Gaze Flashcards

1
Q

Explain gazing

A

looking, but with preconceived notions

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2
Q

Name the four main features of the classic realist text as defined by Colin McCabe

A
  • hierarchy of discourses
  • promotion of relationships of identification
  • closed narrative
  • passive reader
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3
Q

Explain Laura Mulvey’s concept of the male gaze

A
  • representation (film) through male gaze
  • scopophilia draws us in
  • female is gazed upon
  • sexualised gaze
  • (illusion of) power over subject of gaze
  • identification of viewer with male gazer
  • (illusion of) power of male over female
  • 3D representation of male
  • fragmented, 2D representation of female

Criticism:

  • heteronormativity!
  • heterosexual male Gaze
  • isolated, but film is communal, social activity
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4
Q

Explain scopophilia

A

sexual pleasure derived from looking / watching

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5
Q

Explain the difference between theocentric logic and anthropocentric logic

A

theocentric:
- religious perspective
- religious element depicted larger

anthropocentric:

  • people as powerful individuals
  • mathematical perspective
  • closest element depicted larger
  • renaissance / humanism
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6
Q

Explain Michel Foucault’s concept of the Panopticon

A
  • round prison built with cells circling central prison guard station
  • possibility / suggestion of being watched regulates behaviour
  • not the watching itself is the goal, the effect of being watched is the goal
  • internalises Gaze of authority
  • other examples: camera’s, sunglasses, surveillance signs, social media use
  • trap of visibility
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7
Q

Explain John Urry’s Tourist Gaze

A
  • search for authenticity
  • constructed authenticity!
  • collective gaze as proof of authenticity

Romantic Gaze

  • individual experience
  • isolated, nature
  • illusion of non-disturbance
  • illusion of partaking

Collective Gaze

  • joined experience
  • presence of masses confirms importance
  • central, urban
  • invasive
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8
Q

Explain the way Gaze is present in movies

A
  • voyeuristic Gaze
  • unrestricted in space & time
  • illusion of control, power
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9
Q

Explain the significance of identification

A

when identifying with the viewer in a movie, we break down the separation between ourselves as viewer and the viewer in the movie
> illusion of transferal of power

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10
Q

Explain the difference between ‘Gazes’ and ‘Glances’

A
John Ellis (1982):
Gaze: cinema > focussed, longer
Glance: tv, at home, within household routines > short, quick
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11
Q

Name Laura Mulvey’s main ideas related to the Gaze

A
  • scopophilia

- male Gaze

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12
Q

Name Michel Foucault’s main ideas with regard to the Gaze

A
  • Panopticon

- Gaze of authority

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13
Q

Name John Urrey’s main ideas with regard to the Gaze

A
  • Tourist Gaze
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14
Q

Name the features of mass tourism as discussed by John Urrey

A
  • separation from work
  • movement
  • different from home / work environment
  • social activity
  • anticipation of pleasure / experiences
  • sensitivity to visual > reproduction!
  • signs, concepts
  • tourist professionals
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15
Q

Explain the connection between the Gaze and constructions of subjectivity, as per Fuery

A
  • Gaze is not simply the mechanism of perception
  • Gaze is fundamental structure in ways in which the subject relates to cultural order
  • subjectivity formed through mechanisms of the Gaze
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