Modyul 1 Flashcards

1
Q

Ranges from vocal and instrument music, dance, and theater to pantomime, sung verse, and beyond.

They include numerous cultural expressions that reflect human creativity and that are also found, to some extent, in many other intangible cultural heritage domains.

A

Performing Arts

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2
Q

An art concerned almost exclusively with live performances in which the action is precisely planned to create a coherent and significant sense of drama.

A

Theater

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3
Q

Refers to the written, intellectual, and or emotional context of a situation which is intended for an audience. This includes the script and or text for a show.

A

Drama

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4
Q

Refers to the overall spectacle of the drama, that being how a drama is staged, showcased, and performed.

A

Theater

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5
Q

people onstage presenting characters

A

Performers

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6
Q

the essence of theater is the interaction between the performer and the audience (“call and response atmosphere”)

A

Audience

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7
Q

ensures actors comprehend and perform scripts excitingly and appropriately

A

Director

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8
Q

a stage or some equivalent area where actors and actresses can perform

A

Theater Space

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9
Q

includes scenery, costume, lighting, and sounds

A

Design Aspect

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10
Q

includes focus, purpose, point of view, dramatic structure, and dramatic characters

A

Text

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11
Q

____ was clear that the purpose of imitation in drama was to provide proper pleasure by imitating action. Mimesis of men in action was mimesis of all human life.

A

Aristotle’s Mimesis in Drama

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12
Q

In the west, Drama is defined as…

A

an “action” or “deed” involving mimesis or mimicry

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13
Q

The many rituals that punctuated the daily life of the Filipino (from birth to death) were mostly marked by some mimetic action.

A

Indigenous Theater Rituals

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14
Q

the petitioner offered a sacrifice symbolic of himself to seek the favor of a higher power (like ………), often mediated by a priest or priestess (………..)

A
  1. bathalang maykapal
  2. baylan or babaylan
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15
Q

It would commonly accomplish the rituals to symbolically or metaphorically emphasize the reason for their rituals.

A

music and dance

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16
Q

Indigenous Philippine drama that was recorded and described by the spaniards was unrecognized and dismissed as being “……“ and “…….”

A

“pagan” and “obscene”

17
Q

priestess/priest are also called as “mandadawak”, “catalonan”, “bayo”, “baylan/babaylan”

they facilitate the ritual and act as the mediator between the physical and spiritual realms

also the keeper of the knowledge of the community

A

The Lead Performer

18
Q

an element of “pretend

Example :Duplo - early form of balagtasan

A

Indigenous Theater - Customs

19
Q

Zarzuela to Sarsuela

Focuses on the love story between members of the upper class

Exposes usurers, corrupt politicians, oppressive landlords, lazy husbands

Introduced through Nueva Espanya (Mexico) through the metrical romances of chivalry or the lines of saints and martyrs, which came to be the native awit and corido.

“dramatizations of catholic liturgical feasts”

beginning of elements of theater, performers, and design

A

Spanish Colonial Influences

20
Q
  • The staged re-enactment of Christ’s passion and death.
    -It is also known as pasyon y muerte, also known as Passion and Death of the Christ
  • plays every holy week
A

Sinakulo (Passion Play)

21
Q
  • “Hossana”, features the blessing of the creative palaspas “Palms” done in a reenactment of the triumphant
    entrance of Jesus
    into Jerusalem.
  • this is done every Palm Sunday
A

Osana

22
Q
  • celebrate every eastern sunday
  • image risen christ and the virgin mary is brought together to symbolize the end of the holy week
  • black shawl covering the virgin is removed by an angel - symbolize the end of mourning
A

Salubong

23
Q

“Way of the cross” , a
procession of the image of Christ
carrying the cross. the people stop
and pray at 15 alters where the 14
station of cross
are enshrined

A

Vis Crusi

24
Q

(Washing) , dramatizes the washing of the feet of apostles by Jesus. it is done during Maundy Thursday

A

Paghuhugas

25
Q

A reenactment of
the Last Supper.

A

Huling hapunan or
Ultima Cena

26
Q

“Solitude”, a procession of the Mater
Dolorosa (Sorrowful Mother)
done after the burial has stops at designated houses where songs are performed to lighten Mary’s sorrow

A

Soledad

27
Q

“Ressurection” A reenactment of the resurrection of Christ during the early hours of Easter Sunday.

A

Pagkabuhay

28
Q

a story of the journey of the shepherds “pastores”, their encounter with Satan and the adoration of the infant Jesus

A

Pastores

29
Q

done in Tagalog areas, this form is a dramatization of the beheading of infants below two years old as ordered by Herod to kill the Infant Jesus.

A

Ninos Inocentes

30
Q

A reenactment of the search for the Infant Jesus by the three Kings - Melchor, Gaspar, and Baltazar. It is performed through a simple procession of three males dressed as kings.

A

Tatlong Hari

31
Q
  • By the 19th century, the Western variety of theater, namely scripted, costumed, and staged plays were a prominent reality in the Philippines
  • theater was built and amateurs were staging plays
A

Secularization of Theater

32
Q

Komedyas were being written by such writers as poet Jose De La Cruz, called Huseng Sisiw, and his even more famous pupil Francisco Baltazar or Balagtas, who wrote the komedya, Orosman at zafina

A

Secularization of Theater

33
Q
  • also known as the Dulaang Zorrilla sa
    Maynila.
  • prominent theater in the Philippines
  • located along Calle Iris “C.M Recto Ave”
  • The theater was named after Jose Zorrilla.
A

Teatro Zorrilla (1893)

34
Q

The home of a theater company of natives and mestizos, who performs** Spanish dramas and comedies**

A

Teatro de Binondo (1846)

35
Q

Which featured bullfights at first, then symphonies, zarzuelas, and comedies.

A

Teatro Circo de Bilibid (1870)

36
Q
  • First, built in the mid-19th century as a circular wooden structure with a nipa roof
  • the complex served as the center of the
    philippines culture and the primary theater
    for
    the viewing of plays, movies, and zarzuelas
A

Manila Grand Opera House (1900)

37
Q
  • Theater designed by National Artist Juan
    Arellano.
  • labor of love.
  • housed different performances from Zarzuelas, drama, and other foreign classics.
A

Metropolitan Theater (1930)