AHRM Quiz #1 Flashcards

1
Q

Amplified Perspective

A

a dramatic illusionistic effect created when an object is pointed directly at the viewer

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2
Q

Aerial (atmospheric) perspective

A

the perception of less-distant contours and value contrasts as forms recede into the background. Colors appear to be washed out in the distance.

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3
Q

Closed form

A

the placement of objects by which a composition keeps the viewers attention within the picture

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4
Q

elevation

A

an architectural drawing presenting the view of a facade

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5
Q

linear perspective

A

a spatial system used in 2-D artwork to create the illusion of space. If parallel lines extended to the horizon line, they appear to converge and meet at the vanishing point.

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6
Q

Multipoint perspective

A

a system of spatial illusion with different vanishing points for different sets of parallel lines

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7
Q

One-point perspective

A

a system of spatial illusion in 2-D art based on the convergence of parallel lines to a common vanishing point usually on the horizon

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8
Q

Overlapping

A

a device used for creating an illusion of depth in which some shapes are in front of and partially hide or obscure others

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9
Q

Plan

A

an architectural drawing presenting an aerial view of a structure to scale.

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10
Q

Two-point perspective

A

a scene that is viewed through an angle, with no objects parallel to the picture plane and with edges receding to two points on the horizon

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11
Q

Trompe l’oeil

A

to fool the eye. deceptive painting. objects are delineated with meticulous care.

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12
Q

Horror vacui

A

need to fill up empty space

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13
Q

Tessellation (or tiling)

A

creating a predictable (or periodic) pattern by sliding (or translating) the design unit along an axis

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14
Q

complex patterns

A

fractal patterns. complex symmetries

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15
Q

contrast

A

adds texture to some things

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16
Q

bas relief

A

physical piece like a sculpture, it is presented on the wall like a painting

17
Q

Tactile texture

A

texture that can actually be felt

18
Q

impasto

A

uneven paint surface, produced when an artist uses thick pigment

19
Q

collage

A

creating a design by pasting down bits and pieces of colored and textured papers, cloth, or other materials

20
Q

verisimilitude

A

create the impression of texture an a flat smooth painted surface

21
Q

visual texture

A

impression of texture as purely visual, cannot be felt

22
Q

overlapping

A

a simple device for creating an illusion of depth

23
Q

vertical location

A

a spatial device in which elevation on the page or format indicates a recession into depth

24
Q

axonometric projection

A

two axes from an angle while one axis remains vertical

25
Q

Transparency

A

when two forms overlap and both are seen completely

26
Q

contour drawing

A

when line is used to follow the edge of forms, to describe their outlines

27
Q

implied lines

A

created by positioning points so that the eye tends to automatically connect them

28
Q

shape

A

a visually perceived area created either by an enclosing line or by color or value changes defining the outer edge

29
Q

form

A

a shape can be called this

30
Q

idealism

A

reproduces the world not as it is but as cultural worldview says it should be

31
Q

biomorphic

A

abstract shapes such which allude to natural, organic forms

32
Q

nonobjective

A

shapes with no object reference and no subject matter suggestion

33
Q

value

A

light and dark

34
Q

achromatic

A

grays that are mixed only with black and white

35
Q

value contrast

A

relationship between areas of dark and light

36
Q

value pattern

A

arrangement and the amount of variation in light and dark, independent of the color used

37
Q

chiaroscuro

A

using a pattern of light and dark to imply volume

38
Q

shading

A

the use of value

39
Q

cross-hatching

A

black lines of various densities that, seen against the white background, can give the impression of grays