Exam 1 Flashcards

1
Q

Gothic

A

is a term used by Renaissance scholars to insult the “barbaric” style of art practiced by the “Goths”. It was an architectural style that originated in the monasteries around Paris.

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2
Q

Relic

A

Anything having to do with an important saint or martyr.
Type 1: Physical relic (hair, bones…)
Type 2: Contact relic (the Cross, Staffs)

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3
Q

Humanism

A

Renaissance figures see people as essentially good and rational—capable of making their own decisions

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4
Q

Renaissance

A

Renaissance=rebirth, i.e. rebirth of ancient Greco-Roman culture
Renaissance=rebirth, i.e. rebirth of ancient Greco-Roman culture
Renaissance=rebirth, i.e. rebirth of ancient Greco-Roman culture
rebirth, i.e. rebirth of ancient Greco-Roman culture

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5
Q

Hieratic Scale

A

placing the dynamics of the figures in a foundational manner, all figures build to a center idea or image

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6
Q

Tempera

A

is a permanent fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size)

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7
Q

naturalism

A

Applying concepts of anatomy to add a more natural and realistic image

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8
Q

Usury

A

is the practice of making unethical or immoral monetary loans

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9
Q

Allegorical Figure

A

refers to figures that symbolize and particularly personify abstract ideas as in allegory

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10
Q

reliquary

A

object that contains a relic

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11
Q

contrapposto

A

the depiction of a sculpture or figure leaning on to one leg

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12
Q

Book of Hours

A

N/A

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13
Q

Early Renaissance—late 13th-14th c.

A

artists attempting to depict optical effects, looking at the world around them rather than at past works of art

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14
Q

(Middle) Renaissance—15th c.

A

artists beginning to work through techniques for convincingly depicting world around them; art is conceived as a window on the world

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15
Q

High Renaissance—late 15th-16th

A

artists have mastered techniques for convincingly depicting world around them and bring them to new heights

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16
Q

Mannerism—late 16th c.

A

(overlaps with High Renaissance)
having mastered the techniques of naturalism and illusionism, many artists turn away from them to create works that are visually illogical in many ways

17
Q

sfumato

A

without lines or borders