AO1- Key quotations Flashcards

1
Q

“An old black ram is tupping your white ewe”
(A1S1 Iago)

A

-Iago uses animalistic imagery (zoomorphism) to contrast the races and ages of D+O
-Highlights Desdemona’s purity and innocence, compared to Othello who seems like a lascivious old man
-Verb tupping= violent to give the audience a prejudice view of Othello before they see him on the stage

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2
Q

“But that I love the gentle Desdemona”
(A1S2 Othello)

A

-Othello’s soft language contrasts with his image painted by the other characters

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3
Q

“I do perceive here a divided duty”
(A1S3 Desdemona)

A

-Duty shows the position of women at the time: obedient towards their fathers and husbands
-Othello hasn’t been approved by her father so she is unsure how to please both men

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4
Q

“That I did love the Moor to live with him”
(A1S3 Desdemona)

A

-Desdemona is standing up to her father and the court
-Shakespeare presents her as a strong character who has stood up to the patriarchal society
-Speaks in iambic pentameter which suggests she is eloquent and well educated

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5
Q

“Valiant”

A

-Repeated by different characters throughout the play
-Shows despite his race, he has a good reputation due to his military position

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6
Q

“Moth of peace”
(A1S3 Desdemona)

A

-Portrays herself as useless while Othello is at war and wants to be with him
-Moths also seen as destructive creatures so this could be an ironic foreshadowing of how she unknowingly destroys her marriage and ultimately gets killed

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7
Q

“Look to her Moor, if thou hast eyes to see: She has deceived her father, and may thee”
(A1S3 Brabantio)

A

-Rhyming couplet emphasises the ominous feeling of the warning
-Brabantio doesn’t trust Desdemona since she has fallen in love with Othello
-Othello does trust her which ironically foreshadows the end as Othello perceived her to be unfaithful and no longer trusts her, leading her to her death

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8
Q

“I hate the Moor”

A

-Repeated by Iago throughout the play, showing his strong feelings for Othello
-Contrasts some critics who believe Iago was actually in love with Othello

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9
Q

“Tis monstrous!” Iago

A

-Shakespeare’s use of punctuation is ironic, without the caesura of the exclamation mark, Iago himself is described as monstrous
-Subtle example of dramatic irony as audience knows how ‘monstrous’ Iago and is plan actually are

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10
Q

“I’ll pour this pestilence into his ear”

A

-Poisoning is a persistent motif throughout the play
-Poisoning through the ear is repeated throughout ‘Hamlet’

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11
Q

“As if there were some monster in thy thought”
(A3S3 Othello)

A

-Othello’s metaphor ironically echoes Iago’s description of his plot
-Highlights how awful Iago’s manipulative plan is

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12
Q

“Swounds”
(A3S2 Othello)

A

-Othello swearing shows his decline in language and eloquence due to Iago’s manipulation
-Foreshadows Othello’s later fits of ‘epilepsy’

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13
Q

“O beware, my lord, of jealousy! It is the green-eyed monster”
(A3S3 Iago)

A

-Link to Merchant of Venice when Portia refers to “green-eyed jealousy”
-Metaphor
-Green is emblematic of jealousy

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14
Q

“I know my price: I am with no worse a place”
(A1S1 Iago)

A

-Already portrayed as a confident character who believes himself worthy of the position of lieutenant
-Opposite to how Othello is presented as protagonist
-Makes the audience suspicious of Iago straight away

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15
Q

“O treason of the blood!”
(A1A1 Brabantio)

A

-Brabantio believes his bloodline has been corrupted
-Daughters belonging to their fathers back in the day and marriage should have caused happiness, not distrust

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16
Q

“If Cassio do remain he hath a daily beauty in his life that makes me ugly”
(A5S1 Iago)

A

-Highlights the jealousy that becomes the motive behind Iago’s villainy
-Wants Othello to suffer in the same way he is?

17
Q

“O damned Iago! O inhuman dog!”
(A5S1 Roderigo)

A

-When Othello demands an explanation from Iago, he is silent
-If Iago is the devil incarnate, pure evil, then he needs no motives other than evil itself

18
Q

“This is the night that either makes or fordoes me quite” (A5S1 Iago)

A

-Shakespeare reflects some of Iago’s weakness in this quote although he has always been portrayed as more or director of a play within a play
-Shows ultimately that no one is really invincible in the tragic genre

19
Q

“Oh banish me my lord but kill me not”
“Kill me tomorrow but let me live tonight”
(A5S2 Desdemona)

A

-Clear struggle between Othello and Othello before her murder which shows courage
-Goes against expectations of women
-Courage is undermined by her unwillingness to see Othello’s jealousy

20
Q

“Nobody: I myself. Farewell” (A5S2 Desdemona)

A

-Creates more pathos from the audience through Desdemona’s undying love that she continues to feel for Othello
-Highlights her devotion towards him
-Also highlights the tragic flaws her character has
-Takes responsibility so may have come to the realisation that desiring a marriage that would have been portrayed as negatively towards the contemporary audience is her downfall

21
Q

“She’s like a liar gone to burning hell: Twas I that killed her!”
(A5S2 Othello)

A

-Othello is proudly declaring that he has killed his wife, moments after denying having any knowledge of her death

22
Q

“I told him what I thought, and told no more Than what he found himself apt and true” (A5S2 Iago)

A

-Highlights Iago’s villainy and once again is shifting the blame
-Also shows that Iago gave very little fuel to go by his claims and yet Othello readily let his jealousy get away from him
-Questions the extent of Othello’s own hamartia that caused his tragic downfall

23
Q

“That’s he that was Othello: here I am”
“O cursed cursed slave! Whip me ye devils”
(A5S2 Othello)

A

-Othello distances himself and almost creates two identities
-Shakespeare heightens the tragic downfall of the person that Othello once was and who he became as a result of his jealousy

24
Q

“Cursed slave”
“Spartan dog”
“Demi-devil”

A

-By the end of the play the characters finally come to the realisation of what Iago truly is
-However it’s all come too late to stop this tragedy from ensuring- heightens the tragic ending