Haydn 104 Flashcards
1
Q
M1 Slow Introduction (1-16)
A
- b.3-7 : D minor
- b.7 : hint of F major
- b.6 : cadential 6-4 (extends cadence)
- b.15 : neapolitan 6th
- b.16 : 4-3 suspension -> cad. 6-4
2
Q
M1 First Subject (17-50)
A
- D major
- b.41: hint of B minor
- b.32-39 : based on I + IV
- b.42/3 : like interrupted cadence
- b.20 : syncopation = textural interest
3
Q
M1 Transition (50-64)
A
- b.52 : D -> G# major
- b.58 : E major
- b.53 : double suspensions
- b.54 : dim 7th
- b.54 : motif inversion
4
Q
M1 Second Subject (64-99)
A
- A major (dom)
- b.94/6 : polyphony
- b.80/2 : rhythmic displacemnt
- b.76/8 :circle of 5th
- b.80 : interrupted cadence
5
Q
M1 Codetta (99-123)
A
- A > F# > E > A major by b.112
- b.107 : dim7th on G#
- b.112 : I + IV + tonic pedal
- b.116/7 : rhythmic diminution
6
Q
M1 Development (124-192) TONALITY
A
- B minor
- b.139-141 : tonally unstable
- b.145 : C# minor
- b.179 : B minor
7
Q
M1 Development (124-192) HARMONY
A
- b.136 : dim7th
- b.150-5 : circle of 5ths (bassoon)
- b.172 : German augmented 6th
- b.178 : harmonic minor scale
8
Q
M1 Recapitulation (193-266)
A
- D major
- b.225 Amaj (1 bar)
- b.220-226 : circle of 5ths
- b.238-242 : dim chords
- ends with cad. 6-4
9
Q
M1 Codetta & Coda (266-277 / 277-end)
A
- D major
- b.274 : D# hints E minor
- b.278 : G# hints A major
- b.281 : D security
- b.277-282 : domination of motif ii
10
Q
M2 Section A (1-32)
A
- G major
- b.9-16 : Am, Dm, A, D
- b.31 : G major
- b.7-8 : cad. 6-4
- b.24 dim 7th
11
Q
M2 Codetta (32-37)
A
tonic pedal as tonal relief from dim chords
12
Q
M2 Middle Section 1 (38-56)
A
- G minor
- b.46 : Bb major
- b.41 : implied dim7th
- b.42 : adapted alberti bass
- b.54/55 : I-IV-I-V etc
13
Q
M2 Middle Section 2 (57-70)
A
- b.60-4 : circle of 5ths
- b.65/6 : clashes
- b.68-70 : dom prep to return to G maj
14
Q
M2 Linking Passage (71-73)
A
dom 7th broken chords as dom prep
15
Q
M2 Section A1 (74-141)
A
- G major
- then pass through LOADS of keys
- b.79 : dim7th
- b.105-115 : slow harmonic rate , tonally adventurous