DOAS quotations Flashcards

1
Q

Act 1: Stage direction describing position of house.

A

“We are aware of towering, angular shapes behind it, surrounding it on all sides.”

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2
Q

Act 1: Description of Willy’s cruelty to Linda.

A

“Most often jovial, she has developed an iron repression of her exceptions to Willy’s behaviour — she more than loves him, she admires him, as though his mercurial nature,
his temper, his massive dreams and little cruelties served her only as sharp reminders of the turbulent longings within him, longings which she shares”

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3
Q

Act 1: Willy comes home & is tired.

A

“I’m tired to the death. (The flute has faded away…) I couldn’t make it. I just couldn’t make it, Linda.”

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4
Q

Act 1: Willy’s arrogance about missing things.

A

“No. I see evervthing.”

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5
Q

Act 1: Willy, link to Prince the horse.

A

“That man was a Prince.”

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6
Q

Act 1: Willy about paying & owning the house.

A

“Work a lifetime to pay off a house. You finally own it, and there’s nobody to live in it.”

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7
Q

Act 1: Willy’s contradictory opinion on his temper.

A

“When the hell did I lose my temper?”

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8
Q

Act 1: Linda, “crestfallen on the landing, Champagne problems” - Taylor Swift.

A

“He was Crestfallen, Willy. You know how he admires you I think if he finds himself, then you’ll both be happier and not fight any more.”

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9
Q

Act 1: Willy’s false view on Biff working hard.

A

“Biff Loman is lost. In the greatest country in the world a young man with such personal attractiveness, gets lost. And such a hard worker. There’s one thing about Biff- he’s not lazy.”

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10
Q

Act 1: Willy speaking about car miles.

A

“The dealer refused to believe there was eighty thousand miles on it.”

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11
Q

Act 1: Stage direction on Happy’s sexuality.

A

“Sexuality is like a visible color on him, or a scent that many women have discovered.”

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12
Q

Act 1: Biff speaking about high school, he’s trapped like Willy.

A

“Well, I spent six or seven years after high school trying to work myself up.”

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13
Q

Act 1: Happy’s lonely.

A

“But then, it’s what I always wanted. My own apartment, a car, and plenty of women. And still, goddammit, I’m lonely.”

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14
Q

Act 1: Biff talking about American Dream (ranches).

A

“Sure. maybe we could buy a ranch. Raise cattle, use our muscles. Men built like we are should be working out in the open.”

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15
Q

Act 1: Happy dehumanising women.

A

“Now weren’t they gorgeous creatures?”

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16
Q

Act 1: Happy speaking about women (stereotypical view of marriages). (2)

A

“That girl Charlotte I was with tonight is engaged to be married in five weeks.”
“Maybe I just have an overdeveloped he sense of competition or something, but I went and ruined her, and wins furthermore I can’t get rid of her.”

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17
Q

Act 1: Willy’s hubris showing (car).

A

“’cause one thing, boys: Ihave friends. I can. park my car in any street in New England, and the cops protect it. like their own. This summer, heh?”

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18
Q

Act 1: Happy’s false perception of Biff’s success (looks) in high school.

A

“There’s a crowd of girls behind him everytime the classes change.”

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19
Q

Act 1: Willy being brutal to Bernard. (2)

A

“What’re you lookin’ so anemic about, Bernard?”
“Don’t be a pest. Bernard! (To his boys:) What an anemic!”

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20
Q

Act 1: Willy’s false perception about whether his sons or Bernard will be more successful.

A

“But when he gets out in the business world y’understand, you are going to be five times ahead of him. That’s why I thank Almighty God you’re both built like Adonises,”

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21
Q

Act 1: Willy thinking Linda can’t do things for herself.

A

“Since when do you let your mother carry wash up the stairs?”

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22
Q

Act 1: Willy can’t accept his failure & blames other things.

A

“The trouble was that three of the stores were half closed for inventory in Boston. Otherwise I would have broke records.”

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23
Q

Act 1: Hardy criticising American Dream through Linda.

A

“Well, there’s nine-sixty for the washing machine. And for the vacuum cleaner there’s three and a half due on the fifteenth Then the roof, you got twenty-one dollars remaining.”

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24
Q

Act 1: Willy talking about car manufacturer.

A

“I’m not going to pay that man! That goddam
Chevrolet they ought to prohibit the manufacture of that car!”

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25
Q

Act 1: Willy isn’t seen by others.

A

“I don’t know the reason for it, but they just pass me by. I’m not noticed”

26
Q

Act 1: Stage direction of laughter.

A

“From the darkness is heard the laughter of a woman.”

27
Q

Act 1: Willy’s ego & allusion to affair.

A

“You picked me, heh?”

28
Q

Act 1: Women mentioning motif of stockings (Willy’s guilt).

A

“And thanks for the stockings. I love a lot of stockings.”

29
Q

Act 1: Linda- motif of stockings & Willy’s response.

A

“Just mending my stockings. They’re so expensive—”
“I won’t have you mending stockings in this house!”

30
Q

Act 1: Laugh haunting Willy- stage direction.

A

“The Woman’s laugh is heard.”

31
Q

Act 1: Willy excusing Biff stealing.

A

“What is he stealing? He’s giving it back, isn’t he? Why is he stealing?”

32
Q

Act 1: Willy envying his brother (Alaska).

A

“Why didn’t I go to Alaska with my brother Ben that time! Ben! That man was a genius, that man was success incarnate! What a mistake! He begged me to go.”

33
Q

Act 1: Willy commenting on trouble w car.

A

“A little trouble with the car.”

34
Q

Act 1: Stage direction - theme of time ticking on.

A

“Ben looks at his watch.”

35
Q

Act 1: Ben commenting on books - not as successful as seems. Constructs of Willy’s mind, isn’t true.

A

“Thave many enterprises, William, and I have never kept books.”

36
Q

Act 1: Ben saying how he went to Alaska.

A

“I discovered after a few days that I was heading due south, so instead of Alaska, I ended up in Africa.”

37
Q

Act 1: Ben talking about the jungle.

A

“I walked into the jungle, and when I was twenty-one I walked out. (He laughs.) And by God I was rich.”

38
Q

Act 1: Ben talking about father, can’t live up to idealised perception of father.

A

“Great inventor, Father. With one gadget he made more in a week than a man like you could make in a lifetime.”

39
Q

Act 1: Willy talking about watch Ben gave him, false narrator.

A

“When Ben came from Africa that time? Didn’t he give me a watch fob with a diamond in it?”

“You pawned it, dear. Twelve, thirteen years ago.”

40
Q

Act 2: Willy’s sleep, connotations of death.

A

“I slept like a dead one. First time in months. Imagine, sleeping till ten on a Tuesday morning.”

41
Q

Act 2: Willy talking about Dave Singleman.

A

“when he died— and by the way he died the death of a salesman, in his green velvet slippers in the smoker of the New York, New Haven and Hartford, going into Boston-when he died, hundreds of salesmen and buyers were at his funeral.”

42
Q

Act 2: Ben’s success as a result of Willy manifesting opportunity.

A

“I’ve bought timberland in Alaska and I need a man to look after things for me.”

43
Q

Act 2: Willy, physical representation of the American Dream.

A

“You can’t feel it with your hand like timber, but it’s there!”

44
Q

Act 2: Bernard and Biff speaking about Biff’s helmet, young God and wasted potential.

A

Bernard: “Biff, I’m carrying your helmet, ain’t I?”
Biff: “And remember, pal, when I take off my helmet, that touchdown is for you.”

45
Q

Act 2: Happy, alluding to Miller’s affair with Marilyn Monroe (who he later married).

A

“Would you object to a compliment from a stranger? You ought to be on a magazine cover.”

46
Q

Act 2: Happy, embodiment of Freudian id, undermining his assertion to Linda in Act 1 that he was wants to marry.

A

“I’ve got to see that old confidence again.
Do you want her? She’s on call.”

47
Q

Act 2: Biff’s anagnoresis. Acknowledges Loman’s tragic flaws.

A

“How the hell did I ever get the idea I was a salesman there? I even believed myself that I’d been a salesman for him! And then he gave me one look and —1 realized what a ridiculous lie my whole life has been!”

48
Q

Act 2: Biff, parallel to Willy’s earlier comment. Shakespeare’s Prince of Denmark, Hamlet. Compare teenage futile, angst to Willy’s adult state of arrested.

A

“Miss Forsythe, you’ve just seen a prince walk by. A fine, troubled prince. A hardworking, unappreciated prince.”

49
Q

Act 2: The Woman, continuation of stockings motif.

A

“Where’s my stockings? You promised me stockings, Willy!”

50
Q

Act 2: Willy, motif of seeds and growth.

A

“I’ve got to get some seeds, right away. Nothing’s planted. I don’t have a thing in the ground.”

51
Q

Act 2: Linda unleashes her repressed rage onto her sons.

A

“Did you have to go to women tonight? You and your lousy rotten whores!”

52
Q

Act 2: Stage directions. Use of space & light, metaphorically suspended between reality & illusion (Willy).

A

“The light dies down on them wil and comes up on the center of the apron as Willy walks into it. He is carrying a flashlight, a hoe, and a handful of seed packets.”

53
Q

Act 2: Willy voicing fears surrounding collapse of their relationship (Biff). Thinks Biff has failed on purpose.

A

“Spite, spite, is the word of your undoing! And when you’re down and out, remember what did it. When you’re rotting somewhere beside the railroad tracks, remember, and don’t you dare blame it on me!”

54
Q

Act 2: Ben, numerous motifs combined. Jungle- risk, adventure, heroism. Aspirational images.

A

“The jungle is dark but full of diamonds, Willy.”

55
Q

Act 2: Willy’s lack of anagnoresis. Juxtaposes his suicidal intentions.

A

“Can you imagine that magnificence with twenty thousand dollars in his pocket?”

56
Q

Act 2: Stage directions of Willy’s funeral (look in book for in depth analysis).

A

“The leaves of day are appearing over everything… Linda, in clothes of mourning, bearing a little bunch of roses… All stare down at the grave.”

57
Q

Requiem: Happy remains tactic throughout play. He couldn’t understand father’s hubris.

A

“He had no right to do that. There was no necessity for it. We would’ve helped him.”

58
Q

Requiem: Linda contradicts suicidal, points out the absurd pointlessness.

A

“At this time especially. First time in close. thirty-five years we were just about free and clear. He only needed a little salary. He was even finished with the dentist.”

59
Q

Requiem: Happy following same tragic path as his father.

A

“I’m not licked that easily. I’m staying right in this city, and I’m gonna beat this racket!”

60
Q

Requiem: Biff. Marxism, society shapes dreams.

A

“He had the wrong dreams. All, all, wrong.”

61
Q

Requiem: Final stage directions. Motif of flute, cyclical to first stage directions when buildings first appear.

A

“Only the music of the flute is left on the darkening stage as over the house the hard towers of the apartment buildings rise into sharp focus.”