Stuff Flashcards

1
Q

why is music ed important

A
  1. spacial task reasoning (math)
  2. mode for emotional expression
  3. learning another language
  4. change my life, ca change others’
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2
Q

Wayne Bowman value of philosophy

A
  • be satisfied with not being able to come up with an answer to why something is important
  • just teaching is like being a robot, you do what you were trained and told to do
  • philosophy and reflection is needed to change the status quo and make it meaningful
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3
Q

Form

A
  • there are things that words can’t describe

- doesn’t have to be verbal or visible

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4
Q

Plato

A
  • music provides balance to 3 parts of the soul (rational, spiritual, phsycial)
  • music is an imitation of forms of the ideal
  • has power over people in their values, thoughts, and actions
  • music can reveal universal truths which make it very powerful
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5
Q

Hegel

A
  • music is to provide self-awareness needed for making an ascent to a knowledge of truth
  • music turns attention away from external and toward internal, allows for exposure of self and development of self-knowledge
  • the more sophisticated it is the closer we get to the ideal truth
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6
Q

Langer

A
  • real of knowledge is inner life
  • music symbolizes realm of knowledge b/c it has similar forms to feeling
  • a means for expressing feeling, but doesn’t necessarily evoke it
  • objectifies feeling in a general sense by putting it into the external world
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7
Q

Demasio

A
  • nature of feeling vs. emotion
  • buoy in the ocean- never two emotions are are the same, can verbalize the one on top that covers all the smaller ones but not all
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8
Q

Reimer

A
  • creating music as musicians and listening to music creatively does precisely and exactly for feeling what writing and reading does for words
  • writing and reading words leads to conceptual reasoning
  • creating and listening to music leads to feeling
  • music is important to all human beings
  • more in need of a feeling education b/c it’s more of who we are, we are more our inner life than cognitive life
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9
Q

Things to do in a rehearsal

A
  • start with recordings of works you are playing
  • create challenges for everyone in the ensemble- easy for beginners but layered for advanced
  • offer extra credit for doing things without messing up
  • use a metronome
  • have them number their measures
  • put stronger players next to weaker players
  • keep all sections involved at all times
  • 1 word instructions
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10
Q

How do students come to class the first day

A
  • developed listening literacies

- responded to music and have preferences

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11
Q

reasons for life music listening

A
  • enjoyment
  • creativity
  • boredom
  • comfort
  • popularitiy
  • stress release
  • creating an image
  • loneliness
  • emotion regulation
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12
Q

Life music

A

music that students listen to outside of the classroom- not formal listening

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13
Q

How does the new music literacy model make us look at music

A

looking at the way its performed, how the musicians move, how does it swell

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14
Q

Listening Literacies

A
  • pitch adjustments in ensembles
  • in context (things you’re working on)
  • out of context (still related to literature but different)
  • tap purposefully into inner life (what do they imagine)
  • bracketing (get rid of all preconceptions and focus on the now)
  • being open to unfamiliar
  • familiarity with technique
  • familiarity with compositional device
  • familiarity with a music element
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15
Q

what are ways to make connections

A
  • personal experiences, knowledge and ideas

- varied contexts, daily life, other subjects, societies

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16
Q

when does connecting happen

A

in all other aspects of the standards