Pulp Fiction Flashcards

1
Q

hat is the ideology of Pulp Fiction

A
  1. old structures no longer apply but moral outcomes are still achievable
  2. represents late capitalism (consumerism as the only facet mode of address)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

what makes a film experimental

A
  1. non-linear
  2. asynchronous sound or no score
  3. use of varying abstracting techniques
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

how can Pulp Fiction be described if not experimental

A

unconventional, post-modern, playful, challenging mainstream conventions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

how can Pulp Fiction be considered stereotypical

A

through genre iconography and character types

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

how is Pulp Fiction’s narrative arc experimental

A
  1. non-linear and ahistorical
  2. portmanteau film
  3. lack of a central protagonist
  4. no cause and effect
  5. lack of establishing shot
  6. humanist irony (dialogue drives narrative)
  7. non-sequitur
  8. rejects metanarratives
  9. lacks conventional binary oppositions
  10. unresolved enigmas
  11. disconcerting ending
  12. hypothesis forming
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

how is Pulp Fiction’s narrative arc not experimental

A
  1. Jule’s conventional character arc
  2. follows gangster film conventions
  3. recognisable genre characterisation
  4. achiveable moral outcomes
  5. moralistic ending
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

how does the non linear narrative of Pulp Fiction affect spectator alignment

A

causes the spectator to align with many characters at different points

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

what happens when Pulp Fiction is placed in chronological order

A
  1. cause and effect is regained (lacks playful structure and Vince’s return)
  2. no longer post-modern or rejecting metanarratives
  3. no longer relinquishes previous held notions of narrative
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

how was the period of post-modernism characterised by late capitalism

A

human life determined by economic structure thereby denoting consumerism as the only facet mode of people’s lives

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

what equals Tarantino’s auteur traits

A

post-modern traits

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

what is a portmanteau film

A

a film that consists of loosely related but largely distinct storylines

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

how does framing in Pulp Fiction encourage active spectatorship

A

spectator’s attention is drawn to alternative areas of the frame

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

what did Tarantino say about the script that evokes characterisation and humanist irony

A

“let the script direct”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

what did Tarantino and Sally Menke say about Pulp Fiction

A

they hadn’t a clue how the film would be received

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

who did Tarantino likely get the idea for a needledrop score from

A

Martin Scorsesse

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

where does Pulp Fiction’s needledrop score come from

A

different eras and genres (retro classics of the 50s, 60s and 70s)

17
Q

why is cool music used in Pulp Fiction

A

for the amorality and enhancement of the characters

18
Q

what are the positive attributes of Marsellus Wallace’s representation

A
  1. good reputation
  2. being a victim humanises him
  3. successful
  4. powerful
  5. in control
  6. wealthy
  7. interracial relationship
19
Q

what are the negative attributes of Marsellus Wallace’s representation

A
  1. gangland boss
  2. possible threat towards Mia
  3. rigs fights
  4. emasculated when he was assaulted
20
Q

what is Marsellus Wallace’s weakness

A

Mia (never see the two together and he is possibly violent when concerning her)

21
Q

what are the negative attributes of Jules’ representation

A

is a criminal and a murderer

22
Q

what are the positive attributes of Jules’ representation

A
  1. moralisitc
  2. cool, calm and collected
  3. respects authority
  4. wise and intelligent
  5. parasocial relationship via intertextual references
23
Q

how are women represented in Pulp Fiction

A
  1. powerful
  2. secondary characters
  3. infantalised
  4. femme fatale (humanist irony causes them to be weak)
  5. little screen time
  6. damsel in distress
  7. reliante on men (career)
24
Q

how are elderly characters represented in Pulp Fiction

A

wise and dignified

25
Q

what defines Tarantino’s auteur signature

A
  1. playful treatment of the narrative
  2. playful treatment of genre and stock characters
  3. dialogue driven narrative
    4.post-modern traits
26
Q

how does Tarantino imprint his signature style on the aesthetic

A

uses a vibrant and hyper real approach to mise-en-scene

27
Q

what did Tarantino work as

A

Video clerk in LA