Test 2 Flashcards

1
Q

In painting, the term sprang from Monet’s impression: Sun rising - used in derision by critics

A

Impressionism (art)

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2
Q

What was the goal of impressionism in art?

A

Not to paint an exact representation of things, but the artists momentary impression. Emphasis on mood not intellect

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3
Q

What was the most important element in impressionism art?

A

Light

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4
Q

Who are the impressionism artists?

A

Monet, Manet, Renoir

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5
Q

What is impressionistic literature?

A

Exact representation of words, not focus, but the imagery in sound of the words

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6
Q

Symbolist poets

A

Mallarme and Verlaine

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7
Q

What is French impressionism in music?

A

Reaction to a German romanticism in emotional drama of Wagner, etc. Sensual rather than intellectual

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8
Q

Describe impressionistic music

A

Music was more subtle Melody, more obscure, colorful harmonies in orchestration emphasized

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9
Q

Claude Debussy

A

Child prodigy, entered Paris Conservatory at 11, rebel

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10
Q

Claude Debussy

A

Acquainted with mallarme and leading impressionist painters and poets, at 32 wrote the first major orchestral work Prelude to Afternoon of the Faun

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11
Q

Claude Debussy

A

Culmination work of the 1890’s the opera Pelleas and Mellisannde catapulted him to fame, worked on it for 10 years

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12
Q

Impressionism In music

A

Traditional forms like the sonata and symphony seemed outmoded to the impressionists, focused on short lyric forms like preludes and nocturnes

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13
Q

Impressionism in music

A

Reaction to romanticism but also carried on some tradition, lyricism and emphasis on mood

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14
Q

Impressionism in music

A

Musical center of the world moved from Vienna to Paris

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15
Q

Impressionism in music

A

Elements - pentatonic and whole tone scale, church modes, Triad extension (9th chords), frequent change of tonal center and chord progressions which did not conform to functional harmony

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16
Q

Claude Debussy

A

Transparent and airy, melody and meter often obscured and Hated the term Impressionism

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17
Q

Claude Debussy

A

Faun, three nocturnes, la mer, Iberia

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18
Q

Claude Debussy

A

Piano works most important compositions, comparable to Chopin - suite bergamaque, 2 books of preludes, etudes dedicated to Chopin

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19
Q

Claude Debussy

A

Death was the end of Impressionism, confectionary, harp, Celeste, did not want to write romantic. No common practice period

20
Q

Claude Debussy

A

Chamber music - string quartet in gm, sonatas for cello and piano, flute, viola, harp, violin, piano, several art songs

21
Q

Maurice Ravel

A

Stimulated by a group of avante-guard poets and painters

22
Q

Maurice ravel

A

Typing brain surgery, finest string, quartets, greatest orchestrator, piano trio: violin, cello, piano. strong, impressionistic, strings

23
Q

Maurice Ravel

A

Music was not accepted at first by public, and critics but soon gained, popularity, composed, slowly, fairly small output

24
Q

Maurice Ravel

A

After the death of Debussy, what is Frances leading composer?

25
Q

Maurice Ravel

A

More of a classicist in writing than Debussy, he was a craftsman who’s music was more academically refined he returned to classical conception of form

26
Q

Maurice Ravel

A

Melodies are more distinct than Debussy

27
Q

Maurice Ravel

A

Rhythmic & metric sense, more evident than Debussy

28
Q

Maurice Ravel

A

Harmonies more dissonant, but sense of key stronger

29
Q

Maurice Ravel

A

Master orchestrator, music brighter in general and more use of percussion

30
Q

Maurice Ravel

A

Piano works - pavane, Gaspard de la nuit, sonatine

31
Q

Maurice Ravel

A

Orchestra - Daphnis & Chloe Suite (from ballet) Bolero, La Valse, Mother Goose Suite, Alborado del Grazioso

32
Q

Maurice Ravel

A

Concertos Dash Concerto in G, concerto for the left-hand

33
Q

Maurice Ravel

A

Chamber music – string Quartet, piano Trio, introduction and allegro for flute, Clarinet, harp and strings

34
Q

Dukas Nationality

A

French

35
Q

Falla Nationality

A

Spanish

36
Q

Delius Nationality

A

English

37
Q

Respighi nationality

A

Italian

38
Q

Griffes nationality

A

US

39
Q

Erik Satie

A

Founder of neoclassicism, mentor. Music not often performed.

40
Q

Erik Satie

A

Decided impressionism could go no further. Mentor of the French six.

41
Q

Erik Satie

A

Studied at the Paris Conservatory and lived near poverty. Preoccupied with medieval rites (Rosicrucians)

42
Q

Erik Satie

A

Returned to simpler melodic lines with more clarity and orchestration, harmony, devoid of emotion, return to classical form

43
Q

Erik Satie

A

Strange titles, such as three pieces in the form of a pair, do not put your head under your arm, satirizing impressionist titles

44
Q

Erik Satie

A

Works – Gymnopedies, parade, Socrate, symphonic drama on dialogues of Plato

45
Q

Erik Satie

A

Homophonic melody & accompaniment, more diatonic, and less colorful orchestration. Mocked impressionism.

46
Q

Erik Satie

A

Very eccentric but prophetic of what was to come in neoclassicism and minimalism