Sensory (sounded) Anthropology Flashcards

1
Q

What is the autonomous sensory meridian response (ASMR)?

A

Pleasant sensation related to auditory-tactile synesthesia

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2
Q

What is misophonia?

A

“hatred of sound”
- negative feeling in response to certain sounds that cause emotional or physical reactions, perhaps moral disgust

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3
Q

What is Bernie Krause’s position on soundscapes as a bioacoustician?

A

Record life in its own environment, not separated

-> soundscapes: “valuable source of information”, “extraordinary narrative”

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4
Q

What is the purpose of soundscape ecology according to Max Ritts (geographer at UBC)?

A
  • Collect patterns of activity and ecological diversity in the territory
  • “to better understand the acoustical ecological profile of the territory at a time when things are changing very quickly”
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5
Q

Who coined the term “soundscape”

A

R. Murray Schafer
- used often to critique the ubiquitous sounds of post-industrialisation

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6
Q

What does R. Murray Schafer refer to by “soundscape”?

A

All noises and sounds we encounter in our daily lives

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7
Q

What are the principles of “sonic ethnography” (Ferrarini, Lorenzo, and Nicola Scaldaferri, 2020)?

A
  1. Listen critically
  2. “situated listening”: engage with “different positionalities of the listener”
  3. Representational methods of “framing sound recordings as more than illustrative material, developing arguments in sound through strategies of editing”
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8
Q

What does Steven Feld refer to by acoustemology?

A

Acoustic and Epistemology

  • one’s sonic way of knowing and being in the world
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9
Q

What are Ernst Karel’s intensive listening practices?

A
  1. naturally in ethnographic site
  2. through headphone/mic
  3. as recording played back in studio or elsewhere
  4. evaluating edited compositions of recordings
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10
Q

What are the 15 juxtapositions present in sound established by Ernest Karel and Andrew Littlejohn ?

A
  1. Short - Long
  2. Indoor - Outdoor
  3. Low - High frequencies
  4. Single-pointed - Undirected
  5. Private - Public
  6. Beautiful - Unpleasant
  7. Loud - Quiet
  8. Participatory - Observational
  9. Recognisable - Unrecognisable
  10. Unchanging - Dynamic
  11. Close - Distant
  12. Legible - Illegible
  13. Ongoing - Intermittent
  14. Fixed position - Moving through space
  15. Staged - Spontaneous
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11
Q

How do Ferrarini and Scaldaferri (2020) define sound?

A
  • Perception of acoustic phenomena through listening
  • Material resonance of vibrations that create relationships with an environment
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12
Q

What characterises sound according to Ferrarini and Scaldaferri (2020)?

A
  • Fleeting: we can’t freeze it and gaze upon its details like an image
  • It is dense with content (voice, music, environmental, noise)
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13
Q

What is our relation to sound according to Ferrarini and Scaldaferri (2020)?

A
  • It engulfs us, but we only give our attention to a narrow range
  • Our sensory unconscious registers sonic vibrations in life altering ways
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14
Q

What is the voice according to Amanda Weidman (2014)?

A
  • A set of sonic, material and literary practices shaped by culture and history
  • A category invoked in discourse about personal agency, communication and representation, and political power
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15
Q

What does Amanda Weidman (2014) refer to by the materiality of voice?

A

“Technologies of sound reproduction, broadcasting, and amplification underline the powers/possibilities of voices separated from their originating bodies”

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16
Q

What is the role of “technologies of sound reproduction, broadcasting, and amplification” in the materiality of voice (Amanda Weidman, 2014)?

A

They help us observe the “mediation inherent in all voice-body relationships”

17
Q

What is the “voice of God” in documentary films?

A

Disembodied voice, all-knowing, interpreting what is viewed for the viewer

-> imposition

18
Q

What is oral history according to Thomas L. Charlton (1985)?

A

“the recording and preserving of planned interviews with selected persons able to narrate recollected memory and thereby aid the reconstruction of the past”

19
Q

What is oral history according to Harris (in Grele, 1985)?

A

“that area where memory, myth, ideology, language, and historical cognition all interact”

20
Q

What is oral history according to Ronald J. Grele (1985)

A

“a tool to democratise the study of history”

21
Q

What did we learn from orality in history?

A

Authoritative voices have been privileged

22
Q

What is the ‘sensory turn’ in Anthropology?

A

Anthropological attention to cultural variation of sensory understandings

23
Q

What is the argument of David Howes on senses in Anthropology (2003)?

A
  • Cultural approach to the study of the sense
  • Sensory approach to the study of culture
24
Q

What does David Howes (2003) argue is the best thing an anthropologist can do?

A

“cultivate the capacity of ‘two sensoria’ about things”:
- their own
- that of the culture under study

25
Q

What does Sarah Pink (2003) argue about sensory Ethnography?

A

Participant sensing rather than participant observation
- attend to “the multisensorality of experience, perception, knowledge and practice”
- in the practice of ethnography and the lives of subjects

26
Q

What does David MacDougall (2005) argue about the senses and the Corporeal Image?

A

Perceptual knowledge rather than conceptual knowledge:
- use a language closer to the multidimensionality of subjects

-> visual, oral, verbal, temporal, tactile domains (synesthetic association)

27
Q

What is objectivity?

A

Philosophical concept of being true independently from individual subjectivity caused by perceptions, emotions, or imagination

28
Q

What is scientific objectivity?

A

Idea that the claims, methods and results of science are/should not be influenced by particular perspectives, value commitments, community bias, or personal interests

29
Q

What does aperspectival mean?

A

Non-perspectival, view from nowhere