Material Conditions for Everyday Life Flashcards
rural vs urban
in 1800 only 10% of people in Europe lived in towns with over 2500 people
painting showing no divide between inside and outside
Peter Bruegel, Village Fair
house with huge glass windows and front and back divide for sociability and hosting guests
Harvard House, 1590s, Stratford-upon-Avon
house bought at the hight of his fame to improve social standing
Rembrandt’s house in 1639 in Amsterdam
architect who designed town houses with great halls so each room can be access privately
Bristol architect in 1724
what does the Bristol architect say about privacy?
“private door by the back stairs to retreat without being seen by people that are visiting, and the conveying away anything that should not be exposed to view”
what does the Bristol architect advise about servants?
advises clerks and servants not to mix on same floors and converse together possibly to prevent the spread of gossip and scandal
Lena Orlin
demonstrated how thin the walls in early modern houses were though conversations heard documented in court records where people heard crimes being committed through the walls
Roger Pratt
argues need for privacy developed in relation to servants with separate floors and rooms created for servants
Rafaella Sarti
argues there were so many servants in large stately homes that despite spatial segregation in the house, servants presence was still pervasive everywhere in the house
Rafaella Sarti 15th C Milan Palazzo
words in latin above entrance read “public elegance and private comfort”
Alvise Cornaro
a renaissance architect, argued “a dignified and charming building” is preferable to one that is “exquisitely beautiful and uncomfortable”
Michael McKeon
argues wealth yeomen and merchants sought to replicate the changing domestic architecture of the higher classes, privacy motivated by class aspiration
Matthew Johnson
houses represent social position and order in society, small entrance halls of farmers’ houses echo the great halls of Westminster and Kenilworth, showing common structure which expressed common social ordering
Lisa Jardine
argues for new interpretation of Renaissance art not in terms of faith and religious iconography by focus on worldly goods, rich and exotic objects illustrated in paintings, art is “every bit as much a visual celebration of conspicuous consumption” as it is a religious tribute