Stuff Flashcards
1
Q
why is music ed important
A
- spacial task reasoning (math)
- mode for emotional expression
- learning another language
- change my life, ca change others’
2
Q
Wayne Bowman value of philosophy
A
- be satisfied with not being able to come up with an answer to why something is important
- just teaching is like being a robot, you do what you were trained and told to do
- philosophy and reflection is needed to change the status quo and make it meaningful
3
Q
Form
A
- there are things that words can’t describe
- doesn’t have to be verbal or visible
4
Q
Plato
A
- music provides balance to 3 parts of the soul (rational, spiritual, phsycial)
- music is an imitation of forms of the ideal
- has power over people in their values, thoughts, and actions
- music can reveal universal truths which make it very powerful
5
Q
Hegel
A
- music is to provide self-awareness needed for making an ascent to a knowledge of truth
- music turns attention away from external and toward internal, allows for exposure of self and development of self-knowledge
- the more sophisticated it is the closer we get to the ideal truth
6
Q
Langer
A
- real of knowledge is inner life
- music symbolizes realm of knowledge b/c it has similar forms to feeling
- a means for expressing feeling, but doesn’t necessarily evoke it
- objectifies feeling in a general sense by putting it into the external world
7
Q
Demasio
A
- nature of feeling vs. emotion
- buoy in the ocean- never two emotions are are the same, can verbalize the one on top that covers all the smaller ones but not all
8
Q
Reimer
A
- creating music as musicians and listening to music creatively does precisely and exactly for feeling what writing and reading does for words
- writing and reading words leads to conceptual reasoning
- creating and listening to music leads to feeling
- music is important to all human beings
- more in need of a feeling education b/c it’s more of who we are, we are more our inner life than cognitive life
9
Q
Things to do in a rehearsal
A
- start with recordings of works you are playing
- create challenges for everyone in the ensemble- easy for beginners but layered for advanced
- offer extra credit for doing things without messing up
- use a metronome
- have them number their measures
- put stronger players next to weaker players
- keep all sections involved at all times
- 1 word instructions
10
Q
How do students come to class the first day
A
- developed listening literacies
- responded to music and have preferences
11
Q
reasons for life music listening
A
- enjoyment
- creativity
- boredom
- comfort
- popularitiy
- stress release
- creating an image
- loneliness
- emotion regulation
12
Q
Life music
A
music that students listen to outside of the classroom- not formal listening
13
Q
How does the new music literacy model make us look at music
A
looking at the way its performed, how the musicians move, how does it swell
14
Q
Listening Literacies
A
- pitch adjustments in ensembles
- in context (things you’re working on)
- out of context (still related to literature but different)
- tap purposefully into inner life (what do they imagine)
- bracketing (get rid of all preconceptions and focus on the now)
- being open to unfamiliar
- familiarity with technique
- familiarity with compositional device
- familiarity with a music element
15
Q
what are ways to make connections
A
- personal experiences, knowledge and ideas
- varied contexts, daily life, other subjects, societies