vocal music of the early baroque & invention of opera Flashcards

1
Q

baroque music

A

era of 16oo and 1750
>it means: abnormal, bazzre,
> Then in the 19th century, it became the expressive and theatrical
> new respect for senses and feelings,

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2
Q

significant facts about 17th century

A

> john kepler law and galileo dorp scientific bombs yo

> capitalism: britain and netherlands and italy prospered, made hella money

> British, dutch, french established colonies in north america

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3
Q

Monteverdi

A

Fifth book of madrigals in 1605,

> The composer distinguished between a first and second practice

> Distinct musical languages appropriate to musics differing functions.

Orfeo - recitative

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4
Q

italian musicians

A

devisesd new idioms: basso, continuo, reciative

new genres: opera

new styles: unprepared dissonances and focus on the solo voice or instrument supported by a bass

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5
Q

rome

A

continued to influence sacred music and became the center of opera for a time

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6
Q

characteristics of broque music

A

composers united by a common goal:
express or represent a wide range of feelings vividly and vigorously

excite affection rather express personal feelings

one musical tool for expressive was dissonance (there were established rules that were part of the first practice)

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7
Q

artusi-montverdi controvesy

A

artusi criticized monteverdi for granting dissonances and contrapuntal liberties in this and other madrigals later published in the fifth book.

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8
Q

rhythm and texture

A

> either very free or very metric
bar lines indicating a pattern of strong and weak beats

> new texture is homophonic with firm bass and florid treble held together by unobtrusive harmonies

rather than renaissance polyphony of independent voices

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9
Q

Bass continuo

A

system of notation,

composers only wrote the bass and the melody, leaving it to the composers to fill in the chords or inner parts.

the bass and chords were played on one or more continuo instruments

composers indicating precise pitches by using sharps and flats

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10
Q

Giulio Caccini (1551-1618)

A

first collection of solo songs with bass continuo

two distinctive formal types used by the poets:
madrigal and air (describe them)

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11
Q

airias and madrigals

A

Arias:
caccini called those with strophic settings (many stanzas sung to the same melody)

madrigals:
through-composed like the polyphonic mdarigals

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12
Q

Patronage

A

Musicians continue to depend on patronage from courts, churches, and cities

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13
Q

Chrimaticism

A

Expressed intense emotions in vocal work and

harmonic exploration in instrumental music

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14
Q

Concertos

A

Bringing contrasting forces together,
Voice and instruments

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15
Q

Early operas

A

Giloramo mei: reaearch on greek music and its role in the theater

Jacopo corsi academy: his group set out to re-create ancient genre in modern form

LEURIDICE; elaborated the well-known myth of Órfãos an ear Eunice
(recitatice style of singing for dialoque

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16
Q

Recitative

A

Style of delivery much used in operas, oratorios and cantata‘s in which a singer is allowed to adopt the rhythms and delivery of ordinary speech.

17
Q

Monteverdi opera

A

Venation: poppea

Lacks the varied instrumentation on the stage effects of our fellow, because it was written for a commercial theatre