A2 C1SA Hollywood Film: SLIH & DTRT Flashcards

1
Q

Name the Big 5

A

MGM, Fox, Warners, RKO & Paramount

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2
Q

Name the Little 3

A

United Artists, Columbia & Universal

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3
Q

What was the main difference between the Big 5 and the Little 3?

A

The Big 5 were vertically integrated

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4
Q

What is ‘vertical integration’?

A

In film where a company owns more than one stage of production - e.g. studio production facilities, distribution networks and movie theatres.

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5
Q

What is meant by a Fordist model of production?

A

A production line where each element is clearly delineated and the product (such as a car - Henry Ford) or a film passes from one department to another. Workers are paid for the specific job that they do (the ‘division of labour’), usually in consultation with trades unions. Each trade becomes highly specialised and standardisation is common in terms of working practises and outcomes. It is seen as a very efficient model for production as costs are kept down and the process is easier to control from the top.

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6
Q

Identify five examples of standardisation of films via the Studio System

A

Film duration (around 90 minutes)
Genres
3-act structure, including the ‘Hollywood ending’
Technical standards e.g. cinematography, 24 frames per second for talkies
Realism

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7
Q

Identify five features of the Studio System

A

Vertical Integration (Big 5 dominated production, distribution and exhibition)
Studios developed strong identities (e.g. MGM for musicals)
Use & control of stars on 7 year contracts
Control by Moguls (producers)
Block blind booking
The Hays Code (1933 onwards)

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8
Q

What impact did European directors such as Billy Wilder have on Hollywood?

A

Influence of European ‘expressionist’ styles, such as GE, especially on Film Noir
Montage/experimental editing
The idea of the powerful director-as-artist - later known as the ‘auteur’
Influence of European political turmoil - post WW1&2, the Cold War etc. Many European directors were Jewish and more left wing and confident in challenging US conservative values and perceived hypocrisies, such as the Hays Code.

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9
Q

How many elements of the Classical Hollywood style can you identify?

A

1 Quick-fire dialogue in a range of genres
2 Character driven cause & effect storytelling
3 Three-track sound: Dialogue, music and ambient
4 Symphonic scores
5 Grouped actor blocking
6 Soft-focussed femininity
7 Limited camera movement
8 Intro of colour film stock - 1930s
9 Film as spectacle
10 Widescreen
11Rear projection, optical printing and mattes.

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10
Q

Name three other films by Billy Wilder

A

Sunset Boulevard, The Seven Year Itch, Double Indemnity, Ace in the Hole, Sabrina etc.

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11
Q

Which of Billy Wilder’s films is referenced in the train station scene in SLIH?

A

The Seven Year Itch - the steam hitting Sugar is seen as a reference to the famous white dress scene.

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12
Q

Name the three stars of SLIH

A

Marilyn Monroe, Tony Curtis & Jack Lemmon

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13
Q

Name the production company which made SLIH, having done 12-picture distribution deal with United Artists

A

The Mirisch Corporation

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14
Q

Name the two screenwriters for SLIH

A

Billy Wilder
IAL (Iz) Diamond

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15
Q

Who plays Osgood, Spats Columbo and Agent Mulligan?

A

Joe E Brown (famous comic actor)
George Raft (famous ‘gangster’ actor)
Pat O’Brien (known for playing cops, priests etc.)

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16
Q

Name the band that Sugar joins in order to meet and marry a ‘rich millionaire’

A

Sweet Sue and her Society Syncopators

17
Q

What is Sugar Kane’s real surname?

A

Kowalczyk

18
Q

Name the elements of Billy Wilder’s auteur signature

A

Tight, comic script (written with IAL Diamond) with strong characterisation
Theme of deception & disguise/dual or mistaken identity
Theme of individual versus the group
Critique of institutions e.g. Hollywood, the press
Witty, quotable dialogue with sexual innuendo
Battle of the sexes
Critique of gender roles
Intertextuality & genre hybridisation

19
Q

SLIH was famously released without approval form the Hays Office. Which influential organisation objected to the film most strongly?

A

The Catholic League of Decency described the film as ‘morally objectionable’ and the film was effectively banned in Kansas.

20
Q

Which elements of the Hays Code did Wilder challenge in SLIH?

A
21
Q
A