(1) Vocal Music of The Romantic Period Flashcards

1
Q

one or more singers performing without instrumental accompaniment.

A

A Capella

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2
Q

In a singing style

A

Cantabile

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3
Q

Head, the beginning

A

Capo

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4
Q

closing section appended to a movement or song.

A

Coda

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5
Q

sweetly

A

Dolce

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6
Q

a weaker and more airy voice usually in the higher pitch arranges.

A

Falsetto

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7
Q

sliding quickly between 2 notes.

A

Glissando

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8
Q

parts of a singing voice where register transition occurs.

A

Passagio

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9
Q

slight speeding up or slowing down of the tempo of a piece at the discretion of the soloist.

A

Rubato

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10
Q

the most comfortable singing range of a singer

A

Tessitura

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11
Q

rapidly repeated slight pitch variation during a sustained note, to give a richer & more varied sound.

A

Vibrato

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12
Q

can be characterized as extravagant spectacles with the tendency towards heroic and epic subjects, supernaturalism, mystery, and passion.

A

Romantic Operas

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13
Q

It is a musical composition having all or most of its text set to music with arias, recitative, choruses, duets, trios, etc. sung to orchestral accompaniment. It is usually characterized by elaborate costumes, scenery and choreography.

A

Opera

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14
Q

the text of an opera. Librettist and the composer work closely together to tell the story.

A

Libretto

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15
Q

the book that the composer and librettist put together. It has all the musical notes, words and ideas to help the performers to tell the story. Often, there are operas with overtures, preludes, prologues, several acts, finales and postludes

A

Score

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16
Q

Declamatory singing, used in the prose parts and dialogue of opera. Different roles in operas are created considering different types of voices. Each role requires a different type of singer, not only able to sing a given vocal range but also with certain voice characteristics, color and power.

A

Recitative

17
Q

an air or solo singing part sung by a principal character. This song is what the public will remember best when leaving the opera house. Properly and well sung, this can bring an audience to its feet and decide the fate of an entire opera.

A

Aria

18
Q

HIGHEST MALE VOICE

A

Tenor

19
Q

Middle male voice, lies between Bass and Tenor voices. It is the common male voice.

A

Baritone

20
Q

LOWEST MALE VOICE

A

Bass

21
Q

HIGHEST FEMALE VOICE

A

Soprano

22
Q

highest soprano voice

A

COLORATURA

23
Q

bright and full sound

A

Lyric

24
Q

darker full sound

A

Dramatic

25
Q

most common female voice; strong middle voice, tone is darker or deeper than the soprano

A

Mezzo Soprano

26
Q

lowest female voice and most unique among female

A

Contralto