1 Flashcards

(26 cards)

1
Q

Chapter 4: ______

A

The Golden Age Puzzle Plot

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2
Q

______

A

The Taste of the Construction

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3
Q

In all media, ______ from the 1910s onward found that mystery plotting encouraged tricky techniques.

A

popular storytellers

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4
Q

In all media, popular storytellers ______ found that mystery plotting encouraged tricky techniques.

A

from the 1910s onward

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5
Q

In all media, popular storytellers from the 1910s onward found that ______.

A

mystery plotting encouraged tricky techniques

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6
Q

We confront ______, as critic Victor Shklovsky indicated, when the narrative announces that we don’t know something.

A

a mystery

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7
Q

We confront a mystery, as critic ______ indicated, when the narrative announces that we don’t know something.

A

Victor Shklovsky

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8
Q

We confront a mystery, as critic Victor Shklovsky indicated, when ______.

A

the narrative announces that we don’t know something

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9
Q

If ______ [that which we don’t know], we can call the result an investigation plot.

A

the action is focused on revealing that something

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10
Q

If the action is focused on revealing that something [that which we don’t know], we can call the result ______.

A

an investigation plot

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11
Q

That plot [the investigation plot] must both ______ and take us back to events leading up to the present.

A

track the inquiry

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12
Q

That plot [the investigation plot] must both track the inquiry and ______.

A

take us back to events leading up to the present

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13
Q

As investigation plots ______, audiences grew adept at enjoying them.

A

became common

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14
Q

As investigation plots became common, ______.

A

audiences grew adept at enjoying them

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15
Q

That [audience] engagement would, ______, encourage innovation, even when the novelty seemed a little arbitrary.

A

by the logic of the variorum

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16
Q

That [audience] engagement would, by the logic of the variorum, ______, even when the novelty seemed a little arbitrary.

A

encourage innovation

17
Q

That [audience] engagement would, by the logic of the variorum, encourage innovation, ______.

A

even when the novelty seemed a little arbitrary

18
Q

______ deplored “the taste of the construction” he felt after reading Wilkie Collins.

A

Anthony Trollope

19
Q

Anthony Trollope ______ he felt after reading Wilkie Collins.

A

deplored “the taste of the construction”

20
Q

Anthony Trollope deplored “the taste of the construction” he ______.

A

felt after reading Wilkie Collins

21
Q

But that taste [of the construction], actually ______, for flagrant artifice and sensed pattern, informs much of what audiences enjoyed about mysteries.

A

a taste for felt construction

22
Q

But that taste [of the construction], actually a taste for felt construction, for ______ and sensed pattern, informs much of what audiences enjoyed about mysteries.

A

flagrant artifice

23
Q

But that taste [of the construction], actually a taste for felt construction, for flagrant artifice and ______, informs much of what audiences enjoyed about mysteries.

A

sensed pattern

24
Q

But that taste [of the construction], actually a taste for felt construction, for flagrant artifice and sensed pattern, ______.

A

informs much of what audiences enjoyed about mysteries

25
Treating a mystery as ______ became central to popular storytelling.
a playful experience of form
26
Treating a mystery as a playful experience of form ______.
became central to popular storytelling