Lesson 11 Flashcards

1
Q

Application of pigments to a support surface that establishes an image, design, or decoration

A

Painting

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2
Q

It is created with pigment in liquid form and applied with a brush

A

Painting

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3
Q

In this paintings, powedered pigments are used

A

Navajo Sand Painting
Tibetan Mandala Painting

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4
Q

One of the oldest criteria together with drawing and sculpture

A

Painting

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5
Q

Most recognizable images in Western art history

A

Mona Liza by Leonardo Da Vinci
The Scream by Edvard Munch
Starry Night by Vincent Van Gogh

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6
Q

Mona Liza

A

by Leonardo Da Vinci

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7
Q

The Scream

A

by Edvard Munch

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8
Q

Starry Night

A

by Vincent Van Gogh

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9
Q

An art technique for creating an illusion of three dimensions (depth and space) on a two dimensional flat surface

A

Perspective

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10
Q

It is what makes a painting seem to have form, distance, and look “real”

A

Perspective

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11
Q

It is linked to the idea that objects of similar size appear smaller as the distance between the object and viewer increases

A

Linear Perspective

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12
Q

The effects that the atmosphere has upon objects as they recede into the distance are referred to as

A

Aerial Perspective

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13
Q

The spot from which you, the artist, is looking at the scene

A

Viewpoint

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14
Q

It is how an adult sees the world when standing

A

Normal Viewpoint

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15
Q

When you’re looking at the scene from much lower than you

A

Low viewpoint

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16
Q

When you’re looking down on a scene

A

High Viewpoint

17
Q

An imaginary line used to create accurate perspective in painting

A

Horizon line and Vanishing line

18
Q

Drawn on the top and bottom horizontal edges of an object

A

Vanishing lines

19
Q

This perspective is when you’re standing on a station staring down the railway track which narrows and then disappears at a spot in the distance

A

One point perspective

20
Q

It is used when the objects front is facing the viewer

A

One point perspective

21
Q

The lines getting farther from the viewer will have an angle towards what is called a

A

Vanishing point

22
Q

Two vanishing points is used when the objects corners are facing the viewer

A

Two-point perspective

23
Q

This method is perfect for drawing isometric objects

A

Two point perspective

24
Q

It defines the surface quality of an artwork

A

Texture

25
Q

The roughness or smoothness of the material from which is made

A

Texture

26
Q

We experience texture in two ways:

A

Optically and Physically

27
Q

Create the illusion of the texture

A

Optical Texture

28
Q

Paint with expressive brushstrokes whose texture conveys the physical and emotional energy of both the artist and his/her object

A

Physical texture

29
Q

Third category of textures whose fleeting forms are subject to change like clouds, smokes, flames, bubbles, and liquids

A

Ephemeral Texture

30
Q

3 category of texture

A

Optical
Physical
Ephemeral