Exam 2 Flashcards

1
Q

Outer Ear

A

pinna, ear canal, ear drum (converts acoustical energy to mechanical energy)

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2
Q

Inner Ear

A

oval window, cochlea (sends neurological signals to brain)

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3
Q

Middle Ear

A

Eustachian tube, ossicles (transmits vibration from ear drum to oval window)

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4
Q

Identify the part of the basilar membrane on a diagram that will vibrate most at a given frequency.
(High Frequency)

A

Basilar membrane motion near the oval window is high frequency

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5
Q

Identify the part of the basilar membrane on a diagram that will vibrate most at a given frequency.
(Low Frequency)

A

Basilar membrane motion hear the helicotrema is low frequency

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6
Q

Identify the processes in the inner ear that are responsible for encoding intensity, frequency, and spectrum of a sound.
(Intensity)

A

The total number of nerve cell firings in each burst

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7
Q

Identify the processes in the inner ear that are responsible for encoding intensity, frequency, and spectrum of a sound.
(Frequency)

A

The repetition rate of the bursts AND the location along the basilar membrane

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8
Q

Identify the processes in the inner ear that are responsible for encoding intensity, frequency, and spectrum of a sound.
(Spectrum)

A

The stimulation of multiple locations along the basilar membrane

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9
Q

Describe how critical band is related to masking, and how the asymmetry of the basilar membrane correlates with higher or lower tones masking each other more effectively.

A

Low frequency tones mask high frequency tones better than vice versa. Due to asymmetry in the basilar membrane responseTones separated by less than a critical bandwidth mask each other most effectively Wider critical bands result in more masking of neighboring frequencies

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10
Q

Identify which of the perceptions of tone color, pitch, and loudness are related most strongly to each of the following physical quantities: spectrum, frequency, and intensity or sound level. (Spectrum)

A

Tone color is related to the spectrum

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11
Q

Identify which of the perceptions of tone color, pitch, and loudness are related most strongly to each of the following physical quantities: spectrum, frequency, and intensity or sound level. (Frequency)

A

Pitch is related to the frequency

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12
Q

Identify which of the perceptions of tone color, pitch, and loudness are related most strongly to each of the following physical quantities: spectrum, frequency, and intensity or sound level. (Intensity or Sound level)

A

Loudness is related to intensity

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13
Q

Determining Fundamental Frequency

A

First one of the list unless there is a greatest common denominator among them.

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14
Q

Identify the factor (phase, quality, intensity, pitch, or spectrum) plays the most important role in helping a listener determine from which direction a low or high frequency sound is coming. (Low Frequency)

A

difference in phase between the two ears

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15
Q

Identify the factor (phase, quality, intensity, pitch, or spectrum) plays the most important role in helping a listener determine from which direction a low or high frequency sound is coming. (High Frequency)

A

difference in intensity between the two ears

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16
Q

When given two simple tones of specified frequency and the critical band, determine whether the listener will perceive a single tone with no beating, a single tone with beating, two tones with no beating or two tones with rough beating.

A

If the difference between the two frequencies is less than the critical band, the perceived sound is one tone with beating. If the difference is greater than the critical band, the perceived sound is two tones without beating.

17
Q

Given a simple tone of specified frequency, determine (from a table of the number of cycles required for pitch perception) the minimum duration needed to perceive its pitch.

A

See Table for the number of cycles at the specified frequency.To compute the duration, divide by the frequency (or equivalently multiple by the period)duration = # cycles ÷frequency

18
Q

Know how to read and interpret an audiogram and be able to identify common types of hearing loss. Determine how much amplification would be needed at a specified frequency to restore the person’s hearing to normal threshold (0dB line on theaudiogram).

A

Presbycusis – loss of hearing over time characterized by insensitivity to high frequency sounds (fairly common)

19
Q

Conductive Hearing Loss

A

occurs in the outer or middle ear. Examples: blocking the ear canal, ear drum rupture or ossicle impairment

20
Q

Sensorineural loss

A

occurs in the inner ear. Examples: damage to the inner or outer hair cells in the cochlea

21
Q

Diaphram

A

controls the pressure in the chest cavity

22
Q

Trachea

A

tube between the lungs the pharynx

23
Q

Lips

A

used to open and close the mouth

24
Q

Soft Palate

A

used to open and close the nasal cavity

25
Q

Pharynx

A

the lower part of the vocal tract, connecting the trachea to the mouth

26
Q

Source

A

larynx (vocal folds, glottis and epiglottis), lungs, trachea, diaphragm

27
Q

Resonator

A

mouth, lips, teeth, nasal cavity, pharynx, palates

28
Q

Positive pressure in (or just below) the glottis

A

will increase the glottal area by pushing open the vocal folds

29
Q

Negative pressure in the glottis

A

will decrease the glottal area by closing the vocal foldsTension in vocal folds will also decrease the glottal area by closing the vocal folds

30
Q

Describe the wave shape and spectrum of air flow through the glottis when typical voiced speech sounds are produced (Is the wave shape periodic or nonperiodic? Does the spectrum have only one partial, many harmonic partials, or many inharmonic partials?).

A

Glottal airflow is periodic.It will have a fundamental frequency with many harmonic partials

31
Q

Calculate the frequencies emphasized by a neutral vocal tract of given length that has a constant cross-sectional area and is open only at one end.

A

The neutral vocal tract is like a closed-open tube f1= 343 / 4 L , f2= 3 x 343 / 4 L

32
Q

Define feedback and reference as they relate to a child learning to speak.

A

Feedback – a child listening to their own speech and comparing to a reference
Reference – the people whose speech the child hears and compares to

33
Q

Vowels & Diphthongs

A

voice energy (3 or more formant bands)

34
Q

Fricatives

A

noise energy, high frequencies

35
Q
A

Plosives

36
Q

Nasals

A

single low frequency formant