Othello Flashcards

1
Q

Iago feels like he was overlooked for the position of lieutenant despite the fact that

A

‘three great ones of the city, in personal suit’ to give the position to Iago, it was bestowed upon the ‘bookish theoric’ Michael Cassio. He feels nepotism is at play.

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2
Q

In what ways does iago feel the system of promotion is biased?

A

Preferment goes by letter and affection not the old gradation

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3
Q

What shows that jealous accusations lack substance?

A

‘Trifles light as air are to the jealous confirmations strong as proofs of holy writ’

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4
Q

How is the corrosive nature of jealousy described?

A

‘Dangerous conceits are in their natures poisons’, corrosive nature of jealousy

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5
Q

What suggests that othello is overcome by unprecedented jealousy, from which he cannot return?

A

‘my bloody thoughts with violent pace shall never look back.’

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6
Q

Desdemona believes Othello is free from jealousy because

A

‘my noble Moor is true of mind and made of no such baseness as jealous creatures are.’
Suggests jealous people lack moral principles, dichotomy between such passionate emotions and nobility

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7
Q

How is othello referred to at the beginning of the play?

A

In the beginning of the play Othello is not referred by his name, only as the ‘Moor’. This alienates him and emphasises his position as an outsider in Venetian society.

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8
Q

How does Rodrigo employ crude imagery to tell Brabantio of his daughter’s union with othello?

A
  • ‘An old black ram is tupping your white ewe’. Use of animalistic imagery dehumanizes Othello and perpetuates crude stereotypes.
  • ‘You’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you…’
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9
Q

How does Brabantio view their marriage?

A

As a ‘treason of the blood’

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10
Q

How does Brabantio speak of his daughter in terms of treasure?

A

Othello is a ‘foul thief’ says ‘where has thou stowed my daughter, damned as thou art, thou hast enchanted her.’ ‘Run from her guardage to the sooty bosom of such a thing as thou’, dehumanises him. (1,2)

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11
Q

Brabantio plays on stereotypes and othello’s position as the outsider to explain their marriage when he says

A

‘that thou hast practised on her with foul charms, abused her delicate youth with drugs or minerals.’

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12
Q

Suggests Brabantio’s views are representative of widespread society:

A

‘mines not an idle cause. The duke himself, or any of my brothers of the state, cannot but feel this wrong as ‘twere their own, for if such actions may have passage free, bondslaves and pagans shall our statesmen be.’ Use of pagans suggests heretical.

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13
Q

What suggests their marriage is unnatural?

A

‘for nature so preposterously to err, being not deficient blind or lame of sense, sans witchcraft could not.’

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14
Q

How does Iago convince Roderigo that Desdemona will leave Othello eventually due to him lacking desirable qualities:

A

‘loveliness in favour, sympathy in years, manners and beauties; all which the moor is defective in.’

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15
Q

How is Othello and Desdemona’s marriage portrayed as unnatural, against all social conditioning:

A

‘and yet how nature erring from itself.’ ‘not to affect many proposed matches of her own clime, complexion and degree, whereto we see in all things nature tends.’

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16
Q

How is marriage viewed as circumscribing one’s freedom?

A

‘for I know Iago but that I love the gentle Desdemona, I would not my unhoused free condition put into circumscription and confine for the sea’s worth’

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17
Q

In what ways does Othello and Desdemona’s marriage evidence a deeper emotional connection between the two. Love not lust?

A

she gave me for my pains a world of sighs’ and ‘she loved me for the dangers I had passes and I loved her that she did pity them.’

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18
Q

How is Desdemona’s love for Othello seem to be genuine?

A

I saw Othello’s visage in his mind and to his honours and his valiant parts did I my soul and fortunes consecrate.’ Desdemona fell in love with the valiant brave qualities of Othello, shows genuine love.

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19
Q

Iago dismisses Roderigo’s infatuation with Desdemona by saying…

A

Iago dismisses Rodrigo’s infatuation with Desdemona as lust. Suggests he is overcome by passion, loss of reason: ‘We have reason to cool our raging motions, our carnal stings, our unbitted lusts; whereof I take this, that you call love.’

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20
Q

What suggests people who are in love act for nobility, what they think is right:

A

if thou be’st valiant, as they say base men being in love have then a nobility in their natures more than is native to them.’

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21
Q

What suggests Desdemona has taken Othello into her sway, strong influence over him?

A

‘Our general’s wife is now the general, he hath devoted and given up himself to the contemplation, mark and denotement of her parts and graces’

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22
Q

What are the two types of servants according to Iago?

A

Iago professes there to be two types of servants, submissive and subversive who follow their masters loyally at great personal cost, or those who are ‘trimmed in forms of visage and duty’. The second type ‘keep their hearts attending on themselves, …and when they have lined their coats, do themselves homage.’

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23
Q

Why does Iago leave Roderigo and brabantio?

A

Iago leaves Roderigo and Brabantio as he must project an image of loyalty towards Othello, self preservation ‘It seems not meet nor wholesome to my place to be produced as if I stay I shall against the Moor

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24
Q

How can Iago’s manipulation techniques be best described?

A

Iago gives insight into his manipulation techniques, warps the truth so people accept what they already fear: ‘with as little as a web as this I will ensnare as great a fly as Cassio’

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25
Q

What suggests that Iago actively intends on breaking apart their marriage?

A

‘O, you are well tuned now But I’ll set down the pegs that make this music as honest as I am’

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26
Q

Iago pretends to support Cassio by saying…

A

‘I had rather have this tongue cut from my mouth than it should do offence to Michael Cassio’

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27
Q

How does Iago argue that he does not appear to be a villain on account of his honest and helpful advice:

A

‘who’s to say I’m a villain when the advice is free I give and honest, probal to thinking’

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28
Q

What shows there is clear underlying malice in Iago’s actions?

A

‘work on my medicine, thus credulous fools are caught and many worthy and chaste dames, all guiltless meet reproach.’

29
Q

What shows Othello is aware of the limited extent of his social status?

A

rude am I in my speech and little blessed with the soft phrase of peace’

30
Q

What shows othello’s naivety?

A

‘the moor is of a free and open nature, that thinks men honest that but seem to be so, and will tenderly be led by the nose as asses are.’

31
Q

How does Desdemona’s meekness and trust of others function as her shortcoming according to Iago:

A

‘she is of so free, so kind, so apt, so blest a disposition that she holds it a vice in her goodness not to do more than she is requested.’ ‘virtuous Desdemona’

32
Q

How will Iago use Desdemona’s virtue against her?

A

‘soon I will turn her virtue into pitch and out of her own goodness make the net that shall enmesh them all.’

33
Q

How does Othello establish himself as the inferior one in the marriage?

A

use of self deprecatory language: ‘nor from mine own weak merits…for she had eyes and chose me.

34
Q

Othello’s insecurities are shown when he says….

A

‘haply for I am black, and have not those soft parts of conversation that chamberers have, or for I am declined into the vale of years.’

35
Q

In what ways is Desdemona described as a treasure?

A

seen as benefitting Othello’s position: Iago says ‘he tonight hath boarded a land carrack; if it prove a lawful prize he’s made for life’

36
Q

How is Desdemona described in idealistic terms by her father?

A

‘a maiden never bold, of spirit so still and quiet.’

37
Q

What suggests a woman is bound to her father and her husband?

A

‘My noble father, I do perceive here a divided duty; to you I am bound for life and education…you are the lord of all my duty. But heres my husband; and so much duty as my mother showed to you, preferring you before her father so much I challenge that I may profess due to the moor my lord’.

38
Q

How does Iago use sexist language to dismiss love?

A

‘Ere I would say I would drown myself for the love of a guinea-hen, I would change my humanity with a baboon.

39
Q

How does Iago perpetuate the stereotype of Venetian women being promiscuous and temperamental?

A

She must change for youth, when she is sated with his body she will find the err of her choice.’

40
Q

What shows Iago’s cynical view on women as deceptive?

A

‘you are pictures out of doors, bells in your parlours, wild cats in your kitchens…’

41
Q

How are women presented as creatures as lust?

A

‘with what violence she first loved the more for bragging and telling her fantastical lies. And will she love him still for prating?’ ‘Her eye must be fed.’

42
Q

How does Desdemona demonstrate her submissiveness?

A

‘whate’ver you be, I am obedient.’

43
Q

How does Iago stereotype women as deceptive?

A

‘In Venice they do let God see the pranks they dare not show their husbands. Their best conscience is not to leave’t undone but keep’t unknown.’

44
Q

How is emilia initially portrayed as obedient to her husband?

A

‘I nothing but to please his fantasy.’

45
Q

How does Emelia express her cynical view on men and their insatiable appetites?

A

‘they are all but stomachs and we al but food.’

46
Q

How does Desdemona chide herself for expecting better treatment by Othello

A

‘we must think men are not gods, nor of them look for such observances as fit the bridal.’

47
Q

Iago’s cynicism towards Bianca is shown when he says…

A

‘it is a creature than dotes on Cassio.’

48
Q

What shows Desdemona’s faithfulness and fatalism

A

‘his unkindness may defeat my life but never taint my love.

49
Q

Emelia argues that women too are equal in a relationship…

A

‘Let husbands know their wives have sense like them.’

50
Q

Emelia’s rebellion…

A

‘I will not charm my tongue.’ ‘Tis proper I obey him but not now.’

51
Q

Othello says his services to the state will speak for him against Brabantio when he says

A

‘my parts, my title and my perfect soul shall manifest me rightly’ against Brabantio.

52
Q

How does Iago exploit the idea of male pride?

A

‘If thou cast cuckold him, thou dost thyself a pleasure, me a sport.’

53
Q

In what ways does the rumour that Othello has slept with his wife infuriate him?

A

‘nothing can or shall content my soul till I am evened with him, wife for wife’

54
Q

How is Othello described by his professional attributes?

A

‘For I Have served him and the man commands like a full soldier.’ And ‘brave Othello’ (2,1) in (2,2) described as ‘noble and valiant general’

55
Q

How does Cassio view reputation as an intrinsic part of one’s self?

A

‘I have lost the immortal part of myself and what remains in bestial.’ Iago sees it as ephemeral and lacking meaning: ‘reputation is an idle and most false imposition, oft got without merit and lost without deserving.

56
Q

How does Iago stress the importance of reputation?

A

‘he that filches me of my good name robs me of that which not enriches him but makes me poor indeed.’

57
Q

Sense of male pride dominating relationships is seen when…

A

that we can call these delicate creatures ours and not their appetites. I’d rather be a toad than keep a corner in the thing I love for other’s uses.’

58
Q

How is Desdemona’s reputation compromised?

A

‘her name that was as fresh as Dian’s visage is now begrimed and black as mine own face.’ Use of self deprecatory language.

59
Q

How does Othello express his humiliation?

A

‘make me the fixed figure for the time of scorn to point his slow unmoving finger at!’ ‘She must die, else she’ll betray more men.

60
Q

How does Othello justify his murder?

A

‘An honourable murderer. For naught did I in hate, but all in honour.’

61
Q

How does Othello show assuredness against Brabantio’s claims?

A

‘keep up your bright swords, for the dew will rust them’

62
Q

Iago intends to put Othello into

A

‘a jealousy so strong that judgement cannot cure.’

63
Q

The temperamental nature of people is seen when Cassio says…

A

‘to be now a sensible man, by and by a fool, and presently a beast!

64
Q

When confronted with Iago’s initial suspicion Othello preserves his rationality:

A

‘to follow still the changes of the moon with fresh suspicions? No, to be once in doubt is once to be resolved.’

65
Q

When Othello is overcome by passion Desdemona says

A

‘my lord is not my lord.’

66
Q

Distorted sense of justice, Othello is completely sure of the accusations:

A

‘First to be hanged and then to confess.’

67
Q

How does Othello’s jealousy implicate Cassio

A

‘His unbookish jealousy must construe poor Cassio’s smiles, gestures and light behaviours quite in the wrong.’

68
Q

Lodovico is shocked to see Othello strike Desdemona, loss of all reason:

A

‘Is this the nature whom passion could not shake?’

69
Q

Iago’s diabolical plan shows heaven and hell imagery…

A

‘Hell and night must bring this monstrous birth to the world’s light.’