Mel’s

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12
Q

Pitch contours

A

At a given sound frequency, as intensity caries, perceived pitch varies. Doppler effect

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13
Q

Musical scale

A

Frequency scale: each letters note corresponds to particular sound frequency, each “octave” is twice that of the previous one. Octaves can be divided into 12 equal interval “semitones”

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14
Q

Tone height/chroma

A

Each interval is double

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15
Q

Octave

A

Successive doubling of frequency in periodic sounds

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16
Q

Chords

A

3 or more notes played simultaneously. Ratio of note frequencies affects pleasantness

17
Q

Melody

A

Notes/chords can form a sequence of sounds that are performed as a single coherent structure. Defined pitch contour, not specific frequencies, if shift all notes by 1 octave, melody is unchanged

18
Q

Rhythm

A

Temporal patterning of notes

19
Q

Van bekesy

A

Where hair cells are located along basilar membrane dictates which frequency waves bend them, and signals pitch to brain

20
Q

Missing fundamental effect

A

Complex sounds are made up of a set of sound waves. The one with the lowest freq= fundamental freq. overtones are whole number multipliers of fundamental

21
Q

Missing fundamental effect

A

If take out fundamental, sound is different, but pitch seems the same

22
Q

Frequency theory

A

Pitch can be signaled by the rate of neurological firing. Missing fundamental can be inferred from harmonic ration of 440/880, fundamental must be 220

23
Q

Sound localization

A

Ability to localize sound source in space without visual assistance. Several cues

24
Q

Inter ear difference cues

A

Sound shadow leads to intensity difference, most at 90 degrees azimuth. Also time difference/phase difference