Improv Flashcards

1
Q

Add info:

A

Info keeps scenes healthy: the more info the better.

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2
Q

4 types of info: Who

A

Who are the people in the scene and what is their relationship? They know each other well already and they already have preconceived thoughts and feelings. New information is a gift: incorporate it. Label the other person. Interesting name helps. Add qualifiers: ie Father Tony or Big Tony or Governor Tony.

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3
Q

4 types of info: What

A

The physical action. Space work. Label it.

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4
Q

4 types of info: Where

A

The setting. Be specific to the size of the stage: ie Paris is too big BUT coffee shop is much better. Be specific: ie my kitchen NOT my house. Most scenes will be present day, but the Where can also include the When: ie day, night, year, or time period.

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5
Q

4 types of info: Why

A

Today’s the big day when…

We don’t do slice of life, we do BIG. Don’t talk about the task you’re doing, talk about the big day.

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6
Q

Improv is…

A

Acting, writing, directing, and scene design simultaneously.

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7
Q

It is about you and your relationship…

A

Talk about the situation (the big day) and what you are feeling.

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8
Q

5 ways to add info: Space Work

A
  • THROUGHOUT the entire scene, be active and interested in your environment.
  • Pay attention to how you do things: it informs your character.
  • All space work should be on the 4th wall.
  • Label what you have and what you are doing.
  • Respect for what you have and what you made: keep reality consistent.
  • Put big objects like cars in the audience.
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9
Q

5 ways to add info: Emotional Adjustment

A

-ALWAYS start your scene with an emotion. Give the emotion weight to heighten the scene. An emotional adjustment makes you feel something else. When your emotions change, that creates the scene. Make something a BIG deal. Plot points are moved foreword by emotional adjustments.

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10
Q

5 ways to add info: Characters

A
  • ALWAYS be someone else other than yourself. Fools and idiots are fun. Try being weird.
  • Have a specific and unique point of view.
  • Include a “Spine Line”: a line that shows their view of the world.
  • Physical choices change your character’s point of view.
  • Whatever the situation, ask yourself: “Who would be the most interesting person in this situation?”
  • No traditional straight man characters. You can be unique and still be the straight man.
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11
Q

5 ways to add info: Stage Movement

A
  • Use the entire stage and environment. When stuck, cross the stage, grab something and care about it.
  • Move in an interesting way.
  • NO nervous rocking.
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12
Q

5 ways to add info: Dialogue

A

Show, don’t tell.

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13
Q

Justifications

A

When making a justification, incorporate rather than calling people out.

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14
Q

Don’t deny.

A

Incorporate and justify.

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15
Q

Don’t argue.

A

Fess up. Choose to lose the argument.

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16
Q

Don’t bargain or haggle

A

Just give in to the other person.

17
Q

Don’t bicker.

A

You can disagree, but don’t bicker.

18
Q

Don’t control the scene.

A

It’s got to be 50/50. Say what you are going to do, DON’T tell other people what to do.

19
Q

Don’t teach.

A

Choose to know. Be an expert. Love made up jargon.

20
Q

Don’t ask questions.

A

Make statements instead.

21
Q

Don’t play crazy, too stoned, or too drunk.

A

Don’t play crazy or label your scene partner as crazy. If your going to be stoned, be a high energy stoner.

22
Q

Don’t plan.

A

You’ll stop listening and it will be too contrived.

23
Q

Don’t make a scene planning for a future date.

A

Don’t talk about what you are going to do later.

24
Q

Don’t do reference jokes.

A

Your scene partner or the audience may not understand the reference.

25
Q

Do listen and respond.

A

Listen and then add something to it.

26
Q

Do commit.

A

If you’re breaking, then double the emotion you’re supposed to be feeling.

27
Q

Do discover.

A

Find things in your surroundings to add things to the scene.

28
Q

Do raise the stakes.

A

Make good things better and bad things worse.

29
Q

Do make assumptions…

A

and do jump to conclusions.

30
Q

Do be specific.

A

Always be specific.

31
Q

Do be your best actor.

A

Be a heightened version of a real person.

32
Q

Do trust your scene partner.

A

If you are emotional and specific, then something will happen.

33
Q

Do give your scene partner gifts.

A

Give them specifics, labels, emotions, and assumptions.

34
Q

When saying “You never…” or “you always…”

A

Give examples of the things they never do or always do.

35
Q

When playing a specialist in something…

A

Reference a fake quote from your area of expertise. For example: the bible study group that references a quote that is relevant to their current situation. “The retards aren’t that retarded.”

36
Q

Tonnage

A

When an offensive word or phrase is said, keep saying it and working it in until it loses some of its bite.

37
Q

Give more gifts and listen carefully for any gifts that are given to me.

A

Need to focus on giving as many gifts as possible. Also need to focus on more active listening so that I can take advantage of all the gifts that are given to me. Finding objects in space work is another good way to give gifts.