Othello - Othello Key Quotes Flashcards

1
Q

A quote from ACT ONE, SCENE TWO in which we meet Othello for the first time, presenting him as noble and honourable, a man who calms conflict and who his above the petty, racially motivated complaints of Brabantio, exacerbating the pathos later in the tragedy as Othello becomes quick to violence and anger

A

Let him do his spite; / My services, which I have done the signiory, / Shall out-tongue his complaints

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2
Q

A quote from ACT ONE, SCENE TWO showing Othello to be a man of humble virtue, secure in his goodness, through use of a triplet to describe this confidence in virtue against Brabantio’s attacks

A

My parts, my title, and my perfect soul / Shall manifest me rightly

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3
Q

A quote from ACT ONE, SCENE TWO as Othello is challenged by Brabantio and his men, showing the easy ability of Othello in the exposition on dispel aggression, this being in distinct contrast to his quick-to-anger nature after his disintegration

A

Keep up your bright swords, for the dew will rust them

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4
Q

Two quotes from ACT ONE, SCENE THREE from BRABANTIO as Othello stands before the Duke. The accusation of witchcraft causing nature to turn on itself suggests a deeply-rooted, latent racism beneath the civilised Venetian society (note use of melodramatic triplet)

A

She is abused, stolen from me and corrupted / By spells and medicines bought of mountebanks, / For nature so preposterously to err

A maiden never bold / […] To fall in love with what she feared to look on?

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5
Q

A quote from ACT ONE, SCENE THREE as Othello testifies before the Duke. It both reflects Othello’s humility and humble nature, as he is in fact an excellent orator, as well as demonstrating him to be far from well-versed in love, knowing only of war and battle, which allows Iago to later manipulate the idea of love in his mind

A

Rude am I in my speech / […] For since these arms of mine had […] / some nine moons wasted, they have used / Their dearest action in the tented field / And little of this great world can I speak / More than pertains to feats of broil and battle

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6
Q

A quote from ACT ONE, SCENE THREE reflecting the idea that Othello and Desdemona fell in love quite by accident - Othello told his story, and Desdemona love him for it

A

She loved me for the dangers I had passed / And I loved her that she did pity them / This is the witchcraft I have used

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7
Q

A quote from ACT ONE, SCENE THREE demonstrating Othello’s misplacement of trust in Iago from the exposition of the play

A

So please your grace, my ancient / A man he is of honesty and trust

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8
Q

A quote from MONTANO in ACT TWO, SCENE ONE when the men in Cyprus wait for the Venetian army to arrive, reflecting the high opinion of all in society toward Othello, who is respected as a strong and noble leader in the exposition

A

Pray heavens he be [safe], / For I have served him, and the man commands / Like a full soldier

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9
Q

A quote from ACT TWO, SCENE ONE when Othello arrives in Cyprus and speaks to Desdemona, professing undying love with cosmic imagery - suggests early on that love is a potential weakness in Othello, especially as he is not well versed in it

A

Let the labouring bark climb hills of seas, / Olympus-high, and duck again a low / as hell’s from heaven. If it were now to die / ‘Twere now to be most happy

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10
Q

A quote from ACT TWO, SCENE THREE potentially Demonstrating Othello’s disintegration to have begun due to the change in locale from Venice to Cyprus. Othello aligns himself with Venetian Christianity and disaligns himself with the ‘immorality’ of the Islamic “other”

A

Are we turned Turks? and to ourselves do that / Which heaven hath forbid the Ottomites? For Christian shame

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11
Q

A further quote from ACT TWO, SCENE THREE demonstrating Othello to lack the moderate temper required of a noble leader. He no longer dispels anger, but allows it to overcome his skills in leadership, perhaps due to the change in locale

A

Now, by heaven, / My blood begins my safer guides to rule

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12
Q

A quote from ACT THREE, SCENE THREE, demonstrating Othello to dispel doubts about Desdemona’s fidelity, as Iago insinuates that Desdemona and Cassio are cuckolding Othello. At first Othello is confident - jealousy has not yet set in

A

For she had eyes and chose me

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13
Q

Two quotes from ACT THREE, SCENE THREE, shortly after Othello dispels the idea of his wife’s infidelity, when Iago reminds Othello that Desdemona deceived Brabantio and so could too Othello. Othello, once comfortable in his race as he brushed off Brabantio’s accusations, now sees race and age as reasons for her possible infidelity

A

And yet how nature, erring from itself-

Haply for I am black / And have not those soft parts of conversation / That chamberers have, or for I am declined / Into the vale of years

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14
Q

A further quote from ACT THREE, SCENE THREE at the peripeteia, as Othello mentally disintegrates, using bestial imagery to describe himself, seeing himself now to be undesirable to Desdemona due to jealous of Cassio

A

I had rather be a toad / And live upon the vapour of a dungeon / Than keep a corner in the thing I love / For others’ uses

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15
Q

A quote from ACT THREE, SCENE THREE reflecting Othello’s inner turmoil as he struggles with the issue to trust. The eventual falling on the side of Iago marks Othello’s definite peripeteia. Note the use of juxtaposition/parallels and opposites, as well as repetition of verb “think”

A

I think my wife be honest, and think she is not, / I think that thou art just, and I think thou art not

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16
Q

A quote from ACT THREE, SCENE THREE of terrific violence, demonstrating a complete disintegration in the love Othello showed for Desdemona in Act 2. He has reverted to the bestial stereotype of the Moor, acting on instinct with barbaric, animalistic fury

A

I’ll tear her all to pieces!

17
Q

A quote from the end of ACT THREE, SCENE THREE in the twisted marriage ceremony of Othello and Iago in which “Othello kneels” and gives up love, which he now views as a weakness, swearing violent revenge in its place under the instruction of Iago. Note the repetition of “ne’er”

A

My bloody thoughts with violent pace / Shall ne’er look back, ne’er ebb to humble love / Till that a capable and wide revenge / Swallow them up

18
Q

A quote from ACT THREE, SCENE FOUR as Othello speaks to Desdemona, using devilish imagery to describe her hand. It has deep undertones of sexual immorality and infidelity

A

This argues fruitfulness and liberal heart: / Hot, hot, and moist. This hand of yours requires / A sequester from liberty, fasting and prayer

Young and sweating devil here

19
Q

A quote from ACT THREE, SCENE FOUR when Othello alludes to Desdemona having cuckolded him, speaking of the handkerchief, the “ocular proof” of Desdemona’s infidelity. It links his character back to the cursed witchcraft of his Islamic past as he regresses to immorality. Note the use of insects, as well as the death of innocent maidens

A

There’s magic in the web of it […] / The worms were hallowed that did breed the silk / And it was dyed in mummy, which the skilful / Conserved of maidens’ hearts

20
Q

A quote from ACT FOUR, SCENE ONE after Othello has witnessed what he believes to be Cassio’s confession of his cuckolding Othello with Desdemona, orchestrated by Iago. The quote marks the end of love, a finality as any love Othello once held for his dear wife dies. Note the use of prose rather than iambic pentameter

A

Let her rot and perish and be damned tonight, for she shall not live. No, my heart is turned to stone; I strike it, and it hurts my hand

21
Q

A further quote from ACT FOUR, SCENE ONE reflecting Othello’s return to savagery as he disintegrates due to the jealousy instigated by Iago. Note the horrifically violent verb “chop”

A

I will chop her into messes! Cuckold me!

22
Q

A quote from ACT FOUR, SCENE TWO after Othello has accused Desdemona outright of being a “whore” and a “strumpet” before “strik[ing] her”. He refers to their love as a “goodly book” of “fair paper” defaced by the word “whore” by Desdemona’s infidelity

A

Was this fair paper, this most goodly book / Made to write ‘whore’ upon?

23
Q

A quote from ACT FOUR, SCENE TWO reflecting Othello’s newfound arrogance as he self-mythologises the tale of his wife’s infidelity, painting himself as the victim and Desdemona as the villain

A

I took you for that cunning whore of Venice / That married with Othello

24
Q

A quote from ACT FIVE, SCENE TWO as Othello stands over his marital bed prior to killing Desdemona. The idea of her “white” purity and skin like “monumental alabaster” suggests her to be perfect as a monumental statue. Othello still doubts Desdemona’s impurity, and yet chooses to act on his jealousy

A

Yet I’ll not shed her blood / Nor scar that whiter skin of her than snow / And smooth as monumental alabaster

25
Q

A quote from ACT FIVE, SCENE TWO as he stands over the bed. He suggests Desdemona’s life is both as easy to distinguish as a candle, suggesting her to be vulnerable, as well as her soul being equally as bright, suggesting her to be virtuous. Othello’s rationale therefore that she “must” die is immediately contradicted

A

Yet she must die, else she’ll betray more men. / Put out the light, and then put out the light!

26
Q

A quote from ACT FIVE, SCENE TWO suggesting Othello to understand the killing of Desdemona to not be as virtuous as he initially believed. The act is now a senseless killing rather than a sacrifice, but Othello goes through with it regardless. The idea of a “sacrifice” further suggests a greater force at work

A

A murder, which I thought a sacrifice

27
Q

A quote ACT FIVE, SCENE TWO suggesting Othello to return to his nobility in his final moments. He remembers his previous nobility with pride, but rejects it, his hubris now decreasing once again. Adjectives “little” and “good” suggest a humble Othello who once sought for justice

A

That with this little arm and this good sword / I have made my way through more impediments / Than twenty times your stop: but, O vain boast

28
Q

A quote ACT FIVE, SCENE TWO showing Othello to separate the Venetian and Islamic parts of himself. He metaphorically destroys the evil Islamic character that has caused the suffering of the tragedy, while simultaneously destroying the good Venetian within him in an act of justice. Also not the use of self-dramatisation

A

And say besides that in Aleppo once, / Where a malignant and a turbanned Turk / Beat a Venetian and traduced the state, / I took by th’ throat the circumcised dog / And smote him - thus!

29
Q

A quote from ACT THREE, SCENE THREE just prior to Iago’s planting the seed of suspicion against Cassio. Othello prefesses an undying love for Desdemona, suggesting that chaos will out should his love for her end, foreshadowing the play’s climax

A

Excellent wretch! perdition catch my soul / But I do love thee! and when I love thee not / Chaos is come again

30
Q

Quotes from ACT FIVE, SCENE TWO suggesting Othello to be pitiful in his death and anagnorisis, reflecting the ‘terrible exposure of human weakness’ suggested by T.S. Eliot

A

“Whip me, ye devils… Blow me about in winds, roast me in sulphur / Wash me in steep-down gulfs of liquid fire!”

“Of one whose subdued eyes, / Albeit unused to the melting mood, / Drops tears as fast as the Arabian trees”

31
Q

Quotes from ACT FIVE, SCENE TWO showing Othello’s anagnorisis to return him to a state of majesty and nobility in his recognition of Desdemona’s profound love for him as at the start of the play, and his death to return to her

A

“Of one whose hand, / Like the base Indian, threw a pearl away / Richer than all his tribe”

“I kissed thee ere I killed thee: no way but this, / Killing myself, to die upon a kiss [Kisses Desdemona, and dies]”