Rochester Flashcards

1
Q

Rochester ____ into Jane’s life as if destined to fulfil his role as powerful masculine incumbent of secluded, brooding Thornfield

A

thunders

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2
Q

First meeting with Rochester quotes

A

he rides a ‘tall steed’
his ‘rude noise’ breaks the evening calm
accompanied by a ‘great dog’ - a ‘lion-like creature with long hair and a huge hair’

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3
Q

Duke Zarmona and its tale of scandal, betrayal and romantic domestic treachery provide a ____ for Rochester and his backstory of sexual intrigue in Madeira and India.

A

prototype

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4
Q

The exotic exploits and fiercely passionate individualism of Byron’s Don Juan is evoked in the successive association of Rochester with Persian King ____, with the ____, and with a ____ in possession of a harem, as well as in his history of sexual licence.

A

Ahaseureus,

Grand Turk

sultan

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5
Q

Rochester’s name connotes the _______ verse of the Restoration poet, the 2nd Earl of Rochester

A

sensationally erotic

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6
Q

In October 2009 a _______ poll found Mr Rochester to be ‘the most romantic character in literature’ - receiving more votes than both Mr Darcy and Gabriel Oak

A

Mills & Boon

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7
Q

Rochester is also Bronte’s version of Byron’s ___

A

Cain

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8
Q

what was the biblical story of Cain and Abel?

A

cain slays his brother Abel

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9
Q

What did Bronte describe Byron’s poem as

A

‘a magnificent poem’

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10
Q

How is Rochester like Byron’s Cain?

A

he compares himself to a ‘fallen angel’ and a ‘snake-like tempter’; like Cain who is condemned to roam the earth as an isolated and resentful outcast, burdened with a curse of his own sinful making

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11
Q

Rochester’s frequent association with a ‘volcanic’ secret nature suggests forbidden, subterranean demonic powers.

A

‘that opened../ now and then, in his eye, and closed again before one could fathom the strange depth’

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12
Q

How did Bronte correct Romantic literary forbears into ‘realist’ fiction?

A

‘the man, the human being, broke the spell at once’

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13
Q

What is the first thing Rochester does?

A

fall of his horse

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14
Q

Implications of Rochester falling off his horse

A

gives an implicit side glance to the fallenness of his past life and current spiritual state; Rochester ‘the human being’

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15
Q

‘He laid a heavy hand on my shoulder, and leaning on me with some stress, limped to his horse’

A

Rochester rendered absolutely ‘the human being’ a fallen fellow creature, vulnerably in need fo another’s succour, aid and care.

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16
Q

Rochester’s character doesn’t simply reverse the terms of its Romantic prototype; rather,

A

the novel complicates and interrogates this model

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17
Q

Where we expect highly charged feverish drama - at the ___________ - we get the grimly realistic black humour of ________

A

symbolic burning of his bedchamber

his cursing at the wetness of his bedclothes

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18
Q

Where Jane projects upon Rochester the ____________ he confronts her emotionally in the _______.

A

suavity of the successful suitor to Ingram

gear of an old fortune-telling crone.

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19
Q

Where we expect _______ after the exposure of his pre-contracted marriage to Bertha, Rochester’s strategies of ________ seem to emulate the worst excesses of Gothic male oppression

A

remorse and self-flagellation

seduction and narrowly aborted rape

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20
Q

Rochester is a _____ creature whom even as he ____ at his punishment, absolutely wants to be saved.

A

fallen

baulks

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21
Q

He represents a __________ experiment at the boundaries of generic fictional types

A

psycho-metaphysical

22
Q

What do Heilman and John Maynard suggest about Rochester’s legacy?

A

his real legacy is found in the questions of sexuality and identity posed by Lawrence’s Lady Chatterley’s Lover, which met the same outrage as Jane Eyre on first publication

23
Q

Robert B. Heilman on seeing Rochester rightly

A

‘if in Rochester we see only an Angrian-Byronic hero… we miss what is most significant, the exploration [and] opening up of new areas of feeling in intersexual relationships…[moving] deeply into the lesser known realities of human life’

24
Q

‘I have a past ______, a series of deeds, a colour of life to contemplate within my own breast’

A

existence

25
Q

D.H Lawrence on Rochester’s ‘blackened ruin’

A

“Mr Rochester’s sex passion is not ‘respectable’ till Mr Rochester is burned, blinded, disfigured and reduced to helpless dependence”

26
Q

Rochester’s mutilation and blindness is also a sort of ______?

A

symbolic castration

27
Q

he first appears to Jane as a ‘_______ _______’ shorn of masculine strength

A

sightless Samson

28
Q

Harold Bloom on JE’s destruction of Rochester

A

‘Much of Jane Eyre’s rather nasty power as a novel depends upon it’s authors attitude towards men, which is nobly sadistic as befits a disciple of Byron.’

29
Q

“you think me… an irreligious dog; but…

A

I began to see and acknowledge the hand of God in my doom… to experience remorse, repentance.”

30
Q

Rochester’s words ‘I did wrong have the…

A

force of blinded Glouceter in King Lear when he says ‘I stumbled when I saw’

31
Q

‘hampered, _____, cursed’

A

burdened

32
Q

Although he was duped by Bertha’s family into becoming ‘bound to a wise at once intemperate and unchaste’, his own sensual nature made him susceptible to this trickery… (quote)

A

‘I was dazzled, stimulated, my senses were excited’

33
Q

‘ireful and _____’

A

thwarted

34
Q

His demeanour is….

A

‘grimly grimacing’

35
Q

‘the morose, almost malignant scowl [which] _______ his features’.

A

blackened

36
Q

Neither ‘handsome’ nor ‘heroic-looking’ he embodies a kind of __________.

A

balked primitive energy

37
Q

‘he _______ his teeth and was silent’

A

ground

38
Q

‘some hated thought seemed to have him in his grip, and to____

A

hold him so tightly that he could not advance’

39
Q

‘quivering conflict I the large pupil dilating under his ____ eyebrow’

A

ebon

40
Q

‘another feeling rose and triumphed|: something hard and ______; self willed and resolute: it settled hi s passion and petrified his countenance’

A

cynical

41
Q

The more Rochester hides his secret self, the more it seems to claim its own forms of alarming physiological and outward expression - as if the price of shutting Bertha out is the constant risk of being______

A

turned violently inside-out. by the sheer force of his own vital energies

42
Q

‘A movement of repulsion,_____, fear, would have sealed my doom - and his’

A

flight

43
Q

Rochester’s wild temperament, barely restrained and posing a real threat of sexual violence when Jane threatens to leave…

A

is a constant and frightening vision of madness confined

44
Q

“Since happiness is irrevocably denied me,

A

I have a right to get pleasure out of life: and I will get it, cost what it may”

45
Q

Rochester’s grave and irascible sexuality is filtered entirely through Jane’s perception of its power to move her:

A

“my master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth, - all energy, decision, will - were not beautiful, according to rule; but they were more than beautiful to me: they were full of an interest, an influence that quite mastered me, - that took my feelings from my own power and fettered them in his’

46
Q

“my master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, ____ _____ , strong features, firm, grim mouth”

A

deep eyes

47
Q

What changes when Jane gets excited about R?

A

the tense, she constantly uses the ‘live’ present tense in place of the relative safety and distance of the simple past tense

48
Q

‘I looked, and had acute pleasure in looking, - a precious yet poignant pleasure;

A

pure gold with a steely point of agony’

49
Q

‘a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned,

A

yet stoops and drinks divine draughts nevertheless’

50
Q

‘I was forced to pass through

A

the valley of the shadow of death’