Fiction Section Flashcards

0
Q

Formula fiction

A

Often characterized as “escape literature”, formula fiction follows a pattern of conventional reader expectations.

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1
Q

Canon

A

Those works generally considered by scholars, critics, and teachers to be the most important to read and study, which collectively constitute the “masterpieces” of literature.

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2
Q

Plot

A

An authors selection and arrangement of incidents in a story to shape the action and give the story a particular focus.

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3
Q

In medias res

A

The common strategy of beginning a story in the middle of the action. The story is entered on the verge of something important.

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4
Q

Flashback

A

A narrated scene that marks a break in the narrative in order to inform the reader or audience member about events that took place before the opening scene of a work.

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5
Q

Character

A

A character is a person presented in a dramatic or narrative work, and characterization is the process by which a writer makes the character seem real to the reader.

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6
Q

Exposition

A

A narrative device, often used at the beginning of a work, that provides necessary background, information about the characters and their circumstances.

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7
Q

Rising action

A

The first part of the story in which complication creates some sort of conflict for the protagonist.

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8
Q

Conflict

A

The struggle within the plot between opposing forces. The protagonist engaged in the conflict with the antagonist.

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9
Q

Foreshadowing

A

The introduction early in a story of verbal and dramatic hints that suggest what is to come later.

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10
Q

Protagonist

A

The main character of a narrative; its central character who engages the readers interest and empathy.

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11
Q

Hero/heroine

A

Central character who engaged the readers interest and empathy.

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12
Q

Antagonist

A

The character, force, or collection of forces in fiction or drama that apposes the protagonist and gives rise to the conflict of the story.

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13
Q

Suspense

A

The anxious anticipation of a reader or an audience as to the outcome of a story, especially concerning the character with whole sympathetic attachments are found.

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14
Q

Climax

A

The moment of greatest emotional tension in a narrative, usually marking s turning point in the plot at which the rising action reverses to become the falling action

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15
Q

Resolution

A

The conclusion of a plots conflicts and complications.

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16
Q

Dénouement

A

A French term meaning “unraveling” or “unknotting” used to describe the resolution of the plot that follows the climax.

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17
Q

Characterization

A

The process by which a writer makes the character seem real to the reader.

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18
Q

Showing

A

Allows the author to present a character talking and acting, and let’s the reader infer what kind of person the character is.

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19
Q

Telling

A

The author intervenes to describe and sometimes evaluate the character for the reader.

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20
Q

Motivate action

A

Occurs when the reader or audience is offered reasons for how the characters behave, what they say, and the decisions they make.

21
Q

Plausible

A

Action by a character in a story that seems reasonable, given the motivations presented.

22
Q

Dynamic character

A

Undergoes some kind of change because of action in the plot.

23
Q

Static character

A

A character does not change throughout the work, and the readers knowledge of the character does not grow.

24
Q

Foil

A

A character in work whose behavior and values contrast with those of another character in order to highlight the distinctive temperament of that character.

25
Q

Flat character

A

Embodies one or two qualities, ideas, or traits that can be readily described in a brief summary.

26
Q

Stock characters

A

Characters that embody stereotypes such as the “dumb blonde” or the “mean stepfather”.

27
Q

Round characters

A

Characters more complex than flat or stock characters, and often display the inconsistencies and internal conflicts found in the most real people.

28
Q

Setting

A

The physical and social context in which the action of a story occurs.

29
Q

Point of view

A

Refers to who tells us the story and how it is told. What we know and how we feel about the events in a work are shaped by the authors choice of point of view.

30
Q

Narrator

A

The voice of the person telling the story, not to be confused with the authors voice.

31
Q

Omniscient narrator

A

An all-knowing narrator who is not a character in the story and who can move from place to place and pass back and forth through time.

32
Q

Editorial omniscience

A

Refers to an intrusion by the narrator in order to evaluate a character for a reader.

33
Q

Neutral omniscience

A

Narration that allows the characters actions and thoughts to speak for themselves.

34
Q

Limited omniscient narrator

A

Occurs when an author restricts a narrator to the single perspective of either a major or minor character.

35
Q

First-person narrator

A

The I in the story presents the point of view of only one character.

36
Q

Unreliable narrator

A

Reveals an interpretation of events that is somehow different from the authors own interpretation of those events.

37
Q

Naive narrator

A

Characterized by youthful innocence.

38
Q

Symbol

A

A person, object, image, word or event that evokes a range of additional meaning behind and usually more abstract than its literal significance.

39
Q

Conventional symbols

A

Have meanings that are widely recognized by a society or culture.

40
Q

Literary symbol

A

A setting, character, action, object, name, or anything else in a work that maintains its literal significance.

41
Q

Allegory

A

A narration or description usually restricted to a single meaning because it’s events, actions, characters, settings and objects represent specific abstractions or ideas.

42
Q

Theme

A

The central meaning or dominant idea in a literary work.

43
Q

Style

A

A distinctive and unique manner in which a writer arranged words to achieve particular effects.

44
Q

Diction

A

A writers choice of words, phrases, sentence structures, and figurative language, which combine to help create meaning and style.

45
Q

Tone

A

The author’s implicit attitude toward the reader or the people, places, and events in a work as revealed by the elements of the authors style.

46
Q

Irony

A

A literary device that uses contradictory statements or situations to reveal a reality different from what appears to be true.

47
Q

Verbal irony

A

Consists of a person saying one thing but meaning the opposite.

48
Q

Sarcasm

A

A strong form of verbal irony that is calculated to hurt someone through false praise

49
Q

Situational irony

A

Exists when there is an incongruity between what is expected to happen and what actually happens due to forces beyond human comprehension or control.

50
Q

Objective point of view

A

The writer tells what happens without stating more than can be inferred from the stories action and dialogue