A2 C2SA Global Film: HOFD & PL Flashcards

1
Q

What year is PL set in?

A

1944

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2
Q

In which real place is PL set?

A

In the hills of Northern Spain

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3
Q

Which war is taking place at time PL is set?

A

WW2

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4
Q

Name the conflict which took place in Spain before the films begins, between 1936 and 1939

A

The Spanish Civil War - the Nationalists, led by General Franco, won

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5
Q

Name the two sides in the Spanish Civil War

A

The Republicans (Popular Front, defenders of the Second Republic) versus the Nationalists

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6
Q

Name the leader of the Nationalists in the Spanish Civil War

A

General Franco

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7
Q

What is the name of the specific grouping led by Franco (Vidal is also a member of this group)

A

The Falangists

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8
Q

Francoism is a specific ideology based on three other ideologies/traditions. Name them.

A

Fascism; Monarchism; Catholicism

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9
Q

Vidal’s father was killed fighting in Morocco - why is that significant?

A

Morocco (a Spanish colony at the time) is where General Franco made his name by defeating republican forces. Vidal idolises both his father and ‘El Caudillo’, Franco.

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10
Q

The Nationalists and Republicans had very different ideologies - what were they, briefly?

A

Nationalists: Right-wing (conservative) traditionalist ideology encompassing Fascism, monarchism and very traditional Spanish Catholicism (similar in many ways to Mussolini in Italy). Generally conservative in terms of importance of traditional family especially the role of women as wives and mothers with male/father at the head; anti-divorce, and women’s rights as workers (effectively banned by Franco) the role of the powerful Catholic Church within the State; influence of the monarchy and notion of absolute power & control of one strong militaristic (male) leader; anti-trade unions/workers’ organisations.
Republicans: Left-wing/liberal internationalist rather than nationalist; left/liberal ideological mish-mash reflecting the different political organisations which made up the ant-fascist Popular Front inc. communists, socialists. trade unions, anarchists and the International Brigades. Generally more progressive in terms of attitudes to workers’/women’s rights, including de-criminalisation of prostitution, women’s rights at work, divorce etc, and the existence of one women-only brigade during the SCW.

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11
Q

Name the three key female characters in PL.

A

Ofelia, Carmen & Mercedes

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12
Q

Name three key male characters in PL.

A

Captain Vidal, Dr.Ferreiro & the Faun (arguably the Pale Man)

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13
Q

What’s the significance of the way in which Vidal greets Carmen & Ofelia?

A

Both: Vidal checks his pocket watch - he runs by the clock and is also obsessed with the past and the future. Carmen: Vidal greets her by placing his hand on her belly ( the vessel for his son!), then insists that she sit in a wheelchair, effectively ‘disabling’ her. Carmen is primarily valued as a mother/incubator.
Ofelia: grips her left hand in his black leather glove (right hand). A small but significant act: republicans greeted with their left hand, whilst nationalists used the right. Ofelia is probably completely unaware of this, but Vidal picks up on anything which (in his eyes) is a challenge to him or his beliefs.

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14
Q

Del Toro: ‘ …fascism…is the absolute absence of ________________, the absolute lack of __________ and the most ____________ expression of power’

A

imagination; choice; masculine

NOTE: this lack of imagination is the key (literally!) to Vidal’s downfall due to his inability to imagine anyone, especially a peasant woman like Mercedes, plotting against him.

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15
Q

Identify six important props in the Pale Man scene

A

The key (from the last mission), the knife (for the final sacrifice), the grapes (the temptation ; the pile of shoes (the warning: holocaust reference); the chalk (the portal between the worlds); the hourglass (yet another measure of time);

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16
Q

Identify three examples of how time is referenced, how and why

A
  1. Vidal’s pocket watch in the opening and closing scene: he runs everything by the clock and is also obsessed with the past (his father) and the future (his fate and legacy embodied by his son). Represents a rigid, ‘man-made’ measurement of time.
  2. The hourglass in the Pale Man scene: the time set by the Faun for Ofelia’ second mission.
  3. Phases of the moon: Ofelia is shown bearing a mark on her shoulder with the image of a crescent moon. When Ofelia’s sacrifices herself to save her brother, the moon is full, symbolizing the completion of Ofelia’s journey as well as being a more natural, feminine measurement which also reflects the menstrual cycle.
17
Q

Where and when is HOFD set?

A

China in AD 859, during the decline of the Tang Dynasty (618 to 906)

18
Q

Identify three historical contexts related to the Tang

A
  1. Corruption and chaos at the Imperial palace and more widely in the country,
  2. A descent into lawlessness, with powerful gangs and warlords robbing merchants, attacking cities and slaughtering scores of peasant people.
  3. Greater freedoms for some women, including those working in the arts.
19
Q

Three important cultural contexts related to the Tang?

A

1.’Golden Era’ of Chinese culture and arts
2. Development of a new style of poetry known as Yuanhe that was written to be understood by peasants and addressed political issues and social justice.
3. Wuxia poetry first emerges during the Tang

20
Q

What does wuxia mean?

A

( wu = martial xia = chivalry)

21
Q

Identify some key elements of wuxia films

A
  1. Brave, honourable and often doomed heroes (male & female) fighting corruption & oppression.
  2. The almost supernatural ability of these warriors to fight, leap, levitate, fly etc reflects their channelling of the Confucian life force (Qi).
  3. The Qi can be channelled by anyone - it is not the preserve of the aristocracy but a sign of discipline and dedication to practice.
  4. Themes of deception and double identity, especially with female protagonists who often occupy very traditional gender roles such as princesses, concubines, dutiful daughters etc., whilst having a secret identity as a warrior/avenger etc.
  5. An underlying romance narrative, again involving themes of sacrifice and fate.
22
Q

What was the ‘5th generation’ of filmmakers?

A

The group of Chinese filmmakers such as Zhang Yimou and Chen Chaige, who survived Mao’s Cultural Revolution and then went to the Beijing Film Academy. They established careers both at home and internationally in the early 1980s.
Their films were known for their opulent aesthetic, historical (ancient and contemporary Chinese) setting and staggering fight scenes. Some of these were also wuxia films.

23
Q

Name three films other than HOFD, made by Zhang

A

Hero, Curse of the Golden Flower, Raise the Red Lantern, Red Sorghum etc.

24
Q

Name the three principal characters in HOFD

A

Mai (Zhang Ziyi), Captain Leo (Andy Lau) and captain Jin (Takeshi Kaneshiro)

25
Q

Name the establishment that Mai works in.

A

The Peony Palace

26
Q

HOFD was criticised by Chinese reviewers on its release - why?

A

It was seen as less accessible to a Chinese audience because of the lack of humour and over-attention to aesthetics (at the expense of storytelling) as well as its potential to exaggerate the negative aspect of China (the element of corruption and the representation of the Flying Daggers as a liberating force) to appease a Western gaze and confirm anti-Chinese beliefs.

27
Q

What is ‘orientalism’?

A

According to Edward Said (1978) ‘Orientalism’ is a way in which westerners conceive of the geographical East (ie ‘Orient’ from the Middle East, India, China etc.) as exotic, dangerous, fascinating. By placing it in binary opposition to the West (the ‘Occident’), the East becomes ‘other’, which is defined in terms of what it is not. In terms of film appreciation and analysis, this perspective recognises the appeal of a film like HOFD to a western audience, as well as some of the criticisms of it from a Chinese perspective.

28
Q

Identify four elements of HOFD which make it a wuxia film

A
  1. Brave, honourable and often doomed heroes (Mai and the Flying Daggers)
  2. The almost supernatural ability of Mai, Jin & Leo to fight, leap, levitate, fly, reflecting their channelling of the Qi.
  3. Themes of deception and double identity: Mai’s disguise within the Peony Palace, apparent blindness and collaboration with Leo; Jin’s attempted deception of Mai’s and her double-crossing of him; Leo and Jin’s betrayal of each other.
  4. An underlying ‘love triangle’ romance narrative, again involving themes of sacrifice and fate for all three main characters.