Motifs/themes Flashcards

1
Q

Negative portrayal of the Big Ben

A

“a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air”

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2
Q

Saints Margret’s clock appealing to the human spirit

A

It chimes in a little late, gliding “into the recesses of the heart and buries itself, to be, with a tremor of delight, at rest”

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3
Q

The Big Ben with God-like characteristics? personification

A

‘Still the last tremors of the great booming voice shook the air round him’

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4
Q

Clarissa talking about death and London through the water motif?

A

She watches London “far out to sea and alone” and describes London as the “ebb and flow of things”. She felt “laid out like a mist”

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5
Q

Clarissa talking about death through Shakespeare?

A

“Fear no more the heat o’ the sun”

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6
Q

Clarissa as a mermaid?

A

wearing “a silver-green mermaid’s dress”

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7
Q

water motif in masturbation?

A

“gushed and poured”

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8
Q

hyperbolic language used to describe the prime minister? (satirising method)

A

-guests repeat “the prime minister”
-“The Prime Minister? Was it really?”

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9
Q

In reality how is the prime minister described?

A

“so ordinary”, “poor chap, all rigged up in gold lace”, “nobody looked at him”

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10
Q

Peter’s knife

A

-he is “fingering his pocket-knife”
-he “clenched his fist upon it”

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11
Q

Clarrisa feeling like Othello

A

“that was her feeling -Othello’s feeling, and she felt it”

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12
Q

what kind of bird is Clarissa described as?

A

a “jay”

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13
Q

what kind of bird is lucrezia described as?

A

a “little hen”

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14
Q

what kind of bird is Septimus described as?

A

a “young hawk”

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15
Q

How is Bradshaw described as? (bird motif)

A

“he swooped; he devoured” “he shut people up”

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16
Q

Septimus’ love for shakespeare

A

he was “devouring Shakespeare”

17
Q

How does Septimus’ literary passion change after the war?

A

“he could not feel” (repetition) but “could read Dante”- Septimus reading Dante’s inferno suggests death of emotion/ passion

18
Q

Sally Seton and flowers?

A

“picked hollyhocks, dahlias” and “cut their heads off”

19
Q

Description of Big Ben?

A

“the leaden circles dissolved in the air” and “irrevocable’

20
Q

Description of chaotic London?

A

“galloping ponies” “whirling young men and laughing girls” “shopkeepers were fidgeting”- sensory overload, vitality link to T.S Eliot’s waste land

21
Q

Description of the car

A

“violent explosion”
“they had heard the voice of authority, the spirit of religion was abroad”

22
Q

Image of war as ominous and destructive

A

“so prying and insidious were the fingers of the European war”

23
Q

the vast and eternal timescale in which humanity is transient and irrelevant

A

“this voice, pouring endlessly, year in year out”

24
Q

The clock strikes at Septimus’ suicide, sinister, order regaining control

A

“The clock was striking- one, two, three”

25
Q

Subtle, internal shifts between times of day, contrast to strict linear time

A

“some sort of lapse in the tides of the body, two forces meeting in a swirl, morning and afternoon, they paused”

26
Q

The plane in the sky- Septimus and Bowley’s interpretation

A

Septimus- “they are signalling to me”
Bowley- “It’s toffee”

27
Q

Water motif and time

A

“the sound of the bell flooded the room with its melancholy wave”