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English lit > Hamlet critics > Flashcards

Hamlet critics Flashcards

1
Q

Ophelia’s function in the play is vital

A

Barber

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2
Q

Barber - Ophelia’s function

A

Ophelia’s function in the play is vital

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3
Q

‘pleasing men is Gertrude’s main interest’

A

Smith

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4
Q

Smith - Gertrude

A

‘pleasing men is Gertrude’s main interest’

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5
Q

‘Rosencrantz and guildenstern sacrifice the bond of human friendship to a social propriety’

A

Marilyn French

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6
Q

Marilyn French - Rosencrantz and Guildenstern

A

Rosencrantz and Guildenstern sacrifice the bond of human friendship to a social propriety’

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7
Q

‘That piece of bait named Ophelia’

A

Lacan

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8
Q

Lacan - Ophelia

A

‘That piece of bait named Ophelia’

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9
Q

‘Ophelia has no chance to develop an independent conscience’

A

Dusinberre

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10
Q

Dusinberre - Ophelia

A

‘Ophelia has no chance to develop an independent conscience’

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11
Q

Gertrude’s ‘negative and insignificant’

A

Elliot

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12
Q

T.S Elliot - Gertrude

A

Gertrude’s ‘negative and insignificant’

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13
Q

‘The very grandeur of Hamlet’s rank narrows his freedom and… makes his possible licentiousness… all the more dangerous to Ophelia’

A

T. Wright

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14
Q

T. Wright - Hamlet’s effect on Ophelia

A

‘the very grandeur of Hamlet’s rank narrows his freedom and… makes his possible licentiousness… all the more dangerous to Ophelia’

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15
Q

‘Music and song which are often associated with insanity become her tools of expression’

A

Sweta Bali

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16
Q

Sweta Bali

A

‘Music and song which are often associated with insanity become her tools of expression’

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17
Q

‘Hamlet is the body politic, what the mind… is to the body - inside it… unable to act without its acquiescence’

A

T. Wright

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18
Q

T. Wright - Hamlet’s position

A

‘Hamlet is the body politic, what the mind… is to the body - inside it… unable to act without its acquiescence’

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19
Q

‘fail to see Gertrude for the strong-minded, intelligent succinct… woman that she is’

A

Heilbrium

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20
Q

Carolyn Heilbrium - other critics on gertrude

A

‘fail to see Gertrude for the strong-minded, sensible, succinct… woman that she is’

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21
Q

‘Laertes and Fortinbras are both representatives of action’

A

Hall

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22
Q

Hall - Laertes and Fortinbras

A

‘Laertes and Fortinbras are both representatives of action’

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23
Q

‘denies his conscience, his king, and his God’

A

Prosser

24
Q

Prosser - Laertes

A

‘denies his conscience, his king, and his God’

25
Q

‘morally empty’

A

Schofield

26
Q

Schofield- Claudius

A

‘morally empty’

27
Q

‘a cold-hearted devil, ready to gamble with his daughter’s distress to improve his own standing’

A

Walter

28
Q

J.H. Walter - Polonius

A

‘a cold-hearted devil, ready to gamble with his own daughter’s distress for his own standing’

29
Q

‘women in Hamlet are a sounding board for the action of male characters’

A

Bloom

30
Q

Bloom- women

A

‘women in Hamlet are a sounding board for the action of male characters’

31
Q

‘a poetic morally sensitive soul crushed by the barbarous task of murder’

A

goethe

32
Q

Goethe - hamlet

A

‘a poetic morally sensitive soul crushed by the barbarous task of murder’

33
Q

‘mix of comedy and tragedy made the plot more believable’

A

Aaron hill

34
Q

Aaron Hill - mix

A

‘mix of comedy and tragedy made the plot more believable’

35
Q

‘the story of a moral poisoning’

A

Taine

36
Q

Taine- the play

A

‘story of a moral poisoning’

37
Q

‘love and remorse and grief are the same in a peasant as a king’

A

Bradley

38
Q

Bradley - tragedies

A

‘love and remorse and grief are the same in a peasant as a king’

39
Q

‘men in shakespeare’s time were in perpetual fear of feminisation’

A

Belsey

40
Q

Belsey - feminisation

A

‘men in Shakespeare’s time were in constant fear of feminisation’

41
Q

‘her love for hamlet is made impossible by Hamlet’s misogynistic disgust at his mother’s speedy marriage’

A

Lee Hyon-u

42
Q

Lee Hyon-u - Ophelia’s love

A

‘Her love for Hamlet is made impossible by Hamlet’s misogynistic disgust at his mother’s speedy marriage’

43
Q

‘It is natural that Ophelia, who is confined within the walls of cruel reality should find her exit to the spiritual world’

A

Lee Hyon-u

44
Q

Lee Hyon-u - Ophelia’s confinement

A

‘It is natural that Ophelia, who is confined within the walls of cruel reality should find her exit to the spiritual world’

45
Q

‘interpret Ophrlia’s madness as shinbyong, which she acquires as she loses her ego in the chaotic reality… she reveals everything of the secret world’

A

Lee Yun Taek - Ophelia’s madness

46
Q

Lee Yun Taek - Ophelia’s madness

A

‘Interpret Ophelia’s madness as shinbyong, which she acquires as she loses her ego in the chaotic reality… she reveals everything of the secret world’

47
Q

‘individual woman are able to attain personal power through the agency of religious practice, because shamnism stands outside the boundaries of the Confucian social structure’

A

C.H. Kim

48
Q

C.H. Kim . women’s power in religion

A

‘individual woman are able to attain personal power through the agency of religious practice, because shamanism stands outside of the boundaries of the Confucian social structure’

49
Q

‘it is we who are Hamlet’

A

Hazlitt

50
Q

Hazlitt

A

‘it is we who are Hamlet’

51
Q

‘useless and wanton cruelty’

A

Dr Johnson

52
Q

Dr Johnson

A

‘useless and wanton cruelty’

53
Q

‘action could not change anything in the eternal nature of things’

A

Nietzsche

54
Q

Nietzsche - action

A

‘action could not change anything in the eternal nature of things’

55
Q

Lee Yun Taek’s 2005 production

A

covered by white blanket and bare illuminated back showing purification

takes blanket with him showing purification of the world

English lit (2 decks)

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