The Philosophy of Giles Deleuze & Felix Guattari Flashcards

1
Q

How can Deleuze be described as a philosopher?

A
  • Creater of concepts
  • A Philosopher of Difference
  • A remorselessly ‘horizontal thinker’
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2
Q

In terms of writing about Deleuze what could be sufficed?

A
  • Sufficed to simply write several thousand ‘ands…’
  • For in a certain sense, that truly is the play of the world after Deleuze
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3
Q

What should be the aim and use of Deleuze?

A
  • Doomed to failure if we aim to finding definte, final and universally applicable truth in Deleuze’s writings
  • Rather should aim at finding the infinite complexities, the paradoxes, and behind them, the interesting ways of reasoning, narrating and arguing -> we will be rewarded plentifully
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4
Q

How was ontology percieved prior to Deleuze?

A
  • Almost exclusively from Platonic tradition
  • Find a way to account for the world through our finite and limited language and representations
  • Transcendent form of ontology

(Woodward et al., 2009)

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5
Q

What type of ontology do D&G follow?

A
  • ‘Process’ ontology
    • Emphasise ‘becoming’ rather than ‘being
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6
Q

How is difference concieved for Deleuze?

A

Does not mean difference in resemblance but a radical alterity where encounters produce something new rather than more of the same

(Woodward et al., 2009)

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7
Q

As materialists how is D&G’s ontology viewed?

A
  • Dedicated to immanence rather than transcendence
    • Transcendental distinctions are flattened
  • Monism rather than follow a dualism
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8
Q

What are haecceities?

A

Blocks of uniqueness

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9
Q

What property do haecceities hold?

A
  • Hold the property (if they can said to hold a property at all) that makes individuation unique
  • These unfold within and through th eplane of immanence

Woodward et al. (2009)

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10
Q

How does Deleuze view subjectivity?

A
  • D&G paint a world of non-personal, pre-personal and trans-personal relations of becoming
  • Ongoing creative evolution that refuses to ever really settle down into more familiar patterns of subject and object
  • Creativity without a subject who-creates or a subject-creates as an end point

Wylie (2016)

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11
Q

What does Parr (2010) note about a philosopher’s concepts?

A
  • Produce connections and a style of thinking
  • To transalte a term or to define any point in a philosopher’s corpus involves an understanding of a more general orientation, problem or milieu
  • This is in relation to the ‘image of thought’
    • The concepts of philosophy both build and build upon an image of what it is to think
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12
Q

How are concepts expressed?

A
  • Concepts are expressed in terms of the contingent circumstances and dynamics of each related event
  • Concepts cannot be conceived as a priorito circumstances of their production
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13
Q

What does a move from reiterative history of philosophy to the practice of philosophy mean?

A
  • Means engaging with inherited concepts in new ways
  • Engaging in new lines of thinking and new connections
  • This is when philosophy takes on a positive power to transform thinking
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14
Q

How are concepts experimentation rather than representation (Doel, 1999)?

A
  • Bogue (1989) notes that Deleuze uses concepts as the building blocks of an alternative world
  • D&G view concepts as the means by which we move beyond what we experience so we can think of new possibilities r
    • Relate variables according to new concepts as to create productive connections
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15
Q

What do a Deleuzian lexicon of terms evoke?

A
  • Need for permanent revolution through new organisations of throught and energy

Hubbard et al. (2002)

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16
Q

How can philosophical vocabulary be concieved as an assemblage?

A
  • An assemblage that faces in two directions (Parr, 2010)
  • Gives a sort of order to a life which bears a much greater complexity and dynamism
  • Enables creation of further and more elaborate orderings
17
Q

What does a Deleuzian philosophical vocabulary do?

A

Gives sense to our world, but allows us to produce further difference and further world: a new Earth

18
Q

What does Deleuze note about metaphors?

A
  • In Dialogues II, Deleuze holds that there are no literal words nor metaphors
19
Q

What is the “danger of arbitary metaphors”?

A
  • They are reliant on a transfer of sense from primary to secondary signification
  • Hence the need to create extraordinary words on the condition that they put to the most ordinary use and the entity they designate be made to exist in the same way as the most common object (Deleuze and Parnet, 2002)
  • D&G use deterritorialised terms, that is, terms which are torn from their area in order to reterritorialised another notion (Deleuze and Parnet, 2002)
20
Q

What is the ontological starting point for Process Philosophy?

A
  • Ontological starting point that movement proceeds position
  • Concerned with exploring what is possible at a particular juncture (Doel, 1999)
21
Q

In the world of Deleuze what dwells?

A
  • The world of Deleuze is not a world of classifiable things but of events (Lecercle, 1985)
  • Dwelling on change, becoming and consistency rather than on fixity, being, and constancy (Doel, 1999)
    • Hereinafter, nothing left but the play of joints (and…and…and)
22
Q

What is the novelty of Deleuze?

A

Novelty of Deleuzian not in its refusal of any systematic character but in the nature of system envisioned (Patton, 1996)

23
Q

How does ATP demonstrate the open system of Deleuze’s Process Philosophy?

A
  • Architecture of the book deploys a logic of multiplicities in which same concepts reoccur, but always in different relations to other concepts
  • Does not advocate an intellectual anarchism in which the only rule would be the avoidance of any rule, but rather deploys variable, local rules to construct an array of concepts