Material Conditions for Everyday Life Flashcards

1
Q

rural vs urban

A

in 1800 only 10% of people in Europe lived in towns with over 2500 people

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2
Q

painting showing no divide between inside and outside

A

Peter Bruegel, Village Fair

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3
Q

house with huge glass windows and front and back divide for sociability and hosting guests

A

Harvard House, 1590s, Stratford-upon-Avon

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4
Q

house bought at the hight of his fame to improve social standing

A

Rembrandt’s house in 1639 in Amsterdam

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5
Q

architect who designed town houses with great halls so each room can be access privately

A

Bristol architect in 1724

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6
Q

what does the Bristol architect say about privacy?

A

“private door by the back stairs to retreat without being seen by people that are visiting, and the conveying away anything that should not be exposed to view”

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7
Q

what does the Bristol architect advise about servants?

A

advises clerks and servants not to mix on same floors and converse together possibly to prevent the spread of gossip and scandal

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8
Q

Lena Orlin

A

demonstrated how thin the walls in early modern houses were though conversations heard documented in court records where people heard crimes being committed through the walls

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9
Q

Roger Pratt

A

argues need for privacy developed in relation to servants with separate floors and rooms created for servants

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10
Q

Rafaella Sarti

A

argues there were so many servants in large stately homes that despite spatial segregation in the house, servants presence was still pervasive everywhere in the house

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11
Q

Rafaella Sarti 15th C Milan Palazzo

A

words in latin above entrance read “public elegance and private comfort”

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12
Q

Alvise Cornaro

A

a renaissance architect, argued “a dignified and charming building” is preferable to one that is “exquisitely beautiful and uncomfortable”

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13
Q

Michael McKeon

A

argues wealth yeomen and merchants sought to replicate the changing domestic architecture of the higher classes, privacy motivated by class aspiration

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14
Q

Matthew Johnson

A

houses represent social position and order in society, small entrance halls of farmers’ houses echo the great halls of Westminster and Kenilworth, showing common structure which expressed common social ordering

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15
Q

Lisa Jardine

A

argues for new interpretation of Renaissance art not in terms of faith and religious iconography by focus on worldly goods, rich and exotic objects illustrated in paintings, art is “every bit as much a visual celebration of conspicuous consumption” as it is a religious tribute

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16
Q

paintings showing all objects laid out in orderly fashion and table cloth represents cleanliness, reflects order in society

A

Heinrich Sulzer, 1643 portrait

17
Q

Vermeer’s paintings

A

focus on objects, house interiors and servants doing washing or cooking shows new significance and meaning in material goods

18
Q

Randle Holme

A

writing in the 1660s describes a dish as not only an instrument for eating and drinking but “also to adorn their country houses”