Chapter 5 Flashcards

0
Q

Similarity

A

In perception a principle by which we tend to group like figures especially by color and orientation

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1
Q

Gestalt psychology

A

A theoretical approach that emphasizes the role of organized wholes in perception and other psychological processes

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2
Q

Proximity

A

In perception the closeness of two figures. the closer together they are the more we tend to group them together perceptually

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3
Q

Good continuation

A

A factor in visual grouping; we tend to perceive contours in a way that alters their direction as little as possible

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4
Q

Subjective contours

A

Perceived contours that do not exist physically. we tend to complete figures that have gaps in them as perceiving a contour as continuing along its original path

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5
Q

Reversible figure

A

A visual pattern that easily allows more than one interpretation, in some cases changing the specification of figure and ground and in other cases changing the perceived organization in depth

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6
Q

Visual search

A

Task in which participants are asked to determine whether a specified target is present within a field of stimuli

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7
Q

Feature net

A

A model of pattern recognition involving a network of detectors and having feature detectors as the networks starting point

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8
Q

Geons (geometric ions)

A

Simple geometric figures such as cubes cylinders and pyramids that can be combined to create all other shapes. An early and crucial step in some models of object recognition is determining which geons are present

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9
Q

Parvo cells

A

Ganglion cells that, because of the sensitivity to differences in hue, are particularly suited to perceiving color and form

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10
Q

Mango cells

A

Ganglion cells that, because of their sensitivity to brightness changes, are particularly suited to perceiving motion and depth

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11
Q

“What” system

A

The visual pathway leading from the visual cortex to the Temporel love; especially involved in identifying objects

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12
Q

“Where” system

A

The visual pathway leading from the visual cortex to the parietal lobe, especially involved in locating objects in space and coordinating movements

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13
Q

Binding problem

A

The problem confronted by the brain of recombining the elements of a stimulus, given the fact that these elements are initially analyzed separately by different neural systems

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14
Q

Perceptual constancy

A

The accurate perception of certain attributes of a distal object such as its shape size and brightness, despite changes in the proximal stimulus caused by variations in our viewing circumstances

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15
Q

Unconscious inference

A

A process postulated by Hermann von Helmholtz to explain certain perceptual phenomenon such as size constancy. For example an object if it is perceived to be at a certain distance and this is unconsciously taken into account in assessing it’s retinal image size with the result that size constancy is maintained

16
Q

Depth cue

A

Sources of information that signal the distance from the observer to the distal stimulus

17
Q

Binocular disparity

A

A Depth cue based on the differences between the two eyes views of the world. this difference becomes less pronounced the farther an object is from the observer

18
Q

Monocular depth cues

A

Features of the visual stimulus that indicate distance even if the stimulus is viewed with only one Eye

19
Q

Pictorial cues

A

Patterns that can be represented on a flat surface in order to create a sense of a three-dimensional object or scene

20
Q

Interposition

A

A monocular cue to distance that relies on the fact that objects farther away are blocked from view by closer objects

21
Q

Linear perspective

A

A cue for distance based on the fact that parallel lines seem to converge as I get farther away from the viewer

22
Q

Motion parallax

A

A depth cue based on the fact that as an observer moves their retinal images of nearby objects move more rapidly then do the retinal images of objects farther away

23
Q

Motion detectors

A

Cells in the visual cortex that are sensitive to an image moving in a particular direction across the retina

24
Q

Apparent movement

A

The perception of movement produced by stimuli that are stationary but are presented first at one position and then, at an appropriate time interval, presented at a different position

25
Q

Induced motion

A

Perceived movement of a stationary stimulus usually caused by movement of a surrounding frame work or nearby objects

26
Q

Correspondence problem

A

As your view changes the perceptual task of determining which aspects of the current view correspond to which aspects of view seen a moment ago

27
Q

Illusory conjunction

A

A pattern of errors in which observers correctly perceive the features present in a display, such as color and shape, but misperceive how they were combined. For example, they might report seeing a green O and a red X when a green X and red O were presented

28
Q

Priming

A

The process through which a detector or portion of the nervous system is prepared for an upcoming input, making it easier for the participants recognize that input