Frau im Mond (Woman in the Moon) (1929)

Question 1

Frau im Mond (Woman in the Moon)

15 October ______

Fritz Lang

Science Fiction, Adventure, Space Exploration
Romance

Answer 1

1929

Question 2

Frau im Mond (Woman in the Moon)

15 October 1929

Fritz Lang

______, ______, ______
Romance

Answer 2

• Science Fiction
• Adventure
• Space Exploration

Question 3

Frau im Mond (Woman in the Moon)

15 October 1929

Fritz Lang

Science Fiction, Adventure, Space Exploration
______

Answer 3

Romance

Question 4

______ was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Answer 4

Lang’s last silent movie

Question 5

Lang’s last silent movie was ______. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Answer 5

planned as another giant sci-fi film in the vein of Metropolis

Question 6

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It ______, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Answer 6

didn’t work out like that

Question 7

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, ______, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon.

Answer 7

partly because the design and trick-work are cramped and unimaginative

Question 8

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, ______ the exceedingly banal character conflicts on board the first rocket to the moon.

Answer 8

partly because Thea von Harbou’s script centres on

Question 9

Lang’s last silent movie was planned as another giant sci-fi film in the vein of Metropolis. It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on ______.

Answer 9

the exceedingly banal character conflicts on board the first rocket to the moon

Question 10

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. ______, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

Answer 10

As a result

Question 11

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it ______: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary.

Answer 11

looks considerably more dated than other Lang silents

Question 12

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s ______, and the sci-fi trimmings remain entirely secondary.

Answer 12

badly acted melodrama

Question 13

It didn’t work out like that, partly because the design and trick-work are cramped and unimaginative, partly because Thea von Harbou’s script centres on the exceedingly banal character conflicts on board the first rocket to the moon. As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and ______.

Answer 13

the sci-fi trimmings remain entirely secondary

Question 14

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. ______ Lang’s magnificent sense of spatial drama: the actual launching of the rocket.

Answer 14

One scene is distinguished by

Question 15

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by ______: the actual launching of the rocket.

Answer 15

Lang’s magnificent sense of spatial drama

Question 16

As a result, it looks considerably more dated than other Lang silents: it’s badly acted melodrama, and the sci-fi trimmings remain entirely secondary. One scene is distinguished by Lang’s magnificent sense of spatial drama: ______.

Answer 16

the actual launching of the rocket

Question 17

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. ______ one of the rare Lang movies with a deliriously happy ending.

Answer 17

Otherwise, it’s chiefly notable for being

Question 18

One scene is distinguished by Lang’s magnificent sense of spatial drama: the actual launching of the rocket. Otherwise, it’s chiefly notable for being ______.

Answer 18

one of the rare Lang movies with a deliriously happy ending