Final exam Flashcards

1
Q
A

Claude Sisters: Contemporary 21st Century

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2
Q

Final exam

Pigment mixed with wax and resin

A

Encaustic

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3
Q
A

Kusama: Contemporary 21st Century

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4
Q

Final exam

figures project more boldly
From background

A

High Relief

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5
Q

Final exam

process which creates areas or tone, rather than line – through reaction
Of powdered resin to acid – normally combined with other printmaking technique

A

Aquatint

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6
Q

Final exam

Subtractive process –
starts with a mass of material and takes away until only the desired form remains

A

Carving

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7
Q

Final exam

Image is drawn on block of wood, all negative space is gouged out
Wooden block is inked, and pressed to paper.

A

Woodcut

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8
Q

Final exam

process by which
Separate pieces or objects
Are brought together to form a
sculpture

A

Assembling

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9
Q

Final exam

Pigment mixed with water
Applied to wet plaster

A

Fresco

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10
Q

Final exam

a single print process made from a metal or glass plate on which a picture is painted in oil paint or printing ink

A

Monotype

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11
Q

Final exam

freestanding work of sculpture that
Can be viewed at any angle

A

In the Round

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12
Q
A

Durer: Early Renassiace 15 Century

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13
Q

Final exam

done with acids which ‘eat’ lines into a metal plate
Metal plate first coated in beeswax, then image drawn into this ground
Plate dipped into acid, then plate is inked and pressed to paper

A

Etching

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14
Q

Final exam

uses a woven mesh to support ink blocking stencils
One screen for each color

A

Screenprinting

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15
Q

Final exam

Pigment mixed with oil,
Commonly linseed oil

A

Oil

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16
Q
A

Michelangelo: Renassiance 16th Century

17
Q

Final exam

Additive process – begins with simple framework , or nothing at all
and adds material

A

Modeling

18
Q
A

Kollwitz: 20th Century

19
Q

Final exam

Image is first drawn on stone with oil based material
Stone is treated to acid solutions which fix the drawing to the stone
When stone is inked, ink only sticks to greased areas

A

Lithography

20
Q

Final exam

lines are cut into a metal plate with a graver, or burin – the plate is then inked, the ink settles into these lines – and are transferred to paper

A

Engraving

21
Q

Final exam

S shaped curve given to the
Standing figure in sculpture
Weight is placed predominantly on one side

A

Contrapposto

22
Q

Final exam

process which uses a mold into which liquid is poured and allowed to harden

A

Casting

23
Q

Final exam

Pigment mixed with emulsion,
Most often egg yolk

A

Tempera

24
Q

Final exam

Pigment mixed with water
And gum arabic

A

Water color

25
Q

Final exam

Sculpture in which forms project from but remain attached to a background

A

Relief

26
Q

Final exam

figures project only slightly
From background

A

Bas Relief

27
Q

Final exam

plate is covered with thousands of drypoint burrs with a stylus
or specially shaped rocker
-image is created using scrapers and burnishers
-plate is inked and wiped, image is transferred to damp paper under high pressure

A

Mezzotint

28
Q
A

Richter: Contemporary 21st Century

29
Q
A

Mueller: Contemporary 20th Century

30
Q

Final exam

Pigment mixed
With acrylic
resin

A

Acrylic

31
Q

Final exam

made for a specific
place using natural materials
found there

A

Earthwork

32
Q
A

Matisse: Post impressionism 20th Century

33
Q
A

Shiele: Expressionism 20th Century

34
Q
A

Goldsworthy: Contemporary 21st Century

35
Q

Final exam

plate is covered with thousands of drypoint burrs with a stylus
or specially shaped rocker

A

Mezzotint

36
Q
A