Viola/Cesario Flashcards

1
Q

What are some traits of Viola?

A
  • likeable
  • main protagonist
  • charming
  • resourceful
  • witty
  • practical
  • intelligent
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Boundaries crossed by Viola?

A
  • gender
  • life and death
  • geographical
  • emotional
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

“What country, friends, is this?”

A

Act 1 Scene 2
- pragmatic
- resourceful
- resilient approach

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

“I’ll serve this duke”

A

Act 1 Scene 2
- declarative
- subverts gender expectations
- powerful, controls her fate

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

“What I am and what I would are as secret as maidenhead”

A

Act 1 Scene 5
- simile
- parallel phrasing
- admits to disguise

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

“Disguise, I see thou art a wickedness”

A

Act 2 Scene 2
- personification
- contemplating the unintended consequences of her disguise
- metaphor
- conflicted
- criticising her own idea
- questioning her morals

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

“And I, poor monster, fond as much on him”

A

Act 2 Scene 2
- pre modifier
- feels bad for herself
- claiming women’s hearts are easy to deceive
- loves Orsino as much as he loves Olivia

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

“O time, thou must untangle this, not I; it is too hard a knot for me to untie!”

A

Act 2 Scene 2
- metaphor
- exclamatory, heightened emotions
- tying knot is a reference to marriage, foreshadows Olivia’s unrequited love
- feels bound and restricted by disguise
- time is personified, distancing herself from the problem
- personal pronouns reflect how it is her conflict

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

“Where love is throned”

A

Act 2 Scene 4
- abstract noun
- metaphor
- love is a rich persons indulgence. love is the ruler

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

“I am almost sick for one”

A

Act 3 Scene 1
- sick for Orsino
- wishes she were a man to avoid desired relationship

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

“I am not what I am”

A

Act 3 Scene 1
- parallel phrasing
- oxymoron
- hinting to disguise

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

“I am no fighter”

A

Act 3 Scene 4
- minor sentence
- crosses gender boundary
- lack of will to fight is a feminine trait, alludes to her disguise

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

“Pray God defend me!”

A

Act 3 Scene 4
- calling for religious guidance
- desperate
- wants to escape the reality of the duel

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

“I am Viola, which to confirm i’ll bring you to a captain”

A

Act 5 Scene 1
- revealing identity
- declarative

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

“What else may hap to time I will commit. Only shape thou thy silence to my wit”

A

Act 1 Scene 2
- rhyming couplet, link back to Orsino
- deceiving, set on her intentions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

“Yet, a barful strife! Whoe’er I woo, myself would be his wife”

A

Act 1 Scene 4
- irony, wants to be who she’s distanced herself from
- exposing her internal thoughts to the audience
- unhappy because she likes Orsino
- creates sympathy within the audience because Viola’s love is unrequited AND unattainable

17
Q

“In women’s waxen hearts to set their forms”

A

Act 2 Scene 2
- Implies women are frail, easily impressionable
- Opposite of empowering women.
- suggests women are at fault for their own frailty, which has been proven wrong by characters such as Olivia and Maria

18
Q

“As it might be perhaps, were I a woman”

A

Act 2 Scene 4
- refers to her identity issues and disguise
- possible reference to transvestite comedies: were popular in Elizabethan era, which required young men to dress up and play as women in the theatre as they had high and softer voices because of the undesirable views on theatre for women

19
Q

“Cesario is your servants name, fair princess”

A

Act 3 Scene 1
- referring to herself in the third person
- pre modifier

20
Q

“Madam, I come to whet on your gentle thoughts”

A

Act 3 Scene 1
- pre modifier gentle reinforces stereotypical femininity. ironic
- connotes women as vulnerable

21
Q

“I pity you.”

A

Act 3 Scene 1
- declarative
- verb
- feminine response, breaking disguise
- compassionate, can relate to how Olivia feels
- feels sorry because she cannot tell the truth

22
Q

“For now I am your fool”

A

Act 3 Scene 1
- love makes characters foolish, changes their behaviour and actions
- noun

23
Q

“I have one heart, one bosom, and one truth”

A

Act 3 Scene 1
- repetition
- ironic because she’s in disguise

24
Q

“Pray God defend me!”

A

Act 3 Scene 4
- religious lexis
- calling for religious guidance
- wants to escape the reality of the duel