ARTT150 Flashcards

1
Q

Why is there a secret life of the intellect?

A

The brain is divided, truth is obscured and has little access to the right side of the brain

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2
Q

Why are some of the elements of the class difficult, as well as some contemporary art, rejected or greeted with anger?

A

Resistance is common with art that is inexplicable, we don’t necessarily have the right words, art must be grasped through intuition

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3
Q

What is being’s relationship to truth?

A

Reality

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4
Q

What does culture do for art?

A

Culture maintains art (art creates culture)

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5
Q

Homo sepian

A

Savoring man rather than just knowing man and reveals our need to contemplate things

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6
Q

The word “Thing”

A

It is all inclusive and related to being itself; the name Maritian gives to truth

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7
Q

Why do we admire labor over work and skill over art?

A

They’re measurable and easier to understand; work and art are reaching for being itself which is very difficult

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8
Q

What are the two human needs?

A

Humor and forgiveness

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9
Q

What two words express how briefly we experience reality?

A

Hints and glimpses

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10
Q

In this class we have three words- wisdom, prudence, and art- what are they?

A

The intellectual virtues

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11
Q

What are the four components of the mind?

A

Intellect, will, memory, and imagination

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12
Q

Which of the four components of the mind concerns art?

A

Intellect

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13
Q

Which of the four components of the mind does not concern art?

A

Will

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14
Q

What are habits?

A

Permanent acquired conditions that perfect a thing in the line itself

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15
Q

What are virtues?

A

Habits that got that much further; lead to optimum perfect

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16
Q

Why are some things inexplicable yet we can know and experience them, like art?

A

Through intuition (right side of brain)

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17
Q

Why do the words intellect and understanding, as commonly used, create difficulty in grasping early material in this class and accepting that the truth is obscure?

A

These words are always connected to speech; the truth requires humility and reading between the known elements (initiation)

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18
Q

What are the transcendentals? Name them.

A

They constitute being and are everywhere found within being; unity, beauty, goodness, and truth

19
Q

To what do rules and meaning does art conform to according to Coomaraswamy?

A

Cosmic harmonies

20
Q

What is a virtue of both the intellect and the will?

A

Prudence

21
Q

What is the most intellectual virtue?

A

Art

22
Q

Aristotle, besides knowing truth, what function does he give for the intellect?

A

Action (or the operative)

23
Q

What did Aristotle’s teacher, Plato, emphasize about the intellect?

A

The idea

24
Q

What are the two orders of the intellect according to Aristotle?

A

Practical and speculative; speculative know truth; practical puts knowing into operation (puts knowing into the world)

25
Q

How is skill concerned with art? (Skill is the manual ability needed to produce something)

A

A work of art

26
Q

What is everything to art?

A

The work

27
Q

What is the activity of art?

A

The impressing an idea upon matter (the implementation of the intellect)

28
Q

What is the Greek’s division of art?

A

Liberal and corporal

29
Q

What are the contemporary separations of art?

A

Fine, useful (functional), and decorative

30
Q

What is contemplation?

A

The act of uniting with time and space to reach pure being through the existential reality of things of time and space

31
Q

What is the form as we have used the term contemplation?

A

That which makes the thing what it is

32
Q

What are the levels of consciousness?

A

Conscious, pre conscious, unconscious (and also subconscious)

33
Q

On what level of consciousness does the intuition reside? Is that answer a characteristic of the intellect?

A

Preconscious; yes

34
Q

What three things do we do to escape the unfamiliar?

A

Resistance, distraction, and inertia

35
Q

Does the virtue of art always intend to let the artist know what the artist wants to make?

A

No

36
Q

What unites prudence and art?

A

Both an order of the practical intellect

37
Q

What separates prudence and art?

A

The will

38
Q

Why are all men said to be in bondage and why is all art flawed?

A

Lack of wisdom

39
Q

Why do all things tend towards mediocrity?

A

We choose the familiar and accept that rather than engage with the new and obscure; it takes time for us to become familiar with new things; to advance human taste we must engage and become unfamiliar with the new

40
Q

What are the three definitions of art?

A

Art is the right making of the thing; art is a virtue of the practical intellect; art is the idea preceding things creating them

41
Q

What does the word sacrifice mean?

A

Sacri- holy, “whole”
Fice- work
Cosmic nature is to be unified all the way through its whole being

42
Q

What is the relationship between art and prudence?

A

When knowing goes to work it does and it makes (to does good conduct) (in the practical intellect)

43
Q

What is prudence?

A

A virtue of the practical intellect and will

44
Q

What is being?

A

That which is