Prelim Flashcards

1
Q

in creating visual, auditory or performing artworks, expressing the autor’s imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.

A

Art is a diverse range of human activities

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2
Q

is the use of signs that stand in for and take the place of something else.
It is through __________ that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations. Art represents reality, since it is often depicting objects or scenes from the world.

A

Representation

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3
Q

contained in the form is an attempt to translate the unnamed and the unknown. Intrinsic to our existence as humans is our quest to create meaning, and art allows that process to take place.
Making meaning involves understanding our surroundings and marking our experiences.

A

expression

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4
Q

The purpose of works of art may be to communicate political, spiritual or philosophical ideas, to create a sense of beauty to explore the nature of perception, for pleasure, or to generate strong emotions. Art is an act of expressing feelings, thoughts, and observations of human conditions.

A

Art serves as a means of communication of emotions.

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5
Q

they allow us to express ourselves and illustrate the world around us in a different light, helping us to gain understanding of people and society, and give hope while living in this world.________ because it illustrates the human experiences.

A

Art matters.

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6
Q

Literally, art can be found in every corner of the world. Art is everywhere and it is imbedded into the way of life of the people. Exclusivity is out of bounds when we speak of arts because it is for everyone.
Art is the true Esperanto, an artificial international language, the one form of culture that is genuinely beyond national limitations. Art know no barriers; not even language is a barrier in understanding it.

A

Art is universal.

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7
Q

Political Function and It seeks or tends to influence the collective behaviour of a people.

A

Influences Social Behaviour

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8
Q

It is created to be seen or used primarily in public situation like fiestas, parade, etc.

A

Display and Celebration

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9
Q

The function of an object is generally essential in the basic form that it takes.

A

Form and Function.

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10
Q

The design of the building is determined primarily by its operational function.

A

Architecture

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11
Q

It involves the efficient organization of buildings, roads, and spaces so that they meet the physical and aesthetic needs of the community and takes into consideration the assignment of areas for proper land use. These are: Residential Districts, Industrial and Commercial areas, Civic areas, Parks, plazas, and malls, streets and roads.

A

Community Planning.

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12
Q

Many things remain the same in shape throughout the years because their functional requirements do not allow for greater variations in their form

A

Function and beauty.

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13
Q

animals, people, landscapes. These three are the most common inspiration and subject matter for art

A

Nature

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14
Q

What are the somr SOURCES OF ART
SUBJECT

A

Nature
History
Greek and Roman mythology
The Jude Christian Tradition
Oriental Sacred Texts
Other work of arts

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15
Q

Artists are sensitive to the events taking place in the world around them. The dress, the houses, the manner of living, the thoughts of a period are necessarily reflected in the work of the artist.

A

History

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16
Q

These are gods and goddesses. Its center is on deities and I heroes.

A

Greek and Roman mythology

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17
Q

Religion and art, The Bible, Apocrypha, The rituals of the church

A

The Jude Christian Tradition

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18
Q

The countries of the orient, specially China, Japan, and India, have all produced sacred text of one kind or another, and these inspired various kinds or art. Most fruitful have been the text and traditions of Hinduism and Buddhism.

A

Oriental Sacred Texts

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19
Q

These are the subjects that can be found in those works that takes their subject directly from other

A

Other work of arts

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20
Q

artists usually draw their arts through the different _______

A

Kind of subject

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21
Q

An outdoor view of nature, such as mountains, rivers, sky desert, fields or forests. Some __________ include people, animals, buildings (barns, houses, or sheds), quiet roads or streets. If people or animals are included, they are not the focal point

A

Landscape

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22
Q

A scene at sea (a ship on the water) or a scene including a portion of the sea, like waves along the beach.
The water (ocean or sea) is the focal point, or a larger part of the scene.

A

Seascape

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23
Q

A scene including city buildings, bridges, streets or traffic lights and might include a river or a park surrounded by skyscrapers.

A

Cityscape

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24
Q

They have been represented by artists from almost every ages and places.
In fact the earliest known painting are representation of _______ on the walls of caves.

A

Animal

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25
Q

A painting, drawing, or sculpture or other medium showing a person or several people and usually Show just the face and shoulders, but it can include part or all of the body, as well.

A

Portraits

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26
Q

Full body a figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work.

A

Figures

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27
Q

consists if verifiable facts, legends of unverifiable ones, although many of them are often accepted as true because tradition held them so far. Insofar as ancient past is concerned, it is difficult to tell how much of what we know now is _______ and how much is ________.

A

History and Legend:

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28
Q

Art has always been a handmaiden of _______. Most of the world’s _______ have used the arts to aid worship, to instruct, to inspire feelings of devotion and to impress and convert nonbelievers

A

Religion & Mythology

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29
Q

Artists have always shown a deep concern about life around them. Many of them have recorded in paintings their observation of people going about their usual ways and performing their usual tasks.

A

Everyday life

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30
Q

are usually vague and illogical. Artists especially the surrealists have tried to depict dreams as well as the grotesque terrors and apprehensions that lurk in the depths of the subconscious.

A

Dreams and Fantasies

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31
Q

The meaning or message that is expressed or communicated by the artwork.
In understanding the ___________ it is important to note that there are various.

A

Content in art:

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32
Q

The most rudimentary level of meaning for it may be extracted from the identifiable or recognizable frame in the retrinal,

A

Factual meaning

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33
Q

Are consulted, a variety of meanings may arise when a particular work of art is read.
These meanings stem from the viewer’s or audience’s circumstances that come into play when engaging with art (what we know, what we learned, what we experienced; what values we stand for)
Meaning may not be singular, rather, multiple and varied

A

Subjective meaning

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34
Q

Pertains to the acknowledged interpretation of the artwork using motifs, signs, and symbols and other cyphers as bases of its meaning.
These conventions are established through time, strengthened by recurrent use and wide acceptance by its viewers or audience and scholars who study them.

A

Conventional meaning

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35
Q

are art forms that create works that are primarily visual in nature.

A

visual arts

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36
Q

includes only the length and width of a flat object such as a drawing, print, or painting.

A

2-dimensional art

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37
Q

includes the length, width, and depth of an object such as a structure building, or sculpture.

A

3-dimensional art

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38
Q

Artworks that are created through actions performed by the artist or other participants, which may be live or recorded, spontaneous or scripted

A

Performance Art -

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39
Q

is an artistic work or practice that uses digital technology. While, Analog film is plastic sheet with a photosensitive emulsion that comes in various formats for still and video cameras.

A

Film (Digital Arts/Analog) - Digital art

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40
Q

is a type of poetry that is performed for an audience and can be written in advance or it can be spontaneously composed while the performance is in progress.

A

Poetry pestormanda /Performance poetry

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41
Q
  • A general term to describe buildings and other physical structures. It is the art and science of designing buildings and (some) non-building structures.
A

Architecture

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42
Q
  • is a performance art form consisting of sequences of movement, either improvised or purposefully selected.
A

Dance

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43
Q
  • also called movie. motion
    picture or moving picture, is a work of visual
    art used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images.
A

Film

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44
Q

means concerned or connected with the with writing, study, or appreciation of literature. Literature as a form of arts, is the organization of words to give pleasure,
Through them it elevates and transforms experience.

A

Literary

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45
Q

the study of the nature of art, including concepts such as interpretation, representation and expression, and form. It is closely related to aesthetics, the philosophical study of beauty and taste.

A

Philosophy of art

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46
Q

is generally defined as the ability to omit an acceptable level of opposing, disrupting, and corrupting values that would otherwise alter an artist’s original vision in a manner that violates their own preconceived aesthetic standards and personal values.

A

Artistic integrity

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47
Q
  • describes how the sizes of different parts of a piece of art or design relate to each other. The proportions of a composition will affect how pleasing it looks and can be used to draw our attention to particular areas. The use of proportion is essential for creating accurate images.
A

Proportion/Consonance

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48
Q

signifies the luminosity that emanates from a beautiful object, which initially seizes the attention of the beholder.

A

Radiance/Clarity -

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49
Q

Two types of subject of art

A

Representational or objective
And non Representational or non objective

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50
Q

represents objects or events in the real world, usually looking easily recognizable. It uses
“form” and is concerned with “what” is to be depicted in the artwork. Example Painting, Sculpture, Graphic Arts, Literature and Theater arts.

A

Representational or figurative
art

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51
Q

refers to compositions which do not rely
On representation or mimesis to any extent.
Abstract art, nonfigurative art, nonobjective art, and nonrepresentational art are related terms that indicate a departure from reality in the depiction of imagery in art.

A

Nonrepresentational art

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52
Q

provide first-hand testimony or direct evidence concerning a topic under investigation.
They are created by witnesses or recorders who experienced the vents or conditions being documented. Often these sources are created at the time when the events or conditions are occurring, but _______________________ can also include autobiographies, memoirs, and oral histories recorded
later. are characterized by their content, regardless of whether they are available in original format, in microfilm/microfiche, in digital format, or in published format

A

Primary sources

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53
Q

Interpret and analyze primary sources.
Because they are often written significantly after events by parties not directly evolved but who have special expertise, they may provide historical context or critical perspectives and routinely include pictures, quotes or graphics of primary sources. Depending on the subject, newspaper and journal articles can fall into both categories.

A

Secondary sources

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54
Q

is generally defined as an art practitioner, such as a painter, sculptor, choreographer, dancer, writer, poet, musicians, and the like, who produces or creates indirectly functional arts with aesthetic value using imagination.

A

Artist

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55
Q

is a craftsman, such as carpenter, carver, plumber, blacksmith, weaver, embroiderer, and the like, who produces directly functional and/or decorative arts.

A

Artisan

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56
Q

is basically a physical worker who makes objects with his or her hands, and who through skill, experience, and ability can produce things of great beauty, as well as usefulness. The artist on the other hand, is someone devoted only to the creative part, making visually pleasant work only for the gratification and appreciation of the viewer but with no practical value.

A

Artisan

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57
Q

engaged in any traditional art uniquely Filipino whose distinctive skills have reached such a high level of technical and artistic excellence and have been passedon to and widely practiced by the present generation in his/her community with the same degree of technical and artistic competence” (NCCA, 2015 as cited in Caslib etal., 2018).

A

the National Commission on Culture and the Arts awards the “Manlilika ng Bayan” distinction to “citizen

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58
Q

He is regarded as the Father of Philippine photography.

A

Eduardo Masferre (1909-1995)

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59
Q

Known as the father of Philippine independent film, the government recently conferred upon him the Order of National Artist for Film in October 2018.A close friend of BenCab and Baguio native is critically acclaimed director Kidlat Tahimik.

A

Kidlat Tahimik

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60
Q

Fondly known as “BenCab” in the Philippines, Cabrera is the best-selling commercial painter of his generation and a prominent head of the local contemporary art scene.

A

Benedicto Cabrera (1942-present)

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61
Q

Born to Chinese immigrants and is the pioneer of Philippine modern figurative expressionism. Rewarded as the country’s National Artist in 2001, he was one of the most successful commercial figures on the local art scene from the 1960s until his death from cancer in 2005. Like Amorsolo, his paintings are popular at auctions and have received exceptionally high bids at Sotheby’s and Christie’s.

A

Ang Kiukok (1935-2005)

62
Q

Born on the northern island of Batanes, the internationally revered artist first obtained a degree in Political Science at the University of the Philippines. Her staunch activism against the Marcos regime in the 1970s, led her to move to San Francisco to initially study law - but she found her true calling with art. Her paintings consist of vibrant colors and a constant change of patterns and materials.

A

Pacita Abad (1946-2004

63
Q

A Filipino pioneer of Abstract expressionism, multi-media painter_______ uses bold and vibrant colors with a variety of painting techniques, layering, loose impasto strokes and controlled drips.

A

José Joya (1931-1995)

64
Q

Labelled the country’s first National Artist in 1972 by then President Marcos, is often known as the „Grand Old Man of Philippine Art”. The Spanish-trained realist developed a backlighting technique, where his colorful depictions of local people reflect the radiance of the Philippine sun.

A

Fernando Amorsolo (1892-1972)

65
Q

Born to a family of prominent male architects, sculptress is best known for her surrealist and expressionist work in plaster, bronze and cold-cast marble.
Her sculptures highlight the female body and draw from themes surrounding sexuality, religion, and mysticism.
Borrowing from the term of poet Gerard Manley Hopkins, attributes her work to “inscapes”, that assert an internal unity among various elements in her installations and sculptures.

A

Agnes Arellano (1949-present)

66
Q

father of conceptual art in the Philippines.Born as Rodriguez, he used his mother’s maiden name when he began his career in art. He was a mentor to many students at the University of the Philippines, where he taught for over 30 years, and is acknowledged as the

A

Roberto Chabet (1937-2013)

67
Q

as the Father of Modern Filipino sculpture. He attended the University of the Philippines with Joyd and was mentored by noted sculptor Guillermo Tolentino, at the College of Fine Arts. Born in Bohol, he is also the youngest National Artist awardee appointed by then President Marcos, at the age of 46. His expertise was seen in a wide array of materials such as hard wood, abode, steel, cement, marble, and bronze.

A

Napoleon Abueva (1930-2018)

68
Q

an identifiable path created by a point moving in space. However, when it comes to using the design element of _____, there is nearly endless potential. They often lead a viewer’s eye around composition and can communicate messages through their distinct qualities.

A

Line

69
Q

These are the basic components or building blocks that make up a particular art structure.

A

Art elements

70
Q

play an important role in the creation of art. Different characteristics of _____ evoke different moods and meanings. They are also an important element of design in space since they create movement within a piece and lead the eye from one design element to the next.

A

Shapes

71
Q

is sometimes used to describe a shape that has an implied third dimension. In other words, an artist may try to make parts of a flat image appear three-dimensional. Notice in the drawing below how the artist makes the different shapes appear three- dimensional through the use of shading. It’s a flat image but appears three-dimensional.

A

Form

72
Q

Many artists are as concerned with _____ in their works as they are with, say, color or form. There are many ways for the artist to present ideas of ________. Remember that many cultures traditionally use pictorial ___________ as a window to view realistic subject matter through, and through the subject matter they present ideas, narratives and symbolic content.

A

Space

73
Q

-Can be either real or implied. This element in an artwork is experienced through the sense of touch (and sight).
-is commonly associated with textiles.
- At the most basic level, Three-dimensional works of art (sculpture, pottery, textiles, metalwork, etc.) and architecture have actual ________.

A

Texture

74
Q

are color, value, line, texture, shape, form, and space. Artists use the __________ to express their ideas.

A

elements of visual arts

75
Q

refers to the orientation of the line.

A

Horizontal and Vertical Lines -

76
Q

are normally associated with rest or calm, while

A

Horizontal lines

77
Q

mean exaltation or aspiration for action.

A

Vertical lines

78
Q

convey movement and instability, although the progression can be seen.

A

diagonal lines

79
Q

on the other hand, are reminiscent of violence, conflict, or struggle.

A

Crooked or jagged lines,

80
Q

these are lines that bend or coil.
They allude to softness, grace, flexibility, or even sensuality.

A

Curved Lines -

81
Q

bringing pride and honor to the nation.

A

SHAPE AND FORM

82
Q

refers to two dimensions: height and width.

A

Shape

83
Q

refers to three-dimension: high, width, and depth.

A

Form

84
Q

find the origin in a mathematical proposition.
These include shapes such as squares, triangles, cubes, circles, spheres, and cones, among others.

A

Geometric shapes

85
Q

refers to the _______, and form is ______. It is usually inferred from a sense of depth. Real _______ is three dimensional.

A

Space

86
Q

are those readily occurring in nature. Often irregular and asymmetrical.

A

Organic shapes

87
Q

is perhaps one of the elements that enhance the appeal of an artwork. This element is a property of light, as it is reflected off the object. Much of what we know about begin with the notion of a ________ Theory.

A

Color

88
Q

refers to the distribution of the visual elements because of their placement in relation to each other.

A

Balance

89
Q
  • used on one side is reflected on the other.
A

Symmetrical

90
Q
  • not the same (or of the same weight) on the side, putting the heaviness.
A

Asymmetrical

91
Q
  • central point in the composition
A

Radial

92
Q
  • size in relation to what is normal for the figure or object in question.
A

Scale

93
Q
  • the size of the components or object in relation to one another
A

Proportion

94
Q
  • realistic size of the visual elements in the artwork.
A

Natural

95
Q
  • Unusual size relations of visual elements; most common to those to follow canons • perfection, the size- relation of elements or objects.
A

Exaggerated

96
Q
  • allows the attention of the viewer to a focal point.
A

Emphasis

97
Q

the disparitybetween the elements that figure into the composition.

A

Contrast

98
Q
  • intended to imbue a
    sense of accord completeness from
    Or the artwork
A

Unity

99
Q
  • principle that aims to retain the interest by allowing patched or areas that both excite and allow the eye to rest.
A

Variety

100
Q
  • Elements or objects achieve a sense of flow and interconnectedness.
A

Harmony

101
Q
  • the direction of the viewing eye as it goes through the artwork, often guided by areas or elements that are emphasized.
A

Movement

102
Q
  • element is repeated, creating implied movement.
A

Rhythm

103
Q
  • element is repeated, creating implied movement.
A

Rhythm

104
Q
  • elements may appear in an artwork in a recurring manner.
A

Repetition

105
Q
  • the image created out of repetition
A

Pattern

106
Q

is the material used by an artist to express his/her feelings or thoughts and classified into the visual arts and auditory arts, or both.

A

medium

107
Q

which include painting, drawing, printmaking, and photography;

A

The dimensional art or two-dimensional arts (2D)

108
Q

which include sculpture, architecture, landscape, industrial designs and crafts like furniture.

A

The three-dimensional arts (3D)

109
Q

are those mediums can be heard and which are expressed in time.

A

Auditory arts

110
Q

are those mediums can be seen and heard and which exist in both space and time.

A

Both visual and auditory

111
Q

is the manner in which the artist controls his medium to achieve the desired effect and the ability which he fulfills the technical requirements of his particular work of art.

A

Technique

112
Q

The medium for the powdered color is hot wax which is painted onto a wood surface with a brush.
It is then smoothed with metal instrument resembling a spoon, and then blended and set over a flame to soften and set the colors into the wood.

A

Encaustic

113
Q

Also known as the dry plaster. It is a technique, pigments are usually mixed with water, although other substances might also be used.
• The paint is then applied to a dry plaster wall which has been wetted down with water.

A

fresco secco

114
Q

This is also known as “Buon Fresco” or “True
Fresco”, which entails painting on freshly spread, moist plaster.
• First, layers of plaster are applied to the surface. While the final layer is still wet, the artist applies the colors, which
are earth pigments mixed with water.

A

Fresco

115
Q

◎In this method, the pigment is mixed with egg yolk or both the yolk and white of an egg.
◎It is thinned with water and applied to a gesso ground (plaster mixed with a binding) on a panel.
◎It was also used on parchment or paper to
illustrate or embellish books in the era before the 15th century development of printing press.

A

Egg Tempera

116
Q

◎The design is created by small pieces of colored glass, stone, or ceramic (called Tesserae),
embedded in wet mortar which has been spread over the surface to be decorated.
◎Their slightly irregular placement on a surface creates a very lively, reflective surface when viewed at a distance.
◎This was often used to decorate walls, floors, and ceilings.

A

Mosaic

117
Q

◎Prior to 15t century ______ were thick and hard to control, so they were initially used only for utilitarian purposes. In the 15th century turpentine was discovered to be an effective thinning agent.
◎The Van Eyck brothers were credited with perfecting the technique of oil painting, which they initially attempted to keep secret.

A

Oil Paint

118
Q

◎Powdered pigments are mixed with gum-Arabic or a similar substance that will
help them adhere to a surface.
◎The artist then mixes them with water and applies them to a ground, usually paper, with a soft brush.
◎The final effect is that of translucent washes of color.

A

Water Color

119
Q

are artificial compounds developed in the 20th century
◎The binder used includes water, and the paints can be thinned with water, but once the paints dry, they have a glossy, permanent
surface that resembles the surface created by oils
◎These paints can create most of the effects
accomplished in oils, and have the advantage of not requiring the use of turpentine, which is toxic

A

Acrylics

120
Q

“collage” comes
from the French verb,
______ meaning to paste.

A

coller

121
Q

◎In this technique photographs, news clippings or other objects are pasted on the painting surface and may be
combined with painted areas.

A

collage

122
Q

are the most basic tools of the artist and the designer
◎ Work that is intended to be
executed in almost any
material – paint, stone, steel, or fabric – may first be envisioned

A

Drawing

123
Q

is anything printed
on a surface that is a direct
result from the duplicate
process.

A

print

124
Q

is the process of making
copies of the original
drawing.

A

printmaking

125
Q

Five Major Types of Print

A

Relief, Intaglio Prints, Stencil Prints, Woodcut, Engraving

126
Q

are made by removing material from the
matrix, the surface the image has been carved into, which is often wood, linoleum, or metal.

A

Relief prints

127
Q

◎They are made when a design is scratched into a matrix, usually a metal plate.
◎Ink is wiped across the surface, and collects in them scratches.

A

intaglio prints

128
Q

◎They are made by passing inks through mesh ma porous fine matrix.

A

stencil prints

129
Q

◎This kind of technique of printing designs from planks of wood incised parallel to the vertical axis of the wood’s grain.

A

woodcut

130
Q

the design is cut into metal with a graver or burin.
◎The burin is a steel rod with a square or lozenge-shaped
section and slightly bent
shank.

A

engraving

131
Q

refers to pursuit of knowledge and understanding of the universal and timeless qualities characterizing works of art. It invokes an analysis of the works based on acknowledged elements of composition and principles of design, through which enjoyment of the humanities is enhance.

A

Art appreciation

132
Q

-is derived from Latin word humanus, which means refined or cultured human.
-are studies about human culture, such as literature, philosophy, and history.

A

Humanities

133
Q

is an activity people undertake when they seek to understand themselves, the world they live in, and the relations to the world and each other.

A

Philosophy

134
Q

is the study of objects of art in their historical development and stylistic contexts; that is genre, design, format, and style.

A

Art history

135
Q

Art history is not only a

A

biographical endeavor.

136
Q

-is thinking of something – whether it is as object, place, time, etc., that is not present.
-is about seeing the impossible, or unreal.

A

imagination

137
Q

-is doing something meaningful with your imagination.
-is using imagination to unleash the potential of existing ideas in order to create new and valuable ones.

A

Creativity

138
Q

is a thing that is accepted as true or as certain to happen, without proof.

A

Assumption

139
Q

is the use of creative arts as a form of therapy and is a fantastic field that has proven to work wonders in many people’s lives.

A

Expressive art therapy

140
Q

usually expresses collective ideas about human life in relation to the divine.

A

Religious art

141
Q

embraces a huge range of products and items, from a teapot or chair to the walls and roof, a fountain pen or computer mouse.

A

Applied art

142
Q

products which have had a particular design applied to them, to make them more attractive and easy-to-use;

A

standard machine-made

143
Q

made by artisans or skilled workers.

A

individual craft products

144
Q

is an example of relief printing process.

A

Letter Press

145
Q

is a steel rod with a square or lozenge-
shaped section and slightly bent shank.

A

burin

146
Q

is a type of art that is performed live for an audience. It can involve a variety of elements, such as dance, music, theater, and visual art. Performance art is often used to explore personal experiences, social issues, or the nature of art itself.

A

Performance art

147
Q

This is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance.

A

Theater

148
Q

is an art form consisting of sequences of body movements with aesthetic and often symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its movements, or by its historical period or place of origin. Dance is typically performed with musical

A

Dance

149
Q

This is the art of organizing sounds in time. Some famous musicians include Beethoven, Mozart, and Bach. Music may be vocal, instrumental, or a combination of both, and it is able to be finished live or recorded. Music is frequently used to specificfeelings, communicate thoughts, and tell stories. It can also be used for entertainment, relaxation.

A

Music

150
Q
A