1:1 Non-Harmonic Tones Flashcards

(34 cards)

1
Q

Passing Tones

A

• non-chord tone; fills space b/w 2 chord tones M2/m3/M3 apart.

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2
Q

NHT used to embellish a single tone that neighbors it on each side.

A

Neighboring Tone

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3
Q

NHT approached by leap, resolved by step in opposite direction

A

Appoggiatura

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4
Q

NHT approached by step resolve by leap in opposite direction

A

Escape Tone

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5
Q

NHT which resolves to the original chord tone.

A

Neighbor Group

aka Cambiata / Changing Tones

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6
Q

NHT which rhythmically anticipates a chord change that has not yet been reached.

A

Anticipation

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7
Q

3 Elements of a Suspension

A
  • preparation (chord tone)
  • suspension (same note as prep)
  • resolution (always a chord tone)
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8
Q

Retardation

A

Same as a suspension but it resolves up instead of down

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9
Q

NHT that is a sustained tone occurring over 3+ chords

A

Pedal Point

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10
Q

NHT approached diatonically or chromatically by step and moves by step in the same direction

A

Passing Tones

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11
Q

NHT which can be found in strong and weak rhythmic positions

A

Passing Tones, Neighboring Tones

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12
Q

NHT Found on strong beats and/or have longer duration than surrounding tones

A

accented passing tones

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13
Q

Double Passing Tone

A

one passing tone connecting to another passing tone, diatonically or chromatically, before moving in the same direction to a chord tone.

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14
Q

NHT which begins and ends as a chord tone

A

Pedal Point

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15
Q

Inverted, Internal, Double

A

Pedal Point

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16
Q

NHT named by its interval above the bass note

17
Q

NHT which is a chord tone of the next chord

18
Q

NHT which may be tied, sustained or followed by a rest

19
Q

NHT which may be approached by step or leap

20
Q

NHT which are two consecutive non-chord tones which embellish a chord tone through its upper and lower neighbor

A

Neighbor Group

aka Cambiata / Changing Tones

21
Q

NHT also called incomplete neighbor

A

Escape Tone, Appoggiatura

22
Q

NHT which is usually shorter than a beat, unaccented, diatonic

23
Q

NHT approached by a chord tone

24
Q

sol - TI - do / sol - RE - do

25
Tones embellished by this NHT must be the same pitch
Neighboring Tone
26
This NHT must return immediately to the tone it came from.
Neighboring Tone
27
This NHT may be chromatic or diatonic and come from above or below
Neighboring Tone
28
do - TI - do / la - SI - la
Neighboring Tone
29
RE - dooo / LA - soool
Accented Passing Tones
30
do - TI - LA - sol
Double Passing Tones
31
do - RE - sol / mi - RE - sol
Escape Tone
32
mi - FA - RE - mi
Neighbor Group
33
tiiiiiiiiiiiiii - do | V - I
Retardation
34
NHT which holds on to a chord after other voices have moved on to a different chord
Retardation