Visiting Hour Flashcards

1
Q

Aunt Julia spoke Gaelic / Very loud and very fast

A

Simple statement to open poem - Use of simple language to convey childhood experience. Establishes her as belonging to a traditional way of life

Repetition of ‘very’- Establishes Julia’s energy and chattiness but is intimidating

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2
Q

I could not answer her – I could not understand her

A

Repetition of “I could not” establishes gulf between the young MacCaig and his aunt.

Tone of frustration/regret (word choice of ‘could not’)

Dash creates pause before repetition and highlights their difficulty in communicating

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3
Q

She wore men’s boots when she wore any at all

A

Specific detail ‘men’s boots’ Establishes her as hard-working, practical, not interested in appearance. Hardy and tough as she does not always wear boots when out working the land.

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4
Q

I can see her strong foot Stained with peat

A

Present tense ‘can see’ Poet’s memories are vivid. Draws our attention to physical detail that she worked the land barefooted, cutting peat.

‘Strong’ shows the physical strength developed through years of hard work.

‘Stained with peat’ Develops our understanding of her connection with the land and traditional way of life

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5
Q

Paddling with the treadle of the spinning wheel

A

Word Choice - Paddling – up and down movement as she works the spinning wheel, mirrors the movement of the treadle

‘paddle’ links with water/nature

Masculine iambic pentameter (structure) - the rhythm of the line mimics the movement of her foot. In the same way that she was masterful at spinning yarn, MacCaig is a masterful poet. Masculine reference within the structure, shows AJ’s strength.

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6
Q

While her right hand drew yarn marvellously out of the air

A

Image of magic shows Intensity of childhood memory – sense of child’s wonder at her skill in spinning yarn from fleece

Word choice - ‘marvelously’ compares her skill to that of a magician.

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7
Q

Absolute darkness

A

Hyperbole - MacCaig has never experienced such darkness after growing up in Edinburgh, also suggest the idea of being left in the dark - he doesn’t understand his aunt or the surroundings at that point, but enjoys it.

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8
Q

In a box bed

A

Word Choice Connotations of darkness/isolation and old fashioned furniture

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9
Q

Listening to crickets being friendly

A

Anthropomorphism Reinforces connection with nature and the natural world that he found at AJ’s house - mood of security and happiness created as they are welcoming

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10
Q

She was buckets and water flouncing into them

A

Metaphor - No running water on croft, water had to be pumped shows AJ’s energy/vitality
word choice of “flouncing” - The water is not a steady stream as it is pumped into the bucket, suggests impatience.

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11
Q

She was winds pouring wetly Round house-ends

A

Metaphor = Conveys stormy weather, and reinforces her links with nature and tradition
Alliteration - ‘w’ mimics sound of the wind and storms that hit the croft

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12
Q

She was brown eggs, black skirts And a keeper of threepenny bits In a teapot

A

Continues List of “she was…” metaphors Shows her as practical in her work, her dress and her habits.
Traditional idea of “looking after the pennies” and quirkiness.

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13
Q

Aunt Julia….very fast

A

Repetition of opening statement.
Reflection of her life where speaker is no longer intimidated by her - in awe of her.

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14
Q

She lay silenced

A

Contrast with her loud voice

Euphemism Clearly conveys that she has died. Only death has the power to stop her energetic actions and speech.

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15
Q

In the absolute black Of a sandy grave

A

Word choice/Hyperbole - Intensifies darkness of the grave. Reminds us of “box bed” – but no friendly noises here.

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16
Q

But I hear her still

A

Present tense - Strength of word choice – “But” – she may have died, but memories of Julia are vivid in the adult MacCaig’s mind

17
Q

Welcoming me With a seagull’s voice

A

Zoomorphism - Conveys the volume of her voice, and intensity of her affection for the boy. Reminds us of their frustrating lack of communication – despite this, her love for him is clear.

18
Q

Across a hundred yards Of peatscrapes and lazybeds

A

Jargon - Continues the references to traditional crofting life which Julia embodies.

19
Q

And getting angry, getting angry

A

Repetition - Speaker’s sense of regret is clear – he was too late. His and Julia’s frustration at the language barrier is very emotive.
Regret
Frustration
Anguish
Rue
Remorse

20
Q

With so many questions
Unanswered.

A

Enjambment - Single word concluding line. Mood of sadness, disappointment, loss. Structure mimics a burial.