Othello AO5!!! Flashcards

1
Q

McCulloch: What hurts Othello far more than losing Desdemona….

(Othello as a tragedy, characterisation)

A

is losing the equanimity he needs to do his job

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2
Q

McCulloch: Othello is at war….

(Othello as a tragedy,characterisation)

A

with himself and cannot win

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3
Q

Wheale: Observing a tragic event chills us with shock…

(Othello as a tragedy, characterisation)

A

and moves us with compassionate pity, making us realise the fragility and vulnerability of human life

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4
Q

Greer: The story of us all…

(Othello as a tragedy, characterisation)

A

the weakness inherent within every human being.

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4
Q

Wheale: The play provides the focus for the …

(Othello as a tragedy, characterisation)

A

most powerful male motivation of renaissance tragedy - revenge.

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5
Q

Ryan: Shakespeare produced in Othello a searing critique of….

(Race and Gender)

A

racial and sexual injustice, which is more powerful now in the 21st century than it ever could have been at the dawn of the 17th

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6
Q

Ryan: Othello’s vulnerability as a black outsider

(Race and Gender)

A

who unconsciously shares the white perception of his blackness

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7
Q

Loomba: Othello is both a

(Race and Gender)

A

fantasy of interracial love and a nightmare of racial hatred and male violence

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8
Q

Loomba: Othello’s is a victim of racial beliefs because

(Race and Gender)

A

he becomes an agent of misogynistic ones

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9
Q

Bradley: Othello does not

(Race and Gender)

A

belong to our world

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10
Q

Block: Shakespeare frequently uses prose…capturing the way soldiers… tend to

(Masculinity and identity)

A

hide their true feelings behind a mask of witty worldly toughness

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11
Q

Jardine: A stereotype of….

(Desdemona)

A

female passivity

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12
Q

Newman: Iago is culturally

(Iago)

A

diabolical

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13
Q

Honingman: Iago enjoys a

(Iago)

A

god like sense of power

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14
Q

Wendel: Emilia is a symbol of

(Emilia, gender)

A

defiance

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15
Q

Honingman: Despite his cleverness Iago has never felt

(Iago)

A

spiritual impulses that bind humans together, in a word love.

16
Q

Ryan: He’s pathologically normal and

(Iago)

A

theatrically irresistible

17
Q

Greer: They don’t go home hoping that they won’t meet an Iago but…

(Iago)

A

understanding something of the nature of evil

18
Q

Hadfield: Venice a….

(setting)

A

critical utopian space

19
Q

Lacan: Every individual experiences self-alienation due to their perception of themselves…

(proximity, isolation and distance)

A

this self isolation may be observed in Othello’s character.

20
Q

Hatchuel: constructions of humans in peripheral space were emeshed in discourse…

A

based on the fear of difference and impulses to dominate

21
Q

AC Bradley tragedy is “essentially a tale of ……

vs

Nutall “oxymoronic tragic joy ….

A
  • suffering and calamity conducting to death
  • conveys a much stronger response from the audience
22
Q

kastan “genre of

A

uncompensated suffering

23
Q

kastan “absence of clear answers

A

to these question is central to Shakespearean tragedy