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maria posvolsky
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Decks in this class (19)
week 2
Narrative 1,
Story 2,
Story digesis 3
35
cards
mise-en-sene
Mise en sense 1,
But even if something happensa ou...,
Mise en scene 3
37
cards
disscussion 2
Three point lighting 1,
Key light 2,
Fill light 3
8
cards
cinematography
Misen en scene is never by it self 1,
How is important as much as a what 2,
How to communicate meaning throug...
54
cards
Editing
The shot 1,
Why cut 2,
Making connection our brain want ...
11
cards
disscusion4
180 degree rule 1,
Continuity editing 2,
Aline match 3
7
cards
disscusion 5
30 degree rule 1,
Blank 2
2
cards
week 1
Form 1,
Film creates expectations of what...,
Our exepctations ome from our 3
17
cards
documentary representation
Representation 1,
Rather then what is if we should ...,
Morality 2
9
cards
disscussion 7
The documentary appears to be obj...,
Audience prioritization 2,
Not to what is filmed but what is...
5
cards
auteur 1
Director can be 1,
An auteur is 2,
Frequent patterns 3
10
cards
auteur
Metteur on scene 1,
Whily debated 2,
Auters and metter on scene 3
4
cards
ideology 1
Classical hollywood cinema very i...,
Classical hollywood cinema 2,
In general 3
11
cards
ideology 2
Ideology and cienema feed themsel...,
Like ideology the cinema of old h...,
Blank 3
3
cards
horror
Horror complicates 1,
Defining horror 2,
Sigmund freud robin wood paper 3
21
cards
disscussion 10
Repression 1,
Represion 2,
Surplus repression 3
13
cards
week 13
Art cinema 1,
Classical cinema 2,
Art cinema 3
8
cards
week 13 disscussion
Content vs form 1,
Category a 2,
Category b 3
7
cards
Last Class
Modernism vs postmodernism 1,
Postmodernism 2,
Origins of postmodernist 3
11
cards
More about
cine
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