humanities 18 Flashcards

1
Q

first opera was a one-act jazz number called Blue Monday. It was among the first to mix the new style of jazz music in with what was considered classical music to create a category all its own, known now as a folk opera. Blue Monday was a flop

A

George Gershwin

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2
Q

Who wrote Porgy and Bess?

A

George Gershwin The characters were African American, and it was set in South Carolina. While Porgy and Bess was not popular at the time, it has since gone on to be one of the most well-known and widely performed operas in America. Gershwin also worked with his brother Ira on various musicals, including Lady Be Good, Show Girl, and Girl Crazy.

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3
Q

He was one of the best-known composers of the 20th century, and his work, particularly his musicals, is some of the best known in the world. He worked with the New York Philharmonic Orchestra as an assistant conductor

A

Leonard Bernstein

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4
Q

Which Leonard Bernstein opera was based on the book by Voltaire?

A

Candide

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5
Q

Leonard Bernstein’s works

A

The influence of jazz is seen more keenly in his operetta Trouble in Tahiti and its sequel A Quiet Place. The musical that Bernstein is most lauded for is West Side Story, where jazz music and the streets of New York bring Shakespeare’s Romeo and Juliet to life. The story of Maria and Tony has been acted on stages worldwide since its inception.

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6
Q

Two pioneers to combine jazz with classical music were

A

Leonard Bernstein and George Gershwin
Leonard: Trouble in Tahiti, A Quite Place, West Side Story, and Candide
Gershwin: Porgy and Bess, Rhapsody in Blue, Blue Monday, and Lady Be Good.

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7
Q

He was Russian ballet composer of the early 20th century.It has been said that the only thing consistent about him is his lack of consistency; he was constantly experimenting and pushing the rules of theater. His works were also deeply connected to a sense of Russian national identity

A

Igor Stravinsky

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8
Q

Stravinsky’s most famous ballet to build upon Russian nationalist pride

A

Pertrushka
In this ballet, Stravinsky actually used pieces of Russian folk songs, which at the time was shocking. Folk music and high culture, like ballet, were supposed to be separate, but Stravinsky fused them together to present an artistic synthesis of Russian identity.

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9
Q

In terms of harmony, Stravinsky was known for ________, the use of two or more keys at the same time.

A

polytonality

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10
Q

Stravinsky wrote the ballet so that different parts of the orchestra were playing in different keys at the same time. This radical idea became one of the defining traits of modern and experimental ballet, but it sure caused a stir when he first tried it. In fact, when Stravinsky premiered what has become his most famous ballet, ____________________ in 1913, people literally rioted after the first act. Police presence was required in the theater throughout the second act.

A

The Rite of Spring

In French Le Sacre du printemps

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11
Q

is remembered for defining an American sound. Part of this comes through his themes. Appalachian Spring, which premiered in 1944, tells the story of American pioneers in rural Pennsylvania. The ballet Rodeo, which came out in 1942, tells the tale of a brave, roping and riding cowgirl looking for love. And Billy the Kid, a ballet that premiered in 1938, follows the story of the famed American outlaw.

A

Aaron Copland
Copland made heavy use of American folk songs in these ballets, bringing popular and artistic culture together. These American folk heroes - the pioneer, the cowgirl, the outlaw - had never appeared in ballet before, and Copland is credited with developing a truly American style of ballet.

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12
Q

Like Stravinsky, he played around with tonality, altering the keys of his compositions and even occasionally incorporating atonality, the lack of any musical key. This system, in which the composer balances all twelve tones in European music equally to prevent a central key from forming, is one of the defining traits of modernist music.

A

Aaron Copland (American, modernism)

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13
Q

Russian composer from early 20th century. Made use of polytonality and themes from Russian folk songs

A

Igor Stravinsky

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14
Q

American composer from the 20th century. Used themes of pioneers and outlaws. Experimented with atonality.

A

Aaron Copland

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15
Q

A style of composition developed in the mid-20th century; focuses on challenging assumptions about what music is and how we experience it

A

Modern Experimental Music

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16
Q

used unorthodox rhythms, keys, and arrangements to create new sounds and set important precedents for later musicians.

A

Charles Ives

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17
Q

was focused on introducing entirely new sounds, such as the prepared piano and a piece of music in which the musicians were silent and the sound came from the immediate environment.

A

John Cage

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18
Q

The American composer of the mid-late 20th century, built upon the ideas of his predecessors by exploring the process and action of listening to music.

A

Philip Glass

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19
Q

East Asian music is based on a _________, a musical arrangement of an octave with five notes.

A

Pentatonic scaleIn

Western music, we have a heptatonic or seven-note scale

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20
Q

In ballet, ____ means ‘step of two’ or a dance performed by two people, often times one man and one woman.

A

Pas de deux

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21
Q

In ballet, ____means ‘round the leg’ and it describes a motion where you move your leg in a kind of semi-circle on the floor. I

A

Rond de jambe

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22
Q

In ballet, means ‘lifted up’ and refers to when a dancer stands up on his or her toes, though it’s typically female dancers who do this.

A

Releve

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23
Q

The Nutcracker

A

music by Tchaikovsky, choreography by Marius Petipa. The ballet tells the story of a little girl, sometimes named Clara, sometimes Marie, who gets a nutcracker at a family holiday party. Her jerk brother Fritz breaks it, and she’s disappointed but lo and behold, at the stroke of midnight, the thing comes to life and dances around.

For some reason that I’ve never understood, there’s a also a ton of mice, a creepy Mouse King, and a beautiful Sugar Plum Fairy, not to be confused with Princess Lolly from Candy Land. Though the ballet is now a staple of American Christmastime, it wasn’t very well received when it debuted in Russia back in the late 19th century.

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24
Q

Swan Lake

A

Tchaikovsky also composed Swan Lake, and it was first choreographed by Julius Reisinger, then reworked by none other than Marius Petipa and Lev IvanovThe main character (and principal dancer) is Odette, a young lass who has a spell cast upon her by an evil sorcerer, which makes her a swan by day and a human by night. Pretty relatable, right?

Odette is clearly the most beautiful swan around, but not surprisingly, would prefer to return to human form, which can only occur if some worthy young gent declares his love for her, ends bittersweetly

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25
Q

Sleeping Beauty

A

Tchaikovsky was also responsible for composing the music for The Sleeping Beauty, whose plot is virtually identical to the Disney film, though it was first performed in 1890, and the Disney cartoon didn’t debut until 1959.

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26
Q

Cinderella

A

had multiple ballet adaptations, but the most popular is from 1945, by Sergei Prokofiev.

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27
Q

Giselle

A

with music by Adolphe Adam; though Petipa was not the original choreographer, he’s credited with the version most audiences see today. The ballet’s title character is a reputed beauty with many admirers, one of whom is an engaged prince who goes to the trouble of disguising his true identity in order to win her over. Spoiler alert: That doesn’t go over well and Giselle will eventually die, leading to the ballet’s famous ‘white act’ where she and other dancers are dressed completely in white.

The role of Giselle is widely sought after by professional ballerinas and is known to be very demanding.

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28
Q

Coppelia

A

Ballet by Arthur Saint-Léon and Léo Delibes. The title character at first seems very similar in personality to Belle from Beauty and the Beast. She’s a lovely girl who prefers reading books to the company of other people. Once you realize she’s actually a life-sized doll that her master/father figure created, it becomes a little creepy, especially when you find out that Coppélia has attracted the attention of a local townsman, who is in love with her despite being engaged to someone named Swanhilda.

I’m a sucker for ridiculous names, and that one takes the cake. Swanhilda’s wildly jealous, even after she learns Coppélia’s actually a doll, but somehow she and Franz, the guy who can’t tell dolls from real people, end up happily together at the end. Coppélia isn’t as technically demanding, nor as visually stunning as Giselle or Swan Lake, but its silly plot makes it a lot of fun, a ballet comedy of errors, if you will.

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29
Q

Why did some of the early motion picture actors choose not to be credited for being in the film?

A

The first actors were stage actors who wanted extra income but didn’t want the stigma of being in a movie.

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30
Q

In comparison to the movies being produced early in the 20th century, what was different about the earliest attempts at film-making?

A

The first films were very short and were watched using a Kinetoscope.

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31
Q

If you were going to see a movie around 1905, where would you expect to go to view it?

A

Small nickelodeons showed short films that cost a nickel for admission.

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32
Q

Why is The Jazz Singer considered a milestone film in movie history?

A

It was the first feature length talkie, a film including dialogue synced with the film.

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33
Q

The development of sound in film brought with it a host of new challenges for movie makers. What were some of the challenges in making quality entertainment during the era of transition from silent movies to talkies?

A

It was challenging for writers to create engaging dialogue, for studios to use microphones effectively, and for actors to learn to speak lines articulately and fluently.

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34
Q

a prominent American dancer in the early 20th century Her style of dance was highly unique, guided more by her own imagination than a prescribed set of steps. desire to connect emotion to movement in dance would leave a huge influence on the dancers and choreographers to come. In regards to what she wanted for American dance, she said ‘let them come forth with great strides, leaps and bounds, with lifted forehead and far-spread arms, to dance

A

Isadora Duncan

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35
Q

A pioneer of modern dance in the mid-20th century, she’s been called the Picasso of her art form. While we tend to think the modern just means current, in relationship to dance and other forms of art, it actually has a more particular meaning. Modern dance is certainly influenced by ballet but is more improvisational and also more relaxed in terms of costuming, with most modern dances performed barefoot instead of in pointe shoes.

A

Martha Graham

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36
Q

quickly become a solo performer in Martha Graham’s dance company and went on to form his own. Some might argue that his style was even more non-traditional than Graham’s; he did exciting, unusual things like collaborating with visual artists, musicians and architects to create his pieces and would go to incorporate different kinds of media and technology into his dances.

A

Merce Cunningham

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37
Q

Over in the world of musical theater, ________ was also making waves with his unique choreography. You might be familiar with his style of dance from musicals like Cabaret and Chicago. He was involved in dark, sexy, musicals set in jazz clubs.

A

Bob Fosse
His slick, stylized moves (complete with jazz hands!) were really different from what people were used to seeing in musical theater, which was that more Fred Astaire-style tap dance, but audiences seemed to embrace this bold new approach. He choreographed over 20 stage productions and feature films during his career and performed in several more.

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38
Q

Like most choreographers, ________ began her career as a ballet dancer. She was in Chicago in the 1920s and 1930s. A scholar and social activist as well, her choreography was heavily influenced by her travels and interest in the West Indies.

A

Katherine Dunham

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39
Q

best known for Revelations, an incredible work of choreography that chronicles the history of black Americans and pays tribute to their story through both music and dance. Though he is primarily associated with New York City, during his time in San Francisco, he hobnobbed with another influential African-American artist, the writer Maya Angelou.

A

Alvin Ailey

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40
Q

What makes Walt Disney’s work different from that of the other filmmakers discussed in this lesson?

A

He combined live action and animation.

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41
Q

Why was Hitchcock given the title, ‘The Master of Suspense’?

A

Because he was able to incorporate twisting plots and a fast paced style with clever camera angles.

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42
Q

first film, Citizen Kane, was also his first masterpiece

A

Orson Welles
His dramatic 1938 radio broadcast of The War of the Worlds terrified listeners who thought that the earth was really being attacked by Martians. The stunt earned Welles his first movie contract, and he made good in a hurry. His first film, Citizen Kane, has become a classic. With its unique use of the ‘deep focus’ lens, every aspect of this film stands out vividly, and meaning practically gushes out of each line and scene. Welles created other film masterpieces, too, including Touch of Evil, Chimes at Midnight, and The Magnificent Ambersons.

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43
Q

mostly known for his westerns and his attention to landscapes but who also produced classic dramas like The Grapes of Wrath
Stagecoach and The Man Who Shot Liberty Valance, The Informer, and How Green Was My Valley

A

John Ford

44
Q

revived war films and gangster flicks to create movies like Patton and The Godfather trilogy
Apocalypse Now, The Outsides, Bram Stoker’s Dracula

A

Francis Ford Coppola

45
Q

master of bringing science fiction epics and adventure sagas like the Star Wars and Indiana Jones series to the big screen
First success American Graffiti, and Red Tails

A

George Lucas

46
Q

one of the best-known filmmakers of the late 20th and early 21st centuries and is responsible for a long list of modern classics, including Jaws, Schindler’s List, and Saving Private Ryan
Close Encounters of the Third Kind, E.T., The Color Purple, Jurassic Park, and Lincoln

A

Steven Spielberg

47
Q

His movies explore the deep, dark recesses of the human mind in a manner that keeps audiences at the edge of their seats. In films like Psycho, Vertigo, The Birds, Rear Window, and The 39 Steps,

A

Alfred Hitchcock

48
Q

comedies like Bringing Up Baby and His Girl Friday; westerns like Red River; war movies, including Sergeant York; film noir detective pieces like The Big Sleep; adaptations of literary works, including Ernest Hemingway’s To Have and Have Not; and gangster flicks like Scarface.

A

Howard Hawkes

49
Q

a figure of speech, in which one refers covertly or indirectly to an object or circumstance from an external context

A

allusion

Ex; You’re acting like such a Scrooge! Alluding to Dickens’s A Christmas Carol

50
Q

describes both an era and a broad movement that developed in the late-20th century across philosophy, the arts, architecture, and criticism which marked a departure from modernism

A

Postmodernism

51
Q

was an English novelist known primarily for her six major novels which interpret, critique and comment upon the British landed gentry at the end of the 18th century

A

Jane Austen
Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), and Persuasion and Northanger Abbey (both 1817).

52
Q

Mary Ann Evans , known by her pen name ________, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era

A
George Eliot (Victorian era)
Middlemarch: Dorothea Brooke and Tertius Lydgate. In addition to creating a thoroughgoing and rich portrait of the life of a small early 19th-century town, Eliot produced an essentially modern novel, with penetrating psychological insights and moral ambiguity. Eliot also broke with convention by refusing to end the work with the inevitable happy ending, as women writers of romance fiction were then expected to do. Instead, she detailed the realities of marriage.
53
Q

was an American essayist, lecturer, and poet who led the Transcendentalist movement of the mid-19th century

A

Ralph Waldo Emerson

His well-known essays “Self-Reliance”, “The Over-Soul”, “Circles”, “The Poet”, and “Experience.”

54
Q

an American novelist, Dark Romantic, and short story writer

A

Nathaniel Hawthorne
Twice-Told Tales
The House of Seven Gables
The Scarlet Letter

55
Q

was an American novelist, short story writer, and journalist

A
Ernest Hemingway 
The Sun Also Rises
The Old Man and the Sea
A Farewell to Arms
To Have and Have Not
For Whom the Bell Tolls
56
Q

American novelist, short story writer, and poet of the American Renaissance period

A

Herman Melville
Typee: A peep at Polynesian Life
Moby Dick

57
Q

Female Romantic poet known for using slant rhyme

A

Emily Dickinson
Because I could not stop for death
Hope is the Thing with Feathers

58
Q

an American writer and Nobel Prize laureate from Oxford, Mississippi

A

William Faulkner
The Sound and the Fury
As I Lay Dying
Absalom! Absalom!

59
Q

American poet and educator whose works include “Paul Revere’s Ride”, The Song of Hiawatha, and Evangeline

A

Henry Wadsworth Longfellow

60
Q

the protagonist of a tragedy in Drama

A

tragic hero

61
Q

American playwright, essayist, and figure in twentieth-century American theatre

A

Arthur Miller
Death of a Salesman
The Crucible
The Misfits

62
Q

In theatre, a ______ is a comedy that aims at entertaining the audience through situations that are highly exaggerated, extravagant, and thus improbable

A

farce

63
Q

the purification and purgation of emotions-especially pity and fear-through art or any extreme change in emotion that results in renewal and restoration

A

catharsis

64
Q

a dramatic or literary work in which the plot, which is typically sensational and designed to appeal strongly to the emotions, takes precedence over detailed characterization

A

melodrama

65
Q

in the context of Ancient Greek tragedy, comedy, and satyr plays, is a homogeneous, non-individualized group of performers, who comment with a collective voice on the dramatic action

A

a chorus

66
Q

an American playwright and author of many stage classics

A
Tennessee Williams 
The Glass Menagerie
Cat on a Hot Tin Roof
The Rose Tattoo
Streetcar Named Desire
67
Q

modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century

A

Expressionism

68
Q

a kind of drama with personified abstract qualities as the main characters and presenting a lesson about good conduct and character, popular in the 15th and early 16th centuries.

A

Morality play

ex: Everyman

69
Q

form of theatre developed by avant-garde playwright, actor, essayist, and theorist, Antonin Artaud, in The Theatre and its Double

A

Theater of Cruelty

70
Q

period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history

A

Renaissance

71
Q

utopian scheme devised in 1794 by the poets Samuel Taylor Coleridge and Robert Southey for an egalitarian community

A

pantisocracy

72
Q

is the line or lines that are repeated in music or in verse; the "”"”chorus"””” of a song

A

refrain

73
Q

a type of lyrical stanza

A

ode

74
Q

a group of eight poems composed by Samuel Taylor Coleridge between 1795 and 1807

A

The conversation poems

75
Q

in verse, is the third part of an ode, which followed the strophe and the antistrophe, and completed the movement

A

epode

76
Q

is the interval between one musical pitch and another with half or double its frequency

A

octave

77
Q

an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri

A

Langston Hughes
Known as a leader of Harlem Renaissance
I, too, Sing America
Dreams Deferred

78
Q

poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter

A

blank verse

79
Q

an American writer, editor, and literary critic

A
Edgar Allan Poe
Story "The Black Cat"
Poems
The Raven
Annabell Lee
A Dream Within a Dream
80
Q

social dance of French origin for two people, usually in 3/4 time

A

menuet

81
Q

a notational convention used in Western musical notation to specify how many beats are to be contained in each bar and which note value is to be given one beat

A

Time signature or meter

82
Q

a musical scale with twelve pitches, each a semitone above or below another

A

chromatic scale

83
Q

a musical scale or mode with five notes per octave in contrast to a heptatonic scale such as the major scale and minor scale

A

pentatonic

84
Q

minor scale

A

There are three types of minor scales. The natural minor scale pattern is W-H-W-W-H-W-W. The harmonic minor pattern is W-H-W-W-H-1.5-H. The melodic minor scale pattern is W-H-W-W-W-W-H.

85
Q

is any harmonic set of usually three or more notes that is heard as if sounding simultaneously

A

chord

86
Q

an English philosopher, political economist and civil servant

A

John Stuart Mill. Utilitarianism
One of the most influential thinkers in the history of classical liberalism, he contributed widely to social theory, political theory, and political economy.
“On Liberty” and “Utilitarianism”

87
Q

an English-American political activist, philosopher, political theorist, and revolutionary

A

Thomas Paine

Common Sense pamphlet

88
Q

German professor of theology, composer, priest, monk and a seminal figure in the Protestant Reformation

A

Martin Luther

89
Q

19th-century art movement that originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s

A
Impressionism
Manet
Monet
Renoir
Degas
90
Q

describes both an era and a broad movement that developed in the late-20th century across philosophy, the arts, architecture, and criticism which marked a departure from modernism

A

postmodernism

91
Q

a formal writing system used by the ancient Egyptians that combined logographic and alphabetic elements

A

hieroglyphs (common by Egyptians)

92
Q

modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century

A

Expressionism

Artists: Munch

93
Q

a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism

A
Post impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and color.
Artists:
Cezanne
Seurat
Van Gogh
Gauguin
94
Q

a style of painting with vivid expressionistic and non-naturalistic use of color that flourished in Paris from 1905 and, although short-lived, had an important influence on subsequent artists, especially the German expressionists.

A

Fauvism
After Postimpressionism
Artist:
Matisse

95
Q

also known as a tunnel vault or a wagon vault, is an architectural element formed by the extrusion of a single curve along a given distance

A

barrel vault

Roman architecture?

96
Q

type of classical male singing voice whose vocal range is one of the highest of the male voice types

A

tenor

97
Q

type of classical female singing voice and has the highest vocal range of all voice types

A

soprano

98
Q

an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella

A

Ella Fitzgerald

99
Q

involves a variety of rhythms which are in some way unexpected which make part or all of a tune or piece of music off-beat

A

syncopation

100
Q

American composer, pianist, and bandleader of a jazz orchestra, which he led from 1923 until his death in a career spanning over fifty years

A

Duke Ellington

101
Q

nicknamed Satchmo or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz

A

Louis Armstrong

102
Q

is the simplest of musical textures, consisting of a melody , typically sung by a single singer or played by a single instrument player without accompanying harmony or chords

A

monophonic

103
Q

a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages

A

organum

104
Q

a German, later British baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos

A

George Frideric Handel

105
Q

piano that has had its sound altered by placing objects on or between the strings

A

prepared piano